Biographies Characteristics Analysis

Historical era in the fate of Russian literature of the Golden Age. Historical eras in order: chronology What political event marked the beginning of the historical era

The historical era in which the creators of the early Russian classics happened to live and which largely shaped them was revolutionary, explosive, and heroic. Its meaning was the triumph of enterprise over nobility, individualism over class ethics, novelty over traditionality. But, having brought hope for the renewal of society, the state and the individual, this era ended in a deep crisis, general disappointment in the idea of ​​progress.

As we have already said, it was preceded by the philosophical searches of the encyclopedists. And the immediate beginning was the French Revolution of 1789-1793. Now, from our historical distance, it is difficult to understand how global were the changes that she brought with her. If you compare it with something, it’s not even with an earthquake, but with a grandiose volcanic eruption, after which everything starts to move, everything changes. Where there used to be fertile lands, a scorched desert remains, and where there was a wasteland, springs begin to flow and greenery appears; old peaks disappear and new mountains are born. And if we switch to the dry, but more precise language of abstract concepts, then the revolution led to a sharp change in historical structures.

So what happened? You know the details from the new history course. And we will only briefly recall the events that had a decisive influence on the development of Russian literature in the first half of the 19th century (we will find references to them in almost all the works that we will read together).

By the early 1790s, the French feudal-aristocratic state had exhausted its capabilities. It literally went bankrupt. King Louis XVI was forced to convene the Estates General, which until then had played no real role. The Estates General declared themselves first the National Assembly, and then the Constituent Assembly, which was intended to found a new state structure for bourgeois France and bring the third estate to power. In response to the king’s attempt to dismiss the deputies to their homes, on July 14, 1789, the elements spilled onto the streets: an uprising began, culminating in the capture of the Bastille prison-fortress and marking the beginning of a new, revolutionary era in the history of France, and indeed all of Europe.

And on August 26 of the same year, the “Declaration of Human and Citizen Rights” was adopted, proposing simple, clear and publicly accessible formulas for a new life order. “People are born and remain free and equal in rights,” property rights are inviolable and sacred, the personal freedom of a citizen is limited only by the rights of another person. Freedom of opinion, including political and religious, was proclaimed, and the supremacy of law over class privileges was declared. These formulas took into account the postulates of the “Declaration of Independence” of the North American United States - a new state that was formed in 1776 on the site of former European colonies and for the first time challenged all generally accepted state traditions. Both Goethe and Pushkin followed what was happening in the North American States with intense attention at different times.

After the king and his wife Marie Antoinette were executed in January 1793, the revolution finally threw off its liberal mask. The Jacobins - the name of the political club whose members came to power in the Convention, the body of revolutionary self-government - began to destroy their political opponents. Very soon, the dictatorship of the Jacobin leader Robespierre, who eventually himself fell under the guillotine, led the country to a bloody dead end. She was unexpectedly brought out of this impasse by the young Corsican general Napoleon Bonaparte, who took full power into his own hands and, step by step, made his way from revolutionary dictator (1799) to consul for life (1802), and then crown emperor (1804).

The revolution returned to the point from which it came; The republic again gave way to the empire. But it was already a different empire, a different monarchy. Napoleon seemed to be redirecting revolutionary energy in a new direction. He began the redistribution and conquest of the world; The Napoleonic wars, which redrew the political map of Europe, captured the imagination of contemporaries. It seemed to them that one person could not do this, that Napoleon had some kind of mystical, supernatural power; many directly called him the Antichrist. One way or another, in 1811 most of Europe became part of France.

The events listed above took place in the very center of Western Europe. And what was happening in Russia at the same time?

At the end of the 18th century, she tried to isolate herself from the revolutionary storms. The last years of the reign of Catherine II the Great (after the suppression of the Pugachev uprising in 1774) were a time of golden, blissful stagnation; Never before and never since has the Russian nobility felt so calm and confident. At the same time, the empress herself understood perfectly well that serious changes in state and public life could no longer be avoided. Calming the nobility, giving them more and more privileges, she secretly pondered legislative reforms that would have to overtake the brewing revolution and bring it “from above.”

Catherine II pinned special hopes on her grandson, the future Emperor Alexander I Pavlovich; her plans, however, were destroyed by sudden death in 1796. Paul I, who reigned after her, was never able to find a common language with the nobility and ultimately fell victim to a conspiracy in 1801. Having become an involuntary participant in parricide, Alexander I at the beginning of his reign tried to clear historical rubble and prepare the ground for serious reforms, but stopped halfway.

There are many reasons for this. One of them is that Alexander’s Russia from the very beginning entered into a confrontation with Napoleonic France and was forced to waste precious energy on a series of military conflicts in 1805-1807. They ended with the Tilsit Peace Treaty, which was humiliating for Russia. But by 1812, when Napoleon declared a new war on it, Russia had managed to accumulate the moral and military forces for victory; The Patriotic War became one of the main events of Russian history. The dates and names of the main battles of 1812 have forever entered into Russian cultural usage: August 4-5 - battles for Smolensk, August 26 - Battle of Borodino, September 1 - council in Fili, September 4-6 - fire in Moscow, November 14-16 - Battle of the Berezina River, December 14 - the final expulsion of the “great army” from Russia and the beginning of the war for the liberation of Europe.

The young officers, returning from the European campaign and inspired by the victory, hoped that Alexander I would finally realize Catherine’s dream and start the revolution “from above.” But the time allotted by history for calm reforms was wasted by the Russian authorities; a series of national liberation uprisings in Europe and Asia Minor in the early 1820s forced Alexander to “freeze” reforms until better times, which, alas, never came.

Young Russian nobles, not waiting for the monarchy to renew the country, began to unite in secret anti-government societies, the ultimate goal of which was the adoption of a constitution and the limitation of autocracy. (Some relied on a republican form of government, others on a constitutional monarchy.) Early organizations - the “Union of Salvation” (1816-1817) and the “Union of Welfare” (1818-1821) transformed into the Northern and Southern societies, which on December 14, 1825 organized an armed performance on Senate Square in St. Petersburg. Blood was spilled; The uprising was suppressed by troops who remained loyal to the new Tsar Nicholas I.

The reign of Nicholas I, which began tragically with the suppression of the uprising and the execution of five Decembrists, became one of the most controversial eras of modern Russian history. Possessing a sound mind and strong character, Nicholas did everything to correct the mistakes of the previous reign. In the second half of the 1820s, he waged successful wars in the east of the empire; energetically ruled the country, firmly defended its interests (as he understood them). But already in 1830-1831 a series of military-political upheavals occurred, from which Russia emerged internally weakened and bitter.

In November 1830, an uprising for Polish independence broke out in Warsaw, which by the summer of 1831 was brutally suppressed by the Russian army. At the same time, peasant riots took place in military settlements; Relations with Europe, especially with France, sharply deteriorated. Having inherited a number of insoluble problems from his older brother Alexander I, Nicholas I hastened to change Russia’s internal policy, cracking down on nascent public opinion, tightening censorship, and strengthening the power of the state bureaucracy.

The emperor did not delve into the problems facing the thinking part of the non-governmental intelligentsia and pushed social ills inside. The policy of isolation from the “dangerous” West, infected with revolutionary ideas, ultimately led Russia to a dead end. But the main problem of a country with a population of millions - serfdom - was never solved. The sad result of Nicholas's reign was the Crimean War (1853-1856), shameful for the Russian Empire.

The social atmosphere that shaped the next generation of Russian classics, from Ivan Goncharov to Anton Chekhov, was completely different from the atmosphere of the era that befell Karamzin, Pushkin, and Gogol. In the 1840s, Russian society (at least the educated part of it) was overcome by feelings of disappointment and social apathy; many topical problems could not be discussed out loud - and writers developed an Aesopian language, learned to talk about painful issues with the help of hints, allegorically. Something similar happened in the West.

A series of social upheavals in France (1830, 1848) eventually led to the restoration of the monarchy: the grandson of Napoleon I Bonaparte, the more than conservative Napoleon III, came to power. With the accession of Queen Victoria (1837-1901), Great Britain began the long and magnificent Victorian era - a time of triumph of traditional values ​​that proved their resistance to the onslaught of social movements. The Poles' dream of national independence did not come true; the Germans' hopes of creating a single state from disparate principalities were in vain. (Only Prince Bismarck, who would become Chancellor of Germany in 1871, will be able to solve this problem.) The Slavic and Finno-Ugric peoples - Serbs, Czechs, Bulgarians, Magyars, Finns - under the influence of romantic ideas and military-political upheavals of the 19th century realized themselves as full-fledged nations . That is, historical communities of people who are united not only by historical roots, but also by state borders, literary language, and cultural traditions. However, they were never able to free themselves from foreign rule and did not gain the long-awaited state independence from powerful empires: the Ottoman ports (present-day Turkey), Austria-Hungary, and Russia.

Meanwhile, under the cover of political reaction, important and very dangerous processes for the fate of mankind took place both in the West and in Russia. Just as in the second half of the 18th century the third estate, the bourgeois, entered the historical stage, so in the second half of the 19th century the proletariat, the poorest and least qualified part of the working class, declared its claims to a special role in history. The smart and firm leaders of the revolutionary movement took advantage of this. First of all, the outstanding German political economist and philosopher, author of the monumental work “Capital”, Karl Marx. The idea of ​​social justice took hold of minds, and under the slogan of protecting the professional rights of workers, the “Communist League” (1847) was created, for which Marx, together with the publicist Friedrich Engels, wrote the “Manifesto of the Communist Party” (1848).

In this Manifesto, for the first time, the task of the revolutionary destruction of the old world order was clearly and clearly stated and a supra-historical goal was proclaimed: the creation of a new civilization, a utopian kingdom of proletarian happiness. For this dream, humanity will pay in the 20th century with tens of millions of innocent lives and bloody upheavals, but already in the 19th century, under the influence of revolutionary ideas, a new phenomenon arose, destructive and not recognizing national borders - terrorism.

Secret terrorist organizations were also formed in Russia. One of them, “Narodnaya Volya,” sentenced Emperor Alexander II (he ruled the country from 1855 to 1881). Meanwhile, the tsar sought to renew the country, to rid it of long-standing and even centuries-old, chronic diseases. He not only carried out the great Peasant Reform of 1861, abolishing serfdom, but also introduced a system of local self-government (it was called zemstvo), reformed the court and army. After the suppression of the second Polish uprising (1863-1864), Alexander II somewhat slowed down the progress of reforms, fearing the growth of radical sentiments. And all the same: it was he who prepared Russia for the new realities of political, economic, and intellectual life that it had to face at the end of the 19th and beginning of the 20th centuries.

But the revolutionary terrorists cared little about the future of the country; they demanded to change the present - and immediately; The gradual improvement of the Russian order did not suit them; they were steadily pushing Russia towards chaos. Therefore, a number of attempts were made on the life of Alexander II (1866, 1867); Since 1879, the secret terrorist organization “People's Will” began hunting him - and on March 1, 1881, the emperor died at the hands of terrorists. Moreover, according to legend, the tsar was mortally wounded on the very day when he decided to launch a constitutional project that was supposed to introduce constitutional-monarchical rule in autocratic Russia, that is, change it radically.

Thus, Russian revolutionaries stopped the peaceful process of state evolution. The next ruler of the country, Alexander III (reign: 1881-1894), recoiled in horror from political reforms, which in his mind were firmly associated with the growth of revolutionary unrest. He managed to “freeze” the revolutionary ferment in Russian society for some time and redirected his state energy from the political to the economic plane. However, having chosen a policy of counter-reforms, strengthening the role of the police, local and central bureaucracy, the tsar unwittingly repeated the mistake of the late Nicholas I: he did not heal the state, but drove the disease inside.

Being a talented and ambitious leader of the country, he hoped that the rapid growth of industry (the successes of Alexander III and his administration in this area were very impressive) would by itself, without political reforms, pull Russia up and eliminate the social basis for anti-government sentiments. The Tsar wanted to raise the patriotic spirit of the population by relying on officers, merchants, wealthy peasants, and merchants...

But as a result, Russian revolutionaries only lay low, learned the art of conspiracy and began preparing for the coming upheavals. The revolutionary movement has long been an international phenomenon: in the late 1860s, the world organization International arose, which coordinated the activities of labor movements in different countries. Hopes that internal Russian measures would be able to extinguish the global fire forever were naive. As for patriotic ideas, during the reign of Alexander III the fine line between healthy national feeling and pathogenic nationalism was often violated; Jewish pogroms broke out more than once in the south.

Important events also took place outside the European continent; one of the main ones is the Civil War in the USA (1861-1865) between the North and the South. Southerners were in favor of preserving the principles of slavery, northerners were against; The meaning of the Civil War was the struggle for the path that America would take in the 20th century, the path of personal rights and civil liberties or the path of slavery and racism...

Such was the historical background of the literary achievements that we have to study.

Depending on the point of view on the object of study and the processes taking place, historical eras in order may not be located at all in the sequence to which ordinary people are accustomed. Moreover, even the zero reference point can be placed in a completely unusual place.

Start of countdown

What is "History"? History is what is written down. If an event is not written down, but is transmitted orally, then it is a tradition. Accordingly, it would be reasonable to assume that historical eras relate only to the period of human civilization when writing was already invented. This is one of the important factors that separates historical eras from geological ones.

Following these arguments, the beginning of the countdown of historical eras will start from the moment of the invention of writing. But at the same time, the tradition of writing should not be interrupted.

In particular, there are samples of writing that date back 8 and 7.5 thousand years. But they were not continued, but were just local manifestations of the power of human intellect. And these letters have not yet been deciphered.

The first records deciphered to date appeared in Egypt, approximately 5.5 thousand years ago. These are clay tablets that were in burials. The names of the deceased were written on them.

This writing was no longer interrupted in time.

From this moment, the order of counting historical eras begins.

Historical eras in chronological order

In each isolated region of the Earth, writing appeared in its own historical period. We will analyze the culture closest to us - European. And its origins, through the Cretan civilization, go back to Ancient Egypt.

Please note that when considering Ancient Egypt as the ancestral home of European culture, we are separating ourselves from geographical references. According to the “Theory of Civilizations” prof. A.D. Toynbee, these structures have the ability to develop, give life to other civilizations, and in some cases fade away or degenerate into other cultures.

This means that the beginning of the chronology of historical eras will be the middle of the Chalcolithic.

1. Ancient world, with a total duration of approximately 3000 years, including:

· The Copper Age, which ended approximately 3,700 years ago.

· Bronze Age. Ended 3100 years ago.

· Iron Age. Lasted until 340 BC.

· Antiquity. With the fall of Rome in 476, the era of the Ancient World ended.

2. Middle Ages. Lasted until approximately 1500 (duration ≈1000 years). The beginning of the end of the Middle Ages was marked by:

· Massive resettlement of the educated part of the population from Byzantium to Europe.

· Fall of Constantinople in 1453.

· The emergence of the Renaissance. Perhaps it was this factor that was the foundation on which modern capitalist civilization, with its vices, was formed.

3. New time. This era lasted about 400 years, and ended at the end of 1917 with the October Socialist Revolution. During this time, the cultural and moral state of society has undergone incredible metamorphoses.

If at the beginning of modern times, the center of the worldview of an ordinary person was God, who created man, the whole world, and in general, was the measure of all things. Then after passing the era

· Renaissance, through the works of Thomas Aquinas, theology began to be perceived as an ordinary scientific discipline, not tied to God. Then, the champion of Rationalism, Descartes, proclaimed the postulate: “I think, therefore I exist.” And in the finale, G. Cherbury concluded that Christianity is an ordinary philosophical teaching. This marked the beginning of Deism. Then followed

Voltaire added a drop of fuel to the fire of reformatting consciousness, who argued that it was not God who created man, but man invented God. This marked the beginning of a schizoid split in the minds of an entire civilization. After all, on Sundays everyone went to church, and there they admitted that they were sinners and unworthy. But on other days, they were equal to God.

And although now people began to be considered the measure of all things, people began to feel the lack of a spiritual and mystical component in their lives. And appeared on the threshold

· The Age of Romanticism. Reason was pushed to the sidelines, and feelings and emotions began to dominate, replacing spirituality. Hence the uncontrollability, the desire for risk. Dueling was almost legalized. The image of the “noble savage” was formed.

Feuerbach graduated from this period with the postulate: “Feelings are nothing, the main thing is to eat tasty and satisfying food.” And then it was the turn of women’s emancipation. Meanwhile, they are ontologically the guardians of traditional values.

4. Modern times. This period continues to this day, almost a hundred years.

Curious patterns

According to the calculations of prominent scientists, during each of the eras described above, approximately 10 billion people managed to live on the planet. But the phenomenon of compression of historical time, with each era, reduced its duration by 2.5-3 times.

There are suggestions that for humanity to transition to a new formation, a certain amount of knowledge and technological innovation must accumulate, which in turn lead to a qualitative leap.

Prof. S. Kapitsa, derived the formula for population growth for the entire planet: N(t)=200 billion /(2025-t). Where N is the number of population at a given time, and t is a given time. Two constants: 2025 and 200 billion people, were obtained by several scientists independently of each other.

This formula allows you to construct the following graph of population growth on Earth:

And it coincides with information about the population that historians provide with varying accuracy.

According to this concept, S. Kapitsa argued that approximately in 2025, a certain phase transition should occur in the development of human civilization, which will be accompanied by global changes in all spheres of life.

4. Main events of political history

The political history of the Seleucids was determined by the main factors discussed above. Already Antiochus I had to conduct military operations both in Asia Minor and in southern Syria. In Asia Minor, he defeated the Galatians (278–277 BC), for which he received the title of “Savior” (Soter). War elephants played a vital role in this victory. Less successful was his war with the Ptolemies (First Syrian War -274–271 BC). Although Antiochus's ally, the Macedonian king Antigonus Gonatas, managed to neutralize the actions of the powerful Egyptian fleet, Antiochus, who waged a land war, failed to achieve any serious successes. Ptolemy II retained all his possessions in southern Syria and even expanded his zone of influence in Asia Minor. By the end of the reign of Antiochus I, Pergamon became completely independent.

During the reign of Antiochus II, the successor of Antiochus I, the Second Syrian War broke out. Information about her in the sources is extremely fragmentary. Antiochus II managed to somewhat expand the borders of his possessions in Asia Minor and Southern Syria. At this time, the situation in the East changed dramatically. Around 250 BC e. Bactria and Parthia fall away from the central government. The reasons for this lie in the change in the general line of Seleucid policy. Seleucus I and Antiochus I paid great attention to these areas. New cities were actively built here, borders were strengthened, for example, a wall was built that surrounded the entire Merv oasis. However, later the center of gravity of Seleucid policy moved to the West and the eastern satrapies began to be considered by the government only as an object of exploitation, to obtain funds for conducting an active policy in the West. The Greek and Macedonian population of these satrapies could not come to terms with this, since the situation here was quite complex (the threat of nomad invasions, growing discontent of the local population), and further continuation of the short-sighted, from their point of view, policy of pumping out financial and human resources could lead to disaster - the fall of the power of the Greek-Macedonians in these satrapies. The fate of the fallen satrapies is different. An independent kingdom is created on the territory of Bactria, which is usually called Greco-Bactria. In Parthia, the development of the political situation was sharply complicated by the intervention of the nomads of the Parni confederation. The Parni, led by Arshak, invaded Parthia. In the ensuing struggle, satrap Andragor died, and the satrapy came under the rule of Arshak. Thus, two independent states emerged in the eastern territories that previously belonged to the Seleucids.

The Seleucid state experienced very severe shocks at the very end of the reign of Antiochus II. When the king concluded a peace treaty with Egypt at the end of the Second Syrian War, a marriage was concluded between Antiochus and Ptolemy's daughter Berenice as a guarantee of friendship between the two states. In order to marry the Egyptian princess, Antiochus had to divorce his first wife Laodice, with whom he already had two sons. After the death of Antiochus II, a fierce dynastic struggle begins between the supporters of Laodice and Berenice. Berenice and her newly born son were killed, and Laodice's son Seleucus II no longer had rivals. However, Ptolemy intervenes in this struggle and the so-called Third Syrian War, or “War of Laodicea,” begins. Taking advantage of the dynastic strife that reigned in the Seleucid state, Ptolemy captured all the most important cities in Syria, including the capital of the state, Antioch on the Orontes. Seleucus II (246–225 BC) managed to restore his power with great difficulty. Relying on an alliance with the rulers of Pontus and Cappadocia, he recaptured most of the cities captured by Egypt. However, he failed to return Seleucia to Pieria - the main base of the Seleucid fleet - and the port of Antioch on the Orontes. The further reign of Seleucus II was filled with the struggle with his younger brother Antiochus Hierax (“the kite”), who claimed power in the state. In the end, Hierax was killed by his own mercenaries, and Seleucus II died soon after.

After the short reign of Seleucus III, the throne passed to the youngest son of Seleucus II, Antiochus III (223–187 BC). The time of his reign is the time of the highest rise of the Seleucid state, but at the same time the beginning of its fall. The political situation in the first years of the reign of Antiochus III was very difficult. In Asia Minor, power belonged to Achaeus, a relative of Antiochus, who apparently had some reason to claim the royal title. He, however, gave up the throne to Antiochus without a fight, receiving in return power over Asia Minor, which he ruled as an independent ruler. In the East, the satrap of Media Molon and his brother Alexander, the satrap of Persia, rebel against the central government.

Having suppressed Molon's rebellion, Antiochus III was able to act in the south, and the Fourth Syrian War began (219–217 BC). The Seleucid army returned Seleucia to Pieria, and military operations were successfully launched in Phenicia and Palestine. However, in the decisive battle of Rafia (217 BC), the Seleucid army was completely defeated. As a result, Antiochus III lost all acquisitions in Syria, with the exception of Seleucia in Pieria.

In subsequent years, Antiochus III waged military operations in Asia Minor, where he ultimately managed to crush the power of Achaea. Achaeus himself was captured during the siege of Sardis and given a painful execution. Having thus strengthened his power, Antiochus III began the famous eastern campaign (212–205 BC), the purpose of which was to restore Seleucid power over the lost eastern provinces. Media served as the base for this campaign. To obtain funds, on the orders of Antiochus, the temple of Anahita in Ecbatana was robbed, which yielded a huge sum of 4,000 talents. The result of the campaign was the conquest of Parthia and Greco-Bactria, which, however, retained their statehood as vassal kingdoms in relation to the Seleucids. Antiochus' army then crossed the Hindu Kush and invaded India; An agreement was concluded with the local king Sofagasen, according to which Antiochus received Indian war elephants. The Seleucid army made its return journey through the territory of Southern Iran. Antiochus strengthened the position of his state in the Persian Gulf, and from Persia he carried out an expedition to Arabia. Antiochus himself attached so much importance to this campaign that after its completion he accepted the title of “Great”.

After the end of this campaign, Antiochus III again returned to the problem of relations with the Ptolemies. Relying on an alliance with Macedonia, Antiochus was able to capture southern Syria, Phenicia and Palestine, and somewhat later a number of cities belonging to the Ptolemies in Asia Minor.

It was at this time that Antiochus III clashed with Rome. Before this, he had already captured Thrace and supported in Greece all those who were dissatisfied with Roman power. The Romans, in turn, began to prepare for a clash with Antiochus. The period of diplomatic and propaganda confrontation lasted for some time. Roman diplomacy turned out to be more successful: Pergamon, Rhodes and, most importantly, Macedonia, which had recently been defeated by the Romans, on whose support Antiochus especially counted, became Rome's allies. In 192 BC. e. direct military clashes began. They took place on the territory of Greece, where the Seleucid army landed. However, the miscalculations of Antiochus III's policies led to the fact that only the Aetolians became his allies. The army of Antiochus III was defeated at Thermopylae. The war was transferred to Asia Minor. Here Antiochus was finally defeated at the Battle of Magnesia on the Maeander (190 BC). Unable to resist further, he accepted the conditions dictated by the Romans: he renounced almost all Seleucid possessions in Asia Minor, all warships (except 10) and war elephants were given to Rome. In addition, within 12 years it was necessary to pay Rome a huge indemnity of 15 thousand talents.

Experiencing extreme financial difficulties, Antiochus III decided to improve matters in an already proven way: to rob local temples in Elimanda, which caused an uprising of the local population, during which Antiochus himself died. The collapse of the power recreated by Antiochus III immediately began. Greco-Bactria and Parthia again separated from the Seleucid state, Persis fell away, and unrest began in many areas.

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From the book The Golden Horde: myths and reality author Egorov Vadim Leonidovich

The main stages of the political history of the Golden Horde Having completed the bloody campaigns of conquest, the Mongol troops, burdened with huge convoys with looted goods and countless crowds of prisoners, settled at the end of 1242 in the vast steppes between the Danube and the Ob. New


Rejection of traditional Christian ideas about the purpose of human life, about the structure of society Creation of a completely new, non-religious picture of the world The idea of ​​history as a progressive movement towards the public good, that is, towards PROGRESS




The Encyclopedia was especially popular in Russia over the years - 29 collections (St. Petersburg, Moscow). In France, the Encyclopedia was read and discussed by provincial nobles, wealthy bourgeois, notaries, and teachers. It is these strata of society that will play the most prominent role in the preparation of the French Revolution.


2. AND HISTORICAL ERA French Revolution years “Declaration of the Rights of Man and Citizen” Jacobins - political club Convention - body of revolutionary self-government Robespierre




Russia Catherine II the Great Paul I Alexander I Russia enters into military confrontation with Napoleonic France years Treaty of Tilsit 1812


Secret anti-government societies Their goal is the adoption of a constitution and the limitation of autocracy “Union of Salvation” () “Union of Welfare” () Northern and Southern Societies December 14, 1825, Senate Square in St. Petersburg - armed uprising


Reign of Nicholas I Uprising for the independence of Poland, years, Warsaw Peasant riots Censorship Strengthening the power of the state bureaucracy Serfdom Crimean War ()




The proletariat enters the historical stage “Capital” Karl Marx “The Communist League” (1847) Karl Marx and Friedrich Engels “Manifesto of the Communist Party” (1848). Revolutionary destruction of the old world order, creation of a new civilization, a utopian kingdom of proletarian happiness. Terrorism "People's Will". Alexander II () Peasant reform of 1861 System of local self-government (zemstvo) Reform of the court, army March 1, 1881 Alexander III ()


International (late 1860s) American Civil War ()


3. CULTURE AND ECONOMY Development of capitalism The fate of a person depends not on his origin, but primarily on his own will, energy, and individual qualities. Dependence on money. Wealth becomes an instrument of power. Money begins to rule the world. Literary studies became an independent profession. Writers felt dependent on reader demand for their books.


TECHNICAL DISCOVERIES 1783 - balloon flight of the Montgolfier brothers Beginning of the 19th century - the first paddle steamer was built 1825 - the first railway was laid 1831 - Michael Faraday discovered the phenomenon of electromagnetic induction - the first trip around the world under the leadership of I.F. Kruzenshtern - Russian researchers and sailors set off for the first time to the shores of Antarctica


1863 - the world's first subway line was launched (London) 1876 - American Alexander Bell received a patent for a telephone set 1897 - Alexander Popov begins work on creating a wireless telegraph American Thomas Edison improved the telegraph and telephone, invented the phonograph (1879) German engineer Rudolf Diesel created an engine internal combustion German designer Count Zeppelin - airship Eiffel Tower in Paris - a symbol of technological achievements of mankind. 123 meters – height, weight – 9 thousand tons per year


N SCIENCE - N.I. Lobachevsky revolutionized ideas about the nature of space 1869 - the periodic law of chemical elements. D.I.Mendeleev Frenchman Louis Pasteur developed vaccines against anthrax (1881) and rabies (1885)




4. BOTH ART AND LITERATURE Ludwig van Beethoven () Fryderyk Chopin () Giuseppe Verdi () G. Berlioz ()


F.G OYA ()




K ARL B RYULLOV ()


ALEXANDER IVANOV ()


P AVEL FEDOTOV ()


P.I.Tchaikovsky () M.P.Mussorgsky ()


X ARTISTS - Wanderers I. Kramskoy () I. Repin () A. Surikov () V. Vasnetsov () I. Levitan ()

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But as a result, Russian revolutionaries only lay low, learned the art of conspiracy and began preparing for the coming upheavals. The revolutionary movement has long been an international phenomenon: in the late 1860s, the world organization International arose, which coordinated the activities of labor movements in different countries. Hopes that internal Russian measures would be able to extinguish the global fire forever were naive. As for patriotic ideas, during the reign of Alexander III the fine line between healthy national feeling and pathogenic nationalism was often violated; Jewish pogroms broke out more than once in the south.

Important events also took place outside the European continent; one of the main ones is the American Civil War (1861–1865) between the North and the South. Southerners were in favor of preserving the principles of slavery, northerners were against; The meaning of the Civil War was the struggle for the path that America would take in the 20th century, the path of personal rights and civil liberties or the path of slavery and racism...

Such was the historical background of the literary achievements that we have to study.

What main events of world and domestic history of the first half of the 19th century predetermined the fate of Russian writers of the Golden Age? Name the main names, events, dates.

Culture and economics

Culture and economics seem to be opposite poles. As much as the first is “impractical” and sublime, the latter is “down to earth” and aimed at obtaining benefits. And yet they depend on each other and influence each other to the extent that economic development affects the destinies, psychology and views of people.

Back in the 16th century, a new type of society began to establish itself in Europe, based on private property and free enterprise - capitalism. By the end of the 18th century, capitalism led to a rapid growth of urban production and undermined the foundations of feudalism. He destroyed the traditional forms of political and everyday life, accustomed a person to the idea that his fate depended not on his origin, not on the habits of previous generations, but above all on his own will, energy, and individual qualities.

The only dependence that capitalism recognized was dependence on money. However, the social nature of wealth has also changed. First wealth reinforced power, based on nobility and origin, surrounded her with an aura of luxury and omnipotence. Now wealth itself has become an instrument of power; money invaded politics and began to gradually, imperceptibly rule the world. And literature, which until now had been a haven of inspiration, a free leisure activity for wealthy people - nobles, aristocrats - has turned, as Pushkin put it, into “a significant branch of industry.” Literary studies became an independent profession; writers felt dependent not only and not so much on the favor of a high patron, philanthropist, but on reader demand for their books.

Technical discoveries, without which it is impossible competition- the main mechanism of a market economy - followed one after another; the word “for the first time” became the key word at the end of the 18th – beginning of the 19th centuries. In 1783, the Montgolfier brothers made their first flight in a hot air balloon, at the beginning of the 19th century, the first paddle steamer was built, in 1825, the first railway was laid, in 1831, Michael Faraday discovered the phenomenon of electromagnetic induction... There was an energetic exploration of the earth's space: expeditions around the world were constantly taking place. . In 1803–1806, the first Russian “around the world” was carried out under the leadership of Ivan Fedorovich Kruzenshtern; in 1814–1821, Russian explorers and sailors first set off to the shores of Antarctica...

In the second half of the 19th century, this process assumed an essentially irreversible character. Technological breakthroughs led to economic growth, economic growth led to technological breakthroughs. In 1863, the world's first subway line was launched (London); five years later, subways were built in New York, then in Budapest, Vienna, and Paris. In 1876, Scottish-American Alexander Bell received a patent for a practically usable telephone; Some ten to fifteen years will pass, and telephone lines will connect cities and countries. In 1897, Russian physicist Alexander Popov, who had improved the radio receiver, began work on creating a wireless telegraph. This means that the information space of the Earth will narrow, distances will shrink: after all, from now on, in order to transmit urgent information, it will take minutes, not days, weeks or months.

Almost simultaneously with Bell and Popov, the American Thomas Edison improved the telegraph (then the telephone) and invented the first phonograph (1879), that is, a device for recording and reproducing sound. And in the last years of the 19th century, the German engineer Rudolf Diesel created the internal combustion engine, and the German designer Count Zeppelin airship- an aeronautical instrument, the prototype of a modern aircraft. The world has come close to the automobile era and the development of airspace.

A symbol of the technological achievements of mankind and at the same time an indication of the path of technical progress that the newest civilization has finally chosen for itself, will be the grandiose Eiffel Tower, 123 meters high and weighing 9 thousand tons, built according to the design of A. G. Eiffel in Paris for the 1889 World Exhibition .

Science did not stand still either. Scientists made one after another grandiose discoveries in various fields. In 1829–1830, Kazan mathematician Nikolai Ivanovich Lobachevsky published the results of his many years of work, which overturned ideas about the nature of space that had been considered unshakable for more than 2000 years, since the time of Euclid. In 1869, Dmitry Ivanovich Mendeleev comprehended one of the basic laws of natural science - the periodic law of chemical elements. The Frenchman Louis Pasteur, the founder of modern microbiology, developed vaccines against anthrax (1881), rabies (1885). Pasteur's vaccinations made it possible to defeat diseases hitherto considered incurable...

Of course, these scientific and technological processes interacted with the processes occurring in art only indirectly. But there was one type of art, the creation of which artistic culture, technology, science, and economics went hand in hand. In 1895, French inventor Louis Jean Lumière, with the participation of his brother Auguste, created an apparatus for shooting and projecting “moving photographs.” This was the first cinema camera suitable for practical use. In the 20th century, cinema will become a new art form and at the same time a powerful industry, combining the technological and creative discoveries of the 19th century.

These discoveries influenced both production and the very course of human life. If a man of the feudal era tried his best to preserve the old ways that had been established for centuries, then a man of the capitalist era was forced to constantly change himself, changing everything around him. Even if he didn’t want it, even if he rebelled against unstoppable renewal, like the English Luddites of the late 18th and early 19th centuries, who in anger smashed cars that deprived people of their jobs. Thus, the foundations of a centuries-old cultural tradition were gradually destroyed; her smooth, calm movement was exploded from within; the development of literature also accelerated.

How did the development of science, economics, and technology affect culture?

Arts and literature

But, of course, the fate of Russian literature in the 19th century was most closely connected with processes that took place not in economics and politics, but in other forms of art. Without the musical creations of the German composer L. van Beethoven (1770–1827) with his heroic symphonism, without the refined lyrical etudes, nocturnes of the great Pole F. Chopin (1810–1849), without the operatic achievements of the brilliant Italian G. Verdi (1813–1901) and symphonic discoveries of the Frenchman G. Berlioz (1803–1869), European, including Russian, literature would never have made the qualitative leap that it “decided” to take at the beginning of the 19th century.

After all, artistic ideas generated by a major historical era never belong exclusively to any one type of art. They literally float in the air and are perceived in one way or another by every art. The internally torn and externally harmonious sound of Beethoven’s tragic music, in which echoes of the revolutionary upheavals of that time were heard, was echoed in the lyrics of F. Schiller (1759–1805), whose poem “Ode to Joy” formed the basis of Beethoven’s 9th symphony. Chopin's attention to small forms, to unfinished fragments, to the nocturnal, mysterious atmosphere was passed on to the best lyricists of the first half of the century... And the strange drawings, engravings and paintings of the Spanish artist F. Goya (1746–1828), filled with inner horror of life, prepared the artistic ground for fantastic images of the best prose writers, including Gogol.

In the second half of the 19th century, completely different artistic ideas will triumph in European art: the world of aerial fantasy, the tragic experiences of the individual personality will be contrasted with life-like, realistic painting, epic music imbued with the spirit of the people. The time has come to descend from the sky-high heights to the sinful historical earth. The most popular Russian artists of the 1830s were K. Bryullov (1799–1852), the author of the monumental tragic painting “The Last Day of Pompeii” (1830–1833), and A. Ivanov (1806–1858), who devoted his entire creative life to creating the grandiose painting “The Appearance of Christ to the People” (1837–1857). And in the 1840s, the great writer of everyday life P. Fedotov (1815–1852) loudly declared himself, who became famous precisely for his attention to detail, for carefully depicted images from the life of insignificant people (“Fresh Cavalier”, 1846, “Major’s Matchmaking” , 1848). And in the musical world reigned the sweet epic P. Tchaikovsky (1840–1893) and one of the creators of the monumental tradition of Russian opera, M. Mussorgsky (1839–1881), who tried to breathe truly folk power into the art of opera. Writers of that time also felt a taste for depicting everyday life and social relationships.

An emphasized indifference to sublime themes and a desire for realistic, almost photographic accuracy distinguished the movement Itinerant artists. Their partnership was formed in 1870. Members of the society were the author of the famous “Unknown” I. Kramskoy (1837–1887), as well as I. Repin (1844–1930) - the creator of “Barge Haulers on the Volga” and the ceremonial portrait of Alexander III, V. Surikov (1848–1916), who wrote “Boyaryna Morozova” and many other monumental paintings from Russian history. The brilliant painter V. Vasnetsov (1848–1926) was also associated with the movement of the Itinerants, who not only willingly worked with genre subjects and copied reality (the painting “From Apartment to Apartment”), but also created fantastic images of Russian folklore and even painted cathedrals. A much younger artist, the sad landscape painter I. Levitan (1860–1900), also considered himself an Itinerant, under whose brush the features of mournful biblical greatness appeared in Central Russian nature.

Remember this when we study the works created by Russian writers of the second half of the 19th century. Writers, like artists and musicians, will pay tribute to the same artistic ideas. They will begin to peer more closely into the life around them, and will begin to describe it in detail and almost scrupulously.

But art did not stand still. It moved on, opened up new horizons. At the beginning of the 19th century, musicians and painters were animated by the realm of fantasy; the inner world of the artist himself was the main motive of European art. Then the time came to understand the surrounding reality, to “ground” art. And by the end of the century, the next step was taken in the direction of the unknown, the new, the unknown. In the 1860s, a new direction was born in French painting, and in the 1870s-1880s it blossomed impressionism(from the word impression - impression). E. Manet, O. Renoir, E. Degas, P. Cezanne returned to the art of painting the freshness of perception of life; they depicted instantaneous, seemingly random situations, the play of light and shadow. The main thing in their paintings is not reality itself, but the artist’s impression of it. To do this, the impressionists left their workshops and moved their easels to the open air, where colors change every second, where the air trembles and changes the outlines of objects. Impressionism was not limited to the sphere of painting. He influenced the work of sculptors (the brilliant Frenchman O. Rodin) and composers (the French C. Debussy, M. Ravel). Of course, his creative impulses also resonated in poetry. You will feel this when we talk about Russian lyrics from the very end of the 19th century.

And at the turn of the 19th and 20th centuries, people of art began to search for a new direction. Its origins were the powerful, slightly scary music of the composer and thinker R. Wagner (1813–1883), prone to hysterical mystery. A trend was gradually taking shape that would determine the fate of artists and musicians of the next generation. This current is called symbolism. You will be talking about it in the next class; Then you will learn what scientific ideas and doubts influenced the worldview of people at the end of the century and pushed art to search for new artistic ideas. In the meantime, you need to understand a fundamental thing: the new in art arises within the old, lives and develops in parallel with it. So, at the end of the school year we will read realistic, life-like stories by Anton Pavlovich Chekhov, written in the 1880-1890s. But it was in 1890 that the outstanding Russian artist M. Vrubel (1856–1910) painted his main painting “The Demon”, the intense and almost painful symbolism of which is associated with the next era in the development of Russian art...

Listen to a fragment from Ludwig van Beethoven's 9th Symphony, then a fragment from Modest Mussorgsky's opera Boris Godunov. Compare the tonality and general pathos of these musical works. Then compare two paintings - a portrait of A. S. Pushkin by the artist of the 1820-1830s Orest Kiprensky and “Fresh Cavalier” by Pavel Fedotov. What is the fundamental difference in the attitude of these artists to life? In what direction did Russian art develop from the first to the second half of the 19th century?

Questions and tasks

1. What political event marked the beginning of the historical era that shaped the views of Russian writers of the 19th century?

2. What ideas inspired people of that era?

3. What were the main events of Russian history at the end of the 18th–19th centuries?

4. How did the economy of that time influence culture?

Arkhangelsky A. N. Alexander I. M., 2006 (ZhZL).

The book sets out the basic facts of the life of the Russian Tsar; his political plans and real deeds.


Decembrists: Selected Works: In 2 volumes / Edition prepared by A. S. Nemzer, O. A. Proskurin. M., 1987.

Of all the anthologies of the literary heritage of the Decembrists addressed to the mass reader, this is the best. Contains program documents of early and late Decembrist societies, works by P. A. Katenin, F. N. Glinka, K. F. Ryleev, A. A. Bestuzhev, A. O. Kornilovich, V. F. Raevsky, N. A. and M. A. Bestuzhev, I. I. Pushchin, V. K. Kuchelbecker, A. I. Odoevsky, G. S. Batenkov, I. D. Yakushkin. Brief but profound comments.


Ludwig E. Napoleon: Biography. M., 1998.

A master of psychological analysis, Emil Ludwig became famous for his biographies of great people. Marina Tsvetaeva considered his book about Napoleon the best of all dedicated to this historical figure.


Tarle E. V. Napoleon: Napoleon’s Invasion of Russia // Tarle E. V. Collected Works. M., 1959. T. 7 (or any reprint).

The books by one of the most famous Soviet historians are written easily and extremely exciting. An essay on the life and work of Napoleon is not a popular biography, but a scientific and journalistic work, which nevertheless became a favorite reading for several generations of Russians.


Tarle E. V. 1812 M., 1959 (or any reprint). A short popular essay on the great events of Russian history.


Troitsky N. A. 1812: The Great Year of Russia. M., 1988. Detailed, detailed account of the history of the Patriotic War of 1812.


Eidelman N. Ya.“The moment of glory is coming...”: The year is 1789. L., 1989.

This book will help you navigate the main events of the French Revolution and learn about how it was perceived in Russia; it is specifically addressed to schoolchildren.


Eidelman N. Ya. Edge of centuries. M., 2004.

The history of the palace coup, as a result of which Paul I died and his son, the future Alexander I, came to power; it tells in detail and vividly about the problems that Russia faced at the turn of the 18th and 19th centuries.


Eidelman N. Ya. Your 19th century. M., 1980. Popular essays about the destinies of people of the Pushkin era, addressed to high school students.


Encyclopedia for children: Art. T. 7. Music. Theater. Movie. M., 2000.

A brief overview of the history of art, written specifically for schoolchildren.

Sentimentalism. Origins of Russian prose

Crisis of Enlightenment ideals

You already have some ideas about the Age of Enlightenment, about classicism and sentimentalism as artistic methods, about classicist ideas and about the sentimental worldview. Now we will try to trace these principles, ideas and sensations in development, in movement. The difference will be about the same as between a static photograph and a dynamic film. Changes in European literature, as well as in culture as a whole, accumulated gradually, gradually, imperceptibly to the eye, just as a person’s face imperceptibly changes throughout life.

Starting from the 17th century, and even closer to its middle, different groups of writers emerged who held different views on art, on its tasks and forms of expression. Gradually emerges literary process, during which the usual forms of creativity change, there is a struggle between directions, a search for new artistic ideas... The life of culture becomes more and more diverse, more and more complex.

In Western European literature, these changes begin earlier than in Russia, exactly as much earlier as capitalism was established in Europe. Russia at the end of the 18th and beginning of the 19th centuries is a feudal country in which bourgeois relations are just emerging. The Russian merchants, manufacturers, factory owners do not yet play an independent political and cultural role - they are only accumulating strength for a subsequent breakthrough. And Russian literature of the first half of the 19th century, which responsively accepted many trends of European culture, remained much more traditional, much more balanced, much more conservative (in the good sense of the word) than the romantic literature of European countries. She combined all the power of tradition with the freedom of novelty - this is what predetermined her originality and her greatness.

What in Western European literature directly preceded the rise of Russian culture? What example turned out to be “infectious” for Russian writers who prepared the golden age?

The main event in the intellectual life of Europe in the 18th century was, as you now know, the French “Encyclopedia” with its pathos of transforming life on a reasonable basis. But while many years of work on it were going on, a lot had changed. The ideas of the encyclopedists “descended” from transcendental intellectual heights to the bourgeois masses and became common formulas and platitudes. Meanwhile, in the quiet of the philosophical and writers' offices, intense mental work was going on. Just as the thinkers of the generation of Diderot and Voltaire became disillusioned with the previous picture of the world, so the European intellectuals of the new generation gradually became disillusioned with the ideas of the encyclopedists themselves. Hope was lost both in the omnipotence of the human mind, which is given to every person from birth, and in the power of experience that a person accumulates throughout life. Young thinkers believed less and less in the possibility of “remaking” the modern world on rational principles. More and more often they remembered the terrible earthquake of 1755 in the capital of Portugal, Lisbon, during which three-quarters of the beautiful city was destroyed and 60,000 of its inhabitants died. How can we then talk about a harmonious, reasonable world order? What to hope for, what to plan for, if at any moment life itself could end? The ideals that inspired the people of the Enlightenment did not seem to stand the test of history.

As if anticipating this turn in the minds of their contemporaries and being far ahead of their era, some European Enlightenment writers, already from the 1730s, increasingly and bitterly mocked the omnipotence of reason. While French philosophers were only pondering the ideas that would form the basis of the Encyclopedia, the English prose writer Jonathan Swift was already creating his immortal book Gulliver's Travels. And here, among other things, he talked about Gulliver’s journey to the island of intelligent horses, which retained wise justice, calm kindness, connection with nature - everything that humanity has long lost... This means that reason is given to man only as an opportunity, this opportunity can be used, or it can be miss.

Another English prose writer Henry Fielding in the novel “The History of Tom Jones, Foundling” (1749) told the life story of two brothers. Tom always followed the “call of the heart,” a person’s natural predisposition to goodness, and therefore, in the end, he became successful as a person. Blifil took the best knowledge from teachers, but did not educate his heart - and therefore natural, natural intelligence degenerated in him into petty prudence.

A latent conclusion was brewing: education and enlightenment of not only the mind, but also the feelings are necessary, otherwise the fragile European civilization faces disaster.

When does the crisis of the Enlightenment begin? What is it expressed in?