Autumn rose fet analysis. Analysis of Afanasy Fet’s poem “Autumn Rose”

Afanasy Afanasyevich Fet

Behind the sigh of morning frost,
Opening the blush of my lips,
How strangely the rose smiled
On the day of fast-moving September!

Before the fluttering tit
In the long leafless bushes
How to boldly act as a queen
With greetings to the spring on your lips.

To blossom in steady hope -
Parting from the cold ridge,
Cling to the last one, intoxicated
To the breast of the young mistress!

“The garden is all in bloom,” filled with the sounds of birds, the hum of insects and the fragrance of plants, is an important component of the artistic space of a rural estate. Among the frequency details of Fetov's garden topos, images of flowers stand out. “Sinlessly pure” children of nature are likened to spring and young female beauty. They are associated with elation and inspiration, with a feeling of happiness, which receives the metaphorical description of “blossoming of the heart.” Contemplation of dahlias, called “living odalisques,” or the first lily of the valley, the precious “gift of spring,” helps the hero to immerse himself in the ideal world of nature.

Among the Fetov floral splendor, the image of the rose has the highest status, which is awarded the titles of goddess and queen. In the 1890 poem, the garden queen does not lose her splendor, successfully withstanding the first autumn cold.

The leading image of the work is created according to the principles of anthropomorphism: the rose is endowed with the ability to smile “strangely,” act “boldly,” and stubbornly dream. The portrait of a character, in which the hero draws attention to the rosy lips, is more reminiscent of a woman’s appearance than an image of a flower. A similar artistic technique is used in relation to another natural detail - frost. His personification is organized using the lexeme “sigh”, usually used to describe living beings.

What is the boldness of a rose? The central and final quatrains are devoted to the explanation of this definition: the mysterious attractive flowering against the background of general decay is interpreted by the lyrical subject as a bold act, a majestic gesture of a truly royal person. Among the lifeless, leafless bushes, the lush and bright bud looks especially expressive.

The poem consists of the hero’s impressions generated by an unusual sight. Reminiscent of spring and “steadfast” undying hope, the image of a rose serves as an example of vital resilience and a symbol of true faith.

The blossoming during a period of general decline is spoken of in the work “Autumn Rose,” which appeared four years before the text under analysis. The emotions of the lyrical hero, who met the fragrant plant “among his dead” brothers, are also similar: admiration for courage, firmness before the “cruel test” of time. The image of the garden queen symbolizes a life-affirming principle and serves as a source of consolation that weakens the autumn sadness of the lyrical “I”.

Analysis of Feta's poem Autumn Rose

1. History of creation. The poem "Autumn Rose" (1886) belongs to the late period of A. A. Fet's work. It is believed that it is dedicated to the poet’s only true love - M. Lazic.

2. Genre of the work- elegy.

3. Main theme poems - the poet's admiration for the "autumn rose". This image symbolizes love for a girl who could bring Fet real happiness. In his youth, the poet rejected M. Lazic because she did not have an inheritance. After some time, the beloved died tragically. Fet took the death of Lazic very hard. Even after marrying a rich bride, he constantly remembered his past love. Fet felt guilty for Lazic's death. Over the years, this feeling only intensified.

The poem reflected the poet's painful experiences. The autumn landscape certainly symbolizes the author’s old age. Flowers killed by frost are the poet’s feelings, which are no longer left in the face of imminent death. Against the backdrop of all-encompassing destruction, the queen of flowers - the “Rose Queen” - stands out sharply. Love for Lazic continues to live in the poet’s heart, warming and illuminating his sorrowful path.

In the last years of his life, Fet increasingly isolated himself from the world around him and lost interest in it. Life without Lazic seemed to him like excruciating torture (“cruel trials”). The poet preferred to give himself over to memories and hopes of meeting his beloved in another world (“spring blows on me”).

4. Composition. poems are sequential. It consists of three stanzas.

5. Size of the product- iambic tetrameter with cross rhyme.

6. Expressive means. One of the main means of artistic expression in the poem is the antithesis: “the rose queen” is opposed to “trials and malice.” This opposition is strengthened by the epithets: “fragrant and lush” - “cruel”, “fading”. No less significant are the personifications: “he showered the forest,” “he exposed the garden,” “you blow in the spring.” Thanks to them, the landscape “comes to life”, and the analogy with the poet’s life drama suggests itself.

7. Main idea works. Fet understood that the past years could not be returned, fatal mistakes could not be corrected. He accepts his “autumn” humbly. The only joy in the poet's old age is the eternal feeling of boundless love for M. Lazic. Fet really believed that he would be able to meet his beloved after death and ask her for forgiveness. He even made several suicide attempts in order to speed up his date with the “autumn rose.”

Most people associate autumn with the period of dying in nature. And the poets did not pay too much attention to this time of year. Much more often, poems about spring or summer appeared in Russian poetry - such times of the year when revival and flourishing reign in nature.

Perhaps only Alexander Sergeevich Pushkin considered autumn “sad at times, charming to the eyes”. Only he was pleased "farewell beauty" And "nature's lush decay". And summer was just not too desirable, because everyone knows the poet’s lines that he would love a red summer, “if it weren’t for the heat, and the dust, and the mosquitoes, and the flies”.

The poem by Afanasy Afanasyevich Fet describes late autumn, because “the forest showered its peaks”, A “the garden has bared its brow”. The use of personifications here is very touching, as if we are looking at absolutely animated characters who are saying goodbye to their audience, like real actors, taking off their hat to them.

Then a new character enters the scene: “October has died”. And suddenly - impersonality: “Dahlias were burned by the breath of the night”. It’s as if the author is unable to believe that October is capable of such cruelty. And yet, the cold breath of autumn evokes a corresponding mood: longing for the past summer, sadness from the upcoming long autumn evenings, filled with the expectation of a distant spring.

At first glance, the contrast in the second quatrain turns out to be unexpected: “But in a breath of frost...” just one rose "fragrant and lush".

Indeed, it is, to say the least, strange to see a living rose among dead flowers. A bright picture appears before your eyes: the last flowers of autumn, frozen and blackened by the “breath of frost,” are dahlias, and a bright, probably red, like fire in the darkness, rose. The author calls her queen. And the hero, frozen, admiring, addresses her respectfully, as if she were a person of the highest blood: "Queen Rose".

Well, it is quite traditional to consider the rose the queen of flowers. However, Fet really deserves a high title, because the rose “among the dead one... is fragrant and lush”. Isn't this a miracle? Therefore, the hero, who has lost hope of happiness, finds it again. He seems to straighten his shoulders and, together with the rose, confronts “to the cruel trials and anger of the dying day”.

And again the traditional parallelism for Fet’s poetry comes into force: for a rose "fading day"- autumn night. But for the hero, too, the fading day means the onset of old age. This is a fairly common analogy in Russian poetry. And "cruel tests" in the life of Afanasy Afanasyevich himself there was a lot.

The parallelism of the last lines is also obvious: the rose that “the outline and breath of spring” blowing means that the hero still feels young, since spring is a time of youth and blossoming.

At the end of the analysis, it is simply necessary to remember what great importance Fet attached to the ending, believing that it should be such that not a single word could be added to it. This is exactly the ending of the poem “Autumn Rose”. The last quatrain is again built on the parallelism of the hero and the rose: in spite of all misfortunes ( "cruel trials") and approaching old age ( "the malice of the dying day") rose with its beauty ( "outline") and aroma ( "breath") reminds him of eternal youth and beauty. In other words, the hero is no longer a young man, but in "the malice of the dying day", that is, in the fading of his own life, he still remains receptive to everything good and beautiful. This is the meaning of the ending.

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Afanasy Fet

Autumn rose

The forest has crumbled its peaks,
The garden has revealed its brow,
September has died, and dahlias
The breath of the night burned.

But in a breath of frost
Among the dead is one,
Only you alone, Queen Rose,
Fragrant and lush.

In spite of cruel trials
And the anger of the dying day
You are the outline and breath
In the spring you blow on me.

“Autumn Rose”, analysis of Fet’s poem

Most people associate autumn with the period of dying in nature. And the poets did not pay too much attention to this time of year. Much more often, poems about spring or summer appeared in Russian poetry - such times of the year when revival and flourishing reign in nature.

Perhaps only Alexander Sergeevich Pushkin considered autumn “a sad time, a charm to the eyes.” Only he was pleased with the “farewell beauty” and the “magnificent decay of nature.” And the summer was not very desirable, because everyone knows the poet’s lines that he would love a red summer, “if it weren’t for the heat, the dust, the mosquitoes, and the flies.”

In a poem by Afanasy Afanasyevich Fet, late autumn is described, because “the forest has showered its peaks” and “the garden has exposed its brow.” The use of personifications here is very touching, as if we are looking at absolutely animated characters who are saying goodbye to their audience, like real actors, taking off their hat to them.

Then a new character enters the scene: “October has died.” And suddenly - impersonality: “The dahlias were burned by the breath of the night.” It’s as if the author is unable to believe that October is capable of such cruelty. And yet, the cold breath of autumn evokes a corresponding mood: longing for the past summer, sadness from the upcoming long autumn evenings, filled with the expectation of a distant spring.

At first glance, the contrast in the second quatrain turns out to be unexpected: “But in the breath of frost...” only one rose is “fragrant and lush.”

Indeed, it is, to say the least, strange to see a living rose among dead flowers. A bright picture appears before your eyes: the last flowers of autumn, frozen and blackened by the “breath of frost,” are dahlias, and a bright, probably red, like fire in the darkness, rose. The author calls her queen. And the hero, frozen, admiring, addresses her respectfully, as if he were a person of the highest blood: “Queen Rose.”

Well, it is quite traditional to consider the rose the queen of flowers. However, according to Fet, it really deserves a high title, because the rose “among the dead is the only one... fragrant and lush.” Isn't this a miracle? Therefore, the hero, who has lost hope of happiness, finds it again. It is as if he straightens his shoulders and, together with the rose, confronts “the cruel trials and anger of the dying day.”

And again the traditional parallelism for Fet’s poetry comes into force: for a rose, the “fading day” is an autumn night. But for the hero, too, the fading day means the onset of old age. This is a fairly common analogy in Russian poetry. And there were many “cruel trials” in the life of Afanasy Afanasyevich himself.

The parallelism of the last lines is also obvious: the rose, which “blows with the outline and breath of spring,” means that the hero still feels young, since spring is the time of youth and blossoming.

At the end of the analysis, it is simply necessary to remember what great importance Fet attached to the ending, believing that it should be such that not a single word could be added to it. This is exactly the ending of the poem “Autumn Rose”. The last quatrain is again built on the parallelism of the hero and the rose: in spite of all misfortunes (“cruel trials”) and approaching old age (“the malice of the fading day”), the rose with its beauty (“outline”) and aroma (“breath”) reminds him of eternal youth and beauty. In other words, the hero is no longer a young man, but in the “malice of the fading day,” that is, in the fading of his own life, he still remains receptive to everything that is good and beautiful. This is the meaning of the ending.

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Analysis of the poem - Autumn Rose

A. A. Fet wrote a lot of poems about nature, in which he tried to convey his state of mind, thoughts and feelings. Afanasy Afanasyevich was visited by unhappy love (for Maria Lazich) and therefore, it seems to me, longing for her can be traced in many poems.

Reading this poem, you feel some sadness in your soul, as the sad late autumn is described. Autumn is a time of peace, a time of departure and farewell, a time of reflection. It is filled with emptiness. One gets the impression that beyond autumn there is nothing but eternity. But at the same time, the good news is that the only rose does not want to let go of the warm season, so it “breathes like spring.”

The title of the poem reflects the entire plot. It is addressed to the most beautiful and divine flower, the rose.

The forest has showered its peaks,

The garden exposed its brow.

At first, Fet expresses great regret, because with the onset of autumn, the bright colors disappear, long torrential rains begin, and there is dampness and dirt all around. Yearning. But then he seems to accidentally notice a magnificent rose creation:

But in the breath of frost, there is only one among the dead, Only you, the queen rose, Fragrant and lush. And then he realizes that life goes on, that the flower will remind him of sunny days and take him into the future, closer to spring. Thus, there is a change of pictures in the poem.

The poet puts the rose on a pedestal, calls it the queen, considers it the one and only:

Only you alone, Queen Rose,

Fragrant and lush.

This is how the lyrical conflict finds its resolution. A magnificent rose helps the poet not to fall into the autumn blues: In spite of the cruel trials And the malice of the fading day, You blow on me with the outline and breath of Spring.