Boris Pasternak - Being famous is ugly: Verse. Being famous is ugly parsnip analysis of the poem Hamlet being famous is ugly

Being famous is ugly, analysis of Pasternak's poem according to plan

1. History of creation. The work “It’s Ugly to Be Famous” (1956) belongs to the late period of B. Pasternak’s work. By this time, he had already experienced a lot in life, and had the opportunity to compare his fate with the rest of his fellow writers. The work can be considered the author’s programmatic statement about creativity in general.

2. Genre- lyric poem.

3. Main theme works are creative activities. Already in the first line, the phrase that defines the entire poem appears - “being famous is ugly.” Most likely, the author is referring to the endless number of “creative figures” of the Soviet Union, who in fact do not represent anything remarkable. They achieved all-Union success not through creativity, but through submission and countless praises to the country's political leadership. The ideological background of the work is not so important.

Pasternak reminds us that the main goal of any author is “dedication.” Unfortunately, things often happen differently. Having achieved a certain success, a poet or writer enjoys fame and honor. In the future, his creativity will be subordinated to maintaining this position (“to be a byword on everyone’s lips”), and not to higher creative goals.

Pasternak was sure that real recognition should come to the creator much later, from grateful descendants. In a burst of inspiration, a poet is able to break the boundaries of time and space. Only in this case will his work have real value. Calling on his colleagues to “plunge into the unknown,” the author denounces mediocre paper scribblers who are prone to publishing voluminous memoirs and autobiographies.

The task of a creative person is to create new worlds, and not to exalt his own miserable and uninteresting fate. Pasternak considers the ability not to distinguish between “defeat and victory” to be especially important. Each author must completely renounce worldly goods through complete dedication, while remaining himself. Only by eliminating his dependence on surrounding temptations or dangers can the creator consider himself “alive.”

4. Composition poems are sequential.

5. Size of the work- iambic tetrameter with cross rhyme.

6. Expressive means. The entire poem is built on antithesis. The author contrasts “dedication” with “hype” and “success”, “imposture” with “love of space”. The imagery of the work is given by phraseological units (“a parable on the lips”, “an inch behind an inch”) and metaphors (“the call of the future”, “gaps in fate”). The finale is reinforced by the threefold repetition of the epithet “alive.”

7. Main idea works - true creativity cannot be dependent on transitory values.

In these lines of his famous poem “Being Famous is Ugly,” Boris Pasternak raises the problem of the loss of the true, high meaning of creativity for a person, the problem of spiritual temptation by fame, which is both the main idea of ​​the work and a topical problem of the entire human society.

The author draws our attention to the phrase “meaning nothing” - there is nothing attractive in becoming famous without performing any significant, worthy deeds; on the contrary, it is shameful. It's shameful to feel like a celebrity and realize that not a single good deed preceded it.

Yes, I completely share the writer’s position. After all, the concepts of “activity” and “creativity” presuppose certain behavior and human actions aimed at transforming the environment and creating something new, respectively. However, undeserved, empty fame does not imply any transformation of the environment, any creation of cultural or material values. People who have become famous for something other than some noble act tend to have no conscience; Such people are ashamed and disgraceful.

Let's take modern show business. Russian pop stars are often glorified not due to their talent, but due to their appearance, some extravagant actions on stage, in the end, connections decide a lot, if not everything. But there are very few truly talented people.

Stories of bad people are another fate of this problem. After all, as history shows, you can become famous for both good and bad deeds. The stories of Napoleon, Hitler, Chikatilo, Bonnie and Clyde are examples of this.

Thus, it is better to be glorified by good deeds and virtues. Bad deeds and fame by any means are immoral. This problem is still relevant, since many people dream of becoming famous on the Internet, and there are many ways to do this, including shameful ones.

The poem “Being Famous is Ugly” is his programmatic work: in it the author expresses his thoughts about what a creative person should be and describes his views on literary creativity. Using a brief analysis of “Being famous is ugly” according to the plan in a literature lesson in the 9th grade, you can easily and clearly explain to schoolchildren the essence of these views.

Brief Analysis

History of creation- written in 1956, it was included in the poetry collection “When it clears up,” along with other works written by Pasternak over three fruitful years.

Theme of the poem- the essence of creativity and the poet’s code of life.

Composition– the work can be divided into three thematic parts. In the first, the poet argues that the creator should not strive for public recognition; this is not the goal of creativity. The second part reveals the opinion of how exactly a poet should live, and in the last, final part of the composition, Pasternak says that following the code of life will ultimately lead a creative person to literary immortality.

Genre- philosophical lyrics.

Poetic size– complex, Boris Pasternak uses transitions from one size to another according to the pattern spondee - pyrrhic - pyrrhic - iambic.

Metaphors – “leave gaps in fate“, “be the talk of the town“,

Epithets- "and whole life“, “living trace“, “in one piece“.

Comparisons – “how the area hides in the fog“.

Antithesis – “ defeat - victory“.

History of creation

The poem “It’s not beautiful to be famous” was written after a whole series of events in the poet’s life - he was recognized, he became a member of the Writers’ Union, the “leader of nations” died, but the general literary fuss worried him less and less, Pasternak was mainly engaged in translations. At the same time, he thought a lot about the essence of creativity, the result of these thoughts was the hard-won truth, clothed in poetic form in 1956.

There is a hypothesis related to the history of creation that with this work, which can be called programmatic without exaggeration, Boris Pasternak demonstrated his rejection of the creative choice of Vladimir Mayakovsky, who at that time was considered the best poet of our time and an almost inviolable personality.

The poet included the poem in his collection “When it clears up,” which was filled with more than forty poems in the period from 1956 to 1958.

Subject

The general theme is the essence of creativity and the path of a creative person, his purpose, but Pasternak also reflects on death and life, on fate, on the goals of creativity in the broadest sense.

Composition

The compositional structure of the verse is quite simple - it is three-part. In the first part, the poet seems to pour a bucket of ice water on the reader, talking about creators who are the talk of everyone’s lips, without meaning anything.

The second part is a reflection on what a person should be like. engaged in creativity - Pasternak sees him as a person living without impostor, but for the sake of eternity. He must leave his life behind the scenes, showing only the result of his creativity, and not his personality.

And the third part is instructions to other poets on what needs to be done in order to remain in eternity, and not gain only momentary fame. According to Pasternak, for this it is necessary to be alive until the very end. At the same time, his instructions cannot be taken as arrogant moral teachings - the poet himself always followed the commandments that are set out in “Being Famous is Ugly.”

The main motive of the work is knowledge and search for oneself.

Genre

This is a philosophical work, Pasternak’s message to his contemporaries and descendants, his teaching, where the poet himself acts as a mentor. He shows others the path that he himself considers true - not to recognition by his contemporaries, but to something distant and eternal. Pasternak uses complex transitions from one meter to another, spondee is replaced by pyrrhic, and tom, in turn, by iambic. This allows him to express his thoughts quite freely without feeling constrained by the form. The rhyme is the same in each case - cross.

Means of expression

Pasternak mainly uses verbs to convey movement, the poem is replete with adverbial phrases - all this makes it very energetic. At the same time, the poet does not abandon classical means of expression, such as:

• Metaphors– “to leave gaps in fate”, “to be a byword on everyone’s lips”,
• Epithets- “a whole life”, “a living trace”, “a single slice”.
• Comparisons- “how the area hides in the fog.”
• Antithesis– “defeat is victory.”

All expressive means are used as harmoniously as possible - they work to reveal the general idea. Pasternak created a work that is an ideal combination of content and form.

Poem test

Rating analysis

Average rating: 4.8. Total ratings received: 22.

Boris Leonidovich Pasternak (January 29, 1890, Moscow - May 30, 1960, Peredelkino, Moscow region) - Russian writer, one of the greatest poets of the 20th century, winner of the Nobel Prize in Literature (1958).

The creative path of Boris Pasternak was very difficult and extraordinary. Today he is rightfully considered one of the brightest Russian poets of the 20th century. However, Parsnips wrote his most famous works, including the novel Doctor Zhivago, which brought the author a Nobel Prize, during the era of the formation and development of the USSR. Naturally, in order to become a famous writer in a country with a totalitarian regime, it was necessary to have not only a bright and original talent, but also to be able to hide one’s true feelings both in public and in his works. Parsnips were never able to learn this, so they were periodically subjected to disgrace by the ruling elite. Nevertheless, he was popular, and his poems, novels and plays, which periodically disappeared from sale and were rejected by censorship, were published abroad and copied by hand. The author was really famous, but he was embarrassed to be recognized on the street and tried in every possible way to belittle his own contribution to literature. However, not all Soviet writers behaved this way. Many of them, not having even a hundredth part of Pasternak’s talent, considered themselves real geniuses and emphasized this in every possible way. Moreover, in those days it was not so much a literary gift that was valued as a loyal attitude to party politics.

Among the creative intelligentsia, Pasternak, for all his fame, had few friends. The poet himself explained this by saying that he was unable to maintain warm and trusting relationships with hypocrites and careerists. Those who were treated kindly by the authorities could afford to live in luxury, although from the pages of newspapers they called on the people for equality and brotherhood. Therefore, in 1956, Pasternak wrote his famous poem “It’s Ugly to Be Famous,” which he addressed to his colleagues in the literary workshop.
Pasternak knows that history is created by people and interpreted by them to serve their own interests. Therefore, he is convinced that everything in this world is relative, and you should not revel in your achievements, which may be perceived completely differently after many years. The author believes that a real poet should not distinguish “defeats from victories,” because time will still judge everyone in its own way. And the only value that is an absolute value for Pasternak is the opportunity to “be alive” to the end, i.e. be able to sincerely love, despise and hate, and not portray these feelings to please someone in your works.

“Being famous is ugly” Boris Pasternak

Being famous is not nice.
This is not what lifts you up.
No need to create an archive,
Shake over manuscripts.

The goal of creativity is dedication,
Not hype, not success.
Shameful, meaningless
Be the talk of everyone.

But we must live without imposture,
Live like this so that in the end
Attract the love of space to you,
Hear the call of the future.

And you have to leave spaces
In fate, and not among papers,
Places and chapters of a whole life
Crossing out in the margins.

And plunge into the unknown
And hide your steps in it,
How the area hides in the fog,
When you can't see a thing in it.

Others on the trail
They will pass your path by an inch,
But defeat comes from victory
You don't have to differentiate yourself.

And should not a single slice
Don't give up on your face
But to be alive, alive and only,
Alive and only until the end.

Don't sleep, don't sleep, artist,
Don't give in to sleep.
You are a hostage to eternity
Trapped by time.

Which attracts attention with the extraordinary brightness of her talent. His poems interest many intellectual minds and are extremely popular. Many lines of his immortal creations have long become quotations. The analysis of the poem “It’s Ugly to Be Famous,” given in this article, will be of interest not only to literary scholars, but also to everyone who is interested in

The state of the lyrical hero

He is very tense, but confident that he is right. Pasternak's lyrical hero seeks the truth in this world and comes to certain conclusions only thanks to his own experience. A true creator is always a pioneer. He creates something that will later serve as a road for a large number of people, leading them to a new understanding of the truth and the world around them.

The lyrical hero does not rush around, is not lost in conjectures, he is completely calm and confident. Of course, it took him quite a long time to go all the way from start to finish and come to the point of becoming an artist. The fate of any creative person is connected with torment, eternal spiritual search, and service to art.

Let's try to analyze. “It’s not beautiful to be famous” (Pasternak’s poem) is intended to show the soul of the poet with his conflicting feelings. Like any creator, he is constantly in search of his place in the world. This is what Pasternak tells readers.

“Being famous is ugly”: analysis

In this lyrical work, the author touches on several topics relating to the creative process and human existence in general. Success and fame, in his opinion, are temporary. It is unacceptable to set these components as a goal, otherwise real creativity will fade and turn into simple making money. An artist must not cultivate greed and self-interest; he must be sincere and truthful.

If a simple man in the street can be forgiven for having a certain inclination towards profit, then for a poet such a “hobby” can turn out to be detrimental. Any creative person has a very vulnerable soul. Lies and deception destroy it, deprive it of a sense of self-sufficiency and peace. What conclusions does the analysis allow us to draw?

“Being famous is ugly” emphasizes the great role of the poet in public life and determines his place in the universe. The artist always paves the way to the future, he does not live in the present, and therefore is never satisfied, completely satisfied. This is the main idea that Pasternak emphasizes in the poem “Being Famous is Ugly.” The analysis of this lyrical work is aimed at revealing the essence of creativity.

Why does the poet live?

The purpose of a word artist is different from that of most people. Every creative person has the ability to feel and perceive things that a simple person in the street would simply not pay attention to. The Creator is always sensitive to what is happening; for him there are no unnecessary trifles. A poet should not constantly be concerned with overly ordinary things, otherwise he will lose himself. He needs more time to be alone with his own infinite essence and realize the significance of everything that happens. Otherwise, any artist is doomed to countless torments and suffering.

Truth is of the highest value to him. For the sake of truth, he is ready to endure temporary hardships and go towards his goal. Freedom represents the poet's guide. There is no way to do without it. Only by remaining free can a poet create and move forward to new achievements. The analysis of “Being famous is ugly” shows how difficult and unusual a creative person is.

The poet's aspirations

All artists are designed in such a way that they necessarily see the meaning of their lives in serving the will of the Almighty as much as possible. Such a person is more connected to his inner essence than anyone else, so he has well-developed intuition. The lyrical hero considers dedication to be the goal of creativity. He talks about how important it is to stay alive until your last breath.

It is important to live this life with dignity, without adapting to circumstances and without trying to play some role. You need to remain yourself and go all the way to your own achievements. Only then will a person be truly happy. The analysis “Being famous is ugly” demonstrates the task of any artist on earth - to seek the truth in everything and live according to the laws of conscience.

Instead of a conclusion

Thus, the meaning of the poet’s stay on earth is not to preserve himself as long as possible, but to properly and profitably spend his internal creative forces. The potential inherent in an artist can serve for the benefit of other people and show them the right path. Pasternak’s “It’s Ugly to Be Famous” shows the depth of feelings and experiences of a true creator who always lives on the edge of his capabilities and is surrounded by contradictions.