Biographies Characteristics Analysis

V. Astafiev “Dome Cathedral”

Read the text
Define the style
and text type
Compose to the text
plan
What is this text about?
What questions
the author brings to
discussion?
What worries
author?
Name the main ones
text problems
Write these down
offers
Formulate
problem with your own
words
In what sentences
expresses the author's
position?
What I wanted
say
author?
What does it teach
text?
For what?
written
text?
Formulate your author's
position in words
Give arguments for this idea from
text
Do you agree with the point
author's point of view?
Formulate
your opinion
words
Which two
argument you
can you bring it?

Problem
Comment
Author's position
Your position
Argument 1
Argument 2
Conclusion

The Dome Cathedral is an ancient cathedral, which, to
Unfortunately, it has not been completely preserved until our time.
days. It is located in the capital of Latvia – Riga.
The building was built of red brick and topped
black
bell
dome,
which
made in Baroque style. Inside Domsky
cathedral
located
organ,
possessing
incredible acoustic power. He has 4
set of hand keys. The organ was reconstructed
three times. Works for the great organ
written by many outstanding composers and
gave their concerts right in the cathedral. Organ
25 meters high, it sounds perfect.

(1) Dome Cathedral. (2)House... (H)House... (4)House..
(5) The vaults of the cathedral are filled with the singing of the organ. (b) From the sky, from above
floating, now rumble, now thunder, now the gentle voice of lovers, now the call
Vestals, then the roulades of the horn, then the sounds of the harpsichord, then the dialect
rolling stream...
(7)3sounds sway like incense smoke. (8)0nor thick,
tangible, (9) not everywhere, and everything is filled with them: the soul, the earth, the world.
(10) Everything froze, stopped.
(11) Mental turmoil, the absurdity of a hectic life, petty
passions, everyday worries - all this remains in another
place, in another world, in another life, far removed from me,
there, there somewhere.
“(12) Maybe everything that happened before was a dream? (13) Wars,
blood, fratricide, supermen playing with humans
destinies in order to establish oneself above the world...
(14) Why do we live so tensely and difficultly on our land?
(15) Why? (16) Why?

(17)House.(18)House.(19)House...
(20) Blagovest. (21) Music. (22) The darkness disappeared. (23) The sun has risen.
(24) Everything around is transformed.
(25) There is no cathedral with electric candles, with ancient beauty,
with glass, toy and candy depicting heaven
life. (26) There is a world and I, subdued with reverence, ready
kneel before the greatness of beauty.
(27) The hall is full of people, old and young, Russian and
non-Russian, evil and good, vicious and bright, tired and
enthusiastic, all kinds.
(28) And there is no one in the hall!
(29) There is only my humble, disembodied soul, it
oozing with incomprehensible pain and tears of quiet delight.
(30) She is being cleansed, the soul, and it seems to me that the whole world has hidden
breath, thought this bubbling, menacing world of ours, ready
fall on your knees with me, repent, fall withered

(31) Dome Cathedral. (32) Dome Cathedral.
(33) They don’t applaud here. (34)3here people are crying because
the tenderness that stunned them.
(35) Everyone cries for his own reason. (36) But together everyone is crying about
that which ends, a beautiful dream subsides, which is short-lived
magic, deceptively sweet oblivion and endless torment.
(37) Dome Cathedral. (38) Dome Cathedral.
(39) You are in my shuddering heart. (40) I bow my head
in front of your singer, thank you for the happiness, albeit short, for
delight and faith in the human mind for the miracle created and praised
with this mind, thank you for the miracle of resurrecting faith in
life. (41) 3 and thank you for everything!
(According to V. Astafiev)

What is the text you read about?
(About music).
What questions does the author consider, what does he discuss?
(About how perception changes under the influence of music
surrounding world, the state of mind changes
hero).
What does the author want to tell us through this text?
(About the enormous power of music, its ability to influence
human soul, heal human hearts).

The author of the text V. Astafiev reflects
about the power of music to influence a person
Music brings people together.
What will save the human soul?
Only music.

The sounds of music are everywhere, and everything is filled with them: the soul,
earth, world.
Mental turmoil, the absurdity of a vain life,
petty passions, everyday worries - all of it
left in another world...
Wars, blood, fratricide, supermen...
Why do we live so tensely and difficultly?
our land?
Here people cry from the tenderness that stuns them.
In the proposed analysis
in the text the author reflects on
the role of music in life
person.

Plan for an essay-reasoning on
given text.
I. Introduction.
II. Formulation of the main problem of the original
text.
III. Commentary on the main problem of the text.
IV. Determination of the author's position.
V. Statement of your own position:
1st argument in defense of one’s own position;
2nd argument;
VI. Conclusion.
Thus, an essay on a given text should have
approximately 9 parts. Each part must be written with
red line. The sequence of parts also does not change
necessary, otherwise the logic of presentation will be violated.

The introduction can be written in the form:
Lyrical reflections.
A series of rhetorical questions consonant with the topic
(idea, problem).
A number of nominative sentences creating
figurative picture that arises from associations in
connection with the problems of the text.
May begin with a quote, proverb,
sayings.
May begin with a text keyword, etc.
Introduction
To
essay
By
text
V. Astafiev should be... About what? (about music).

The introduction could be like this:
The French writer Stendhal said: “Music, when
she is perfect, leads the heart to exactly the same
state,
which
you experience
enjoying
the presence of the beloved being, that is, what she gives,
undoubtedly the brightest happiness possible
not on the ground."
Perhaps such a beginning if you don’t remember the author
quotes or quotes verbatim:
One (French) writer said that music gives
for a person the brightest happiness that is possible is not
earth, but influences the human soul as strongly as
Love".

Let's formulate the problem

FORMULATING THE PROBLEM
A nominative sentence in which we formulate
topic
text (for example, Music... Magic sounds...)
A rhetorical question addressed to everyone or
to the very
yourself (What does music mean in the life of each of us?
Or:
Why does a person sing in moments of sadness or joy?
listens
music? How does she help?)

the problem of the purpose of art;
the role of music in human life.
the problem is formulated;
the problem is affected;
an issue has been raised;
the problem is highlighted;
the problem is discussed;
problem considered by the author et al.

The author examines the problem (what? what?) using an example...
Commenting on this problem, I would like to note...
Considering this problem, the author draws attention
reader on...
There is no consensus in the literature on this
problem...
The problem (what? what?) is solved in different ways
researchers, but...
This is one of the most pressing problems...
Let's look at this problem in more detail.

Commentary on the formulated problem of the source text

COMMENT TO
FORMULATED PROBLEM
ORIGINAL TEXT
Should not be in the comment
retelling the source text or any of it
parts;
reasoning about all problems
text;
comments about the actions of the characters in the text;
general reasoning about the text, because you
need to comment on one of the
problems!

HOW TO COMMENT ON THE PROBLEM?
Please remember that commentary must be based on
read text. Specify the content of the comment
you can use the following questions:
How, on what material does the author reveal the problem?
What does it focus on?
What aspects of the problem are discussed in the text?
What emotions of the author are expressed in the text?
How is the author’s attitude towards the depicted expressed?
What means of expression help to identify the author's
attitude to the problem?
The comment represents a logical transition from
formulation of the problem to the presentation of the author's position.
To distinguish a comment from a paraphrase, you need to remember
the following: when retelling, we talk about what the heroes do, and
When we comment, we talk about what the author is doing.

Commentary on the formulated
source text problem
Discussing the role of music in human life, writer V.
Astafiev speaks about the famous Dome Cathedral, about
sublime, divine sound of the organ, which
makes a person forget about the bad, evil and dividing
people. Music unites everyone gathered in the hall, enlightens
souls (“It is being cleansed, the soul…”, “the whole world is hiding
breath"). The text is built on contrasts: “war,
blood, fratricide...” – “good news”, “music”, “sun”.
The author admires music, its power and beauty (actively
uses comparisons: sounds, “like incense smoke,” metaphors;
interrogative and exclamatory sentences. Astafiev
addresses the Dome Cathedral as if it were alive with the words
gratitude for this spiritual cleansing and enlightenment.

Mental turmoil, the absurdity of a hectic life, petty
passions, everyday worries - all of this remains in
another world...
She is being cleansed, the soul, and... this... our formidable
the world...is ready...to fall to its knees...to fall withered
mouth to the holy spring of goodness...
Everything is changing around.
thank you for the happiness, for the delight and faith in reason
human,... thank you for the miracle of resurrecting faith in
life.
The author believes that music has a huge
strength, it can excite human
soul, change your attitude towards the world around you.
“Mental turmoil, the absurdity of a vain life,
petty passions, everyday worries - all, all of this
remained in a different place, in a different light..." and others.
The narrator is convinced that only music
will save the world and each of us from
internal decay, will help better
understand yourself.

HOW TO DETERMINE THE AUTHOR'S POSITION?
If the problem of the text is formulated in the form of a question, then the position
the author is the answer to the question. In order to identify the position
author, try to answer the following questions: “What
did the author want to say when creating the text?”, “How does the author evaluate
the specific situation being described, the actions of the characters?”
The position of the author of a journalistic text is usually revealed
quite simple. It is much more difficult to determine the author's
point of view in a literary text. And here it will come to the rescue
good knowledge of visual and expressive means, so
how exactly through their analysis we can determine the relationship
the author to his characters, to the problem.

Reflection of the position of the author of the source text

REFLECTION OF POSITION
AUTHOR OF ORIGINAL TEXT
The author's position can be expressed
clearly, directly,
directly
in the title of the text;
in separate
proposals
text;
through the row
arguments;
via modal
text plan
rhetorical
questions;
rhetorical
exclamations;
word order;
lexical
repetitions;
evaluative vocabulary.

Do not attribute thoughts to the author that are not in the text!!!
Do not confuse the author of the text and the hero of the story!!!
What did the author want to say?
What was the purpose of his statement?
Why did he write this?
How does he himself relate to the problem posed?
What does the text teach?
Positively
Negative
Ambiguous
Dual
Skeptical
Ironically...
“One cannot but agree with the author’s opinion” is not a wording
author's opinions.

I agree (agree) with the opinion
the author is that...
the author is right that...
I agree with the author's position and
I think that...
YOU CAN WRITE:
"It is impossible not to agree with
the author's point of view on
(indicate the problem).”
If you do not agree with the copyright
position, express your disagreement
very correct. For example, like this:
"With all due respect to
author's point of view (or
NN's thoughts about...), I still
let me express
own vision of this
problems (or I'll try
refute his opinion).
and then repeat the position again
the author only in other words.
Every argument is desirable
write from the red line, one of
the most successful methods of inclusion
arguments in the text of the essay
consider the use of introductory
words: firstly, secondly. But
can be argued without
introductory
words
Not recommended
make arguments using
construction with a conjunction because
What.

Let's give an example
Let's use an example
Let's take as an example
Let's compare
On the one side
None of us will mind
The clearest examples of this are...
In this part you do not output anything new, but only
confirm what was said!!!
The goal is to explain and specify the above
provisions.
The point of the argument is to show
relevance, importance of the problem, inviolability of the proven
axioms.

Viktor Petrovich Astafiev, the author of the story “The Dome Cathedral,” was born in troubled times and swallowed in full all the troubles and misfortunes that fate could have prepared for him. From an early age, life did not spoil him: first his mother died, and Victor could not come to terms with it until the end of his life; later his father brought a new wife into the house, but she could not stand the boy. So he ended up on the street. Later, Viktor Petrovich would write in his biography that he began an independent life suddenly and without any preparation.

Master of literature and hero of his time

The literary life of V.P. Astafiev will be quite eventful, and his works will be loved by all readers, from the smallest to the most serious.

Astafiev’s story “The Dome Cathedral” undoubtedly occupied one of the most honorable places in his literary biography and, even years later, continues to find connoisseurs among the modern generation.

V. Astafiev, “Dome Cathedral”: summary

In a hall crowded with people, organ music sounds, which gives the lyrical hero various associations. He analyzes these sounds, compares them either with the high and ringing sounds of nature, or with the hissing and low peals of thunder. Suddenly, his whole life appears before his eyes - his soul, the earth, and the world. He remembers the war, pain, losses and, amazed by the sound of the organ, is ready to kneel before the greatness of the beautiful.

Despite the fact that the hall is full of people, the lyrical hero continues to feel lonely. Suddenly a thought flashes through his mind: he wants everything to collapse, all executioners, murderers, and music to sound in people’s souls.

He talks about human existence, about death, about the path of life, about the significance of a little person in this big world and understands that the Dome Cathedral is a place where gentle music lives, where all applause and other exclamations are prohibited, that this is a house of peace and tranquility . The lyrical hero bows his soul before the cathedral and thanks it with all his heart.

Analysis of the work “Dome Cathedral”

Now let's take a closer look at the story that Astafiev wrote (“Dome Cathedral”). Analysis and comments on the story can be presented as follows.

From the first lines, the reader observes the author’s admiration for the majestic work of architectural art - the Dome Cathedral. Viktor Petrovich had to visit this cathedral more than once, which he soon fell in love with.
The building of the Dome Cathedral itself, located in Riga, has only partially survived to this day. Made in the Rococo style, the cathedral was built according to the design of foreign sculptors and architects, invited specifically to erect a new structure that would resonate for centuries and remain a wonderful reminder to subsequent generations of bygone times.

But what made the cathedral a real attraction was the organ, which has incredible acoustic power. Great virtuoso composers wrote their works specifically for this majestic organ and gave concerts there, in the cathedral. Thanks to the assonances and dissonances that V.P. Astafiev skillfully uses at the beginning of the story, the reader can feel himself in his place. The melodies of the organ, compared with the peals of thunder and the roar of waves, with the sounds of a harpsichord and a ringing stream, reach us seemingly through space and time...

The writer tries to compare the sounds of the organ with his thoughts. He understands that all those terrible memories, pain, grief, worldly vanity and endless problems - everything disappeared in an instant. The sound of the organ has such majestic power. This passage affirms the author’s point of view that solitude with high, time-tested music can work miracles and heal spiritual wounds, and this is exactly what Astafiev wanted to say in his work. “The Dome Cathedral” is rightfully one of his deepest philosophical works.

The image of loneliness and the soul in the story

Loneliness is not a fact, but a state of mind. And if a person is lonely, then even in society he will continue to consider himself that way. Organ music sounds through the lines of the work, and the lyrical hero suddenly realizes that all those people - evil, good, old and young - they have all dissolved. He feels only himself and no one else in the crowded hall...

And then, like a bolt from the blue, the hero is struck by a thought: he understands that at this very moment someone may be trying to destroy this cathedral. Endless thoughts swarm in his head, and the soul, healed by the sounds of the organ, is ready to die overnight for this divine melody.

The music stopped sounding, but left an indelible imprint on the soul and heart of the author. He, being impressed, analyzes every sound he hears and cannot help but simply say “thank you.”

The lyrical hero received healing from accumulated problems, grief and the killing bustle of the big city.

Genre of the Dome Cathedral

What else can be said about the story “The Dome Cathedral” (Astafiev)? It is difficult to determine the genre of a work, because it contains designations of several genres. “The Dome Cathedral” is written in the essay genre, reflecting the author’s internal state and impressions of one life event. Viktor Astafiev first published “The Dome Cathedral” in 1971. The story was included in the “Zatesi” cycle.

“Cathedral of the Dome”: essay plan

  1. The Dome Cathedral is a place of music, silence and peace of mind.
  2. An atmosphere filled with music that evokes many associations.
  3. Only the sounds of music can touch the strings of the human soul so subtly and deeply.
  4. Getting rid of burdens, mental heaviness and accumulated negativity under the influence of a wonderful medicine.
  5. Gratitude of the lyrical hero for healing.

In conclusion

It is worth noting that the author undoubtedly has the ability to feel music so much, to be healed under its influence and to convey his inner state to the reader with subtle, gentle words. Victor Astafiev deserves respect as a phenomenon of our time. And everyone should definitely read Viktor Astafiev’s work “The Dome Cathedral”.

Preparation for writing an essay-reasoning on this text" (Task C1 of the Unified State Exam in the Russian language).

Plan for an essay-discussion on a given text.

I. Introduction.

II. Formulation of the main problem of the source text.

III. Commentary on the main problem of the text.

V. Statement of your own position:

1) 1st argument in defense of one’s own position (literary);

2) 2nd argument (life);

3) Conclusion. Conclusion. Lessons learned from the text.

How to correctly understand the source text.

1. What is the text about? (You will see the topic).

1.The introduction can be written in the form:

1. Lyrical reflection.

2. A series of rhetorical questions consonant with the topic (idea, problem).

3. Dialogue with an imaginary interlocutor.

4. A number of nominative sentences that create a figurative picture that arises in connection with the problems of the text.

5. Can begin with a quote, proverb, saying.

6. May begin with a text keyword, etc.

2. Possible options for formulating the source text problem:

Relationships between man and nature;

The problem of reducing the cultural level of society;

The problem of the complexity and inconsistency of human actions;

The problem of "fathers" and "sons";

The role of childhood in the development of a person’s personality;

The problem of spirituality;

The problem of mercy;

The problem of the purpose of art;

The problem of true intelligence;

Problem of conscience;

The role of reading in childhood, etc.

Key phrases for formulating a text problem:

The problem is formulated; the problem is affected; an issue has been raised; the problem is highlighted; the problem is discussed;

The problem may be philosophical, moral, topical, topical, acute, important, serious, painful, insoluble, etc.

3.The comment can be:

1. Textual, i.e. the student explains the text, following the author in revealing the problem.

2. Conceptual, i.e., based on an understanding of the problem, the examinee reflects on the question posed, trying to explain why the author chose this particular one out of many problems.

The comment should not contain:

1. A detailed retelling of the source text (very briefly, concisely);

2. reasoning about everyone text problems;

3. general reasoning about the text.

4. Possible options for formulating the author’s position:

Communication with books is very important in childhood, during the period of personality formation;

Writers are responsible for the fate of the world, their duty is to be honest even in the most inhuman conditions;

Childhood is a difficult time of intense study, a time of mastering the world, therefore it is in childhood that the foundation of the human personality is laid;

Mass culture has a destructive influence on the level of intellectual and emotional development of a person;

War is insane, senseless, unnatural at its very core;

The conflict between fathers and children is an eternal conflict, but each family experiences it in its own way, and it is important to be able to overcome its severity, to ensure that the contradictions do not develop into confrontation;

Mental pain is often stronger than physical pain, and mental wounds heal much longer, so you need to be very careful about the feelings of the person you trusted, etc.

5. Possible options for formulating the student’s own opinion:

6.Types of argumentation. (lat. argumentatio – proof)

The student must argue his opinion based on knowledge, life or reading experience.

I. Logical arguments. 1. Facts. 2. Scientific conclusions. 3. Statistics (quantitative indicators). 4. Laws of nature.

5. Eyewitness accounts. 6. Data from experiments and examinations.

II. Illustrative Arguments 1.Specific examples:

a) example - a message about an event (taken from life, telling about an incident that actually took place (television, newspapers) b) literary example.

2.Opinion of a specialist, expert. 3. Public opinion, reflecting the way it is customary to speak, act, and evaluate something in society.

Conclusion.

1. It must be organically connected with the text, with its problems, with the previous presentation.

2.You must complete the essay, once again drawing the expert’s attention to the most important thing.

3. It should be the logical conclusion of your reasoning about the topic and problems posed by the author.

4.Can reflect your personal attitude to the topic of the text, its characters, and the problem.

5.Can be a detailed or logically completed thought expressed in the introduction.

Text from KIM.

(1) Dome Cathedral. (2)House... (H)House... (4)House..

(5) The vaults of the cathedral are filled with the singing of the organ. (b) From the sky, from above, there floats a rumble, then thunder, then the gentle voice of lovers, then the call of the vestals, then the roulades of a horn, then the sounds of a harpsichord, then the talk of a rolling stream...

(7)3sounds sway like incense smoke. (8)0 neither thick, tangible, (9)0 nor everywhere, and everything is filled with them: the soul, the earth, the world.

(10) Everything froze, stopped.

(11) Mental turmoil, the absurdity of a vain life, petty passions, everyday worries - all, all of this remained in another place, in another world, in another life, distant from me, there, somewhere.

“(12) Maybe everything that happened before was a dream? (13) Wars, blood, fratricide, supermen playing with human destinies in order to establish themselves above the world... (14) Why do we live so tensely and difficultly on our land? (15) Why? (16) Why?

(17)House.(18)House.(19)House...

(20) Blagovest. (21) Music. (22) The darkness disappeared. (23) The sun has risen. (24) Everything around is transformed.

(25) There is no cathedral with electric candles, with ancient sculptures, with glass, toys and candies depicting heavenly life. (26) There is the world and I, subdued with awe, ready to kneel before the greatness of the beautiful.

(27) The hall is full of people, old and young, Russian and non-Russian, evil and good, vicious and bright, tired and enthusiastic, all kinds.

(28) And there is no one in the hall!

(29) There is only my humble, disembodied soul, it oozes with incomprehensible pain and tears of quiet delight.

(30) She is being cleansed, my soul, and it seems to me that the whole world is holding its breath, this bubbling, menacing world of ours is thinking, ready to fall to its knees with me, to repent, to fall with a withered mouth to the holy spring of goodness...

(31) Dome Cathedral. (32) Dome Cathedral.

(33) They don’t applaud here. (34) Here people are crying from the tenderness that has overwhelmed them.

(35) Everyone cries for his own reason. (36) But together everyone is crying that the beautiful dream is ending, that the wonderful dream is falling, that the magic is short-lived, the deceptively sweet oblivion and endless torment.

(37) Dome Cathedral. (38) Dome Cathedral.

(39) You are in my shuddering heart. (40) I bow my head before your singer, thank you for the happiness, albeit short-lived, for the delight and faith in the human mind, for the miracle created and sung by this mind, thank you for the miracle of resurrecting faith in life. (41) 3 and thank you for everything! (According to V. Astafiev)

Text No. 2(1) First, let’s agree that every person is unique on earth, and I am convinced that every blade of grass, flower, tree, even if they are the same color, the same species, is as unique as everything growing that lives around us.

(2) Consequently, everything living, especially a person, has its own character, which, of course, develops not only on its own, but primarily under the influence of the environment, parents, school, society and friends, for true friendship is a rare reward for a person and precious. (3) Such friendship is sometimes stronger and more faithful than family ties and influences human relationships much more strongly than a team, especially in extreme, disastrous circumstances. (4) Only true friends carry a fighter out of the battlefield, risking their lives. (5) Do I have such friends? (b) Yes, they were in the war, they are in this life, and I try very hard to pay for devotion with devotion, for love with love. (7) I look through and read every book of mine, every line and every action of mine through the eyes of my friends, especially those at the front, so that I would not be ashamed in front of them for poorly, dishonestly or sloppily done work, for lies, for dishonesty.

(8) There were, are and, I hope, there will always be more good people in the world than bad and evil people, otherwise there would be disharmony in the world, it would be warped, like a ship loaded with ballast or garbage on one side, and would have capsized and sank long ago ....(V. Astafiev)

An example of an essay based on the text by V. Astafiev about the Dome Cathedral.

Music

Introduction Music is the greatest of the arts, accompanying humanity throughout its centuries-old history. The sounds of music make you freeze with delight and tenderness, inspire the human soul, bring peace and tranquility to the hustle and bustle of human life.
Formulation of the main problem of the text It is about the ability of music to transform the world around us, to heal human hearts that V. Astafiev writes in his text.

Task 25. (1) House... House... House...
(2) Dome Cathedral, with a cockerel on the spire. (3) Tall, stone, it sounds like over Riga.
(4) The sounds sway like incense smoke. (5) They are thick and tangible. (6) They are everywhere, and everything is filled with them: the soul, the earth, the world.
(7) Everything froze, stopped.
(8) Mental turmoil, the absurdity of a vain life, petty passions, everyday worries - all, all of this remained in another place, in another world, in another life, distant from me, there, somewhere.
(9) Maybe everything that happened before was a dream? (10) War, blood, fratricide, supermen playing with human destinies in order to establish themselves above the world.
(11) Why do we live so tensely and difficultly on our land? (12) Why? (13) Why?
(14) House. House. House.
(15) Blagovest. (16) Music. (17) The darkness disappeared. (18) The sun has risen. (19) Everything around is transformed.
(20) The hall is full of people, old and young, Russian and non-Russian, evil and good, vicious and bright, tired and enthusiastic.
(21) And there is no one in the hall!
(22) There is only my humble, disembodied soul, it oozes with incomprehensible pain and tears of quiet delight.
(23) She is being cleansed, my soul, and it seems to me that the whole world is holding its breath, this bubbling, menacing world of ours is thinking, ready to fall to its knees with me, to repent, to fall with a withered mouth to the holy spring of goodness...
(24) Dome Cathedral! (25) Dome Cathedral! (26) Music! (27) What did you do to me? (28) You are still trembling under the arches, still washing the soul, chilling the blood, illuminating everything around with light, knocking on armored breasts and aching hearts, but a man in black is already coming out and bowing from above. (29) A little man, trying to convince him that it was he who performed the miracle. (30) A wizard and a singer, a nonentity and a god, to whom everything is subject: both life and death.
(31) Dome Cathedral. (32) Dome Cathedral.
(33) There is no applause here. (34) Here people cry from the tenderness that stuns them. (35) Everyone cries for his own reasons. (36) But together everyone is crying that the beautiful dream is ending, that the magic is short-lived, the deceptively sweet oblivion and endless torment.
(37) Dome Cathedral. (38) Dome Cathedral.
(39) You are in my shuddering heart. (40) I bow my head before your singer, thank you for the happiness, albeit short-lived, for the delight and faith in the human mind, for the miracle created and sung by this mind, thank you for the miracle of resurrecting faith in life. (41)3 that’s it, thank you for everything!
Music occupies a special place in the life of every person.
It’s amazing how notes, an instrument and a musician’s talent can have a beneficial effect on a person’s soul, making them rethink what we seem to regard as immutable truths.
This is a special type of art, the power of which could hardly be compared with anything else. So what is the role of music in human life? It is this problem that Viktor Petrovich Astafiev raises in the proposed passage.
The author is in the Riga Dome Church, he is fascinated by the music, which, “like incense smoke,” hovers in the air. Viktor Petrovich notes that at this time, for him, what worries us in everyday life does not exist. All this is there, outside the walls of the church, where these magical motives do not exist.
Rhetorical questions overwhelm him, forcing him to think about the cruelty of man, the futility of wars, blood and fratricide. The hall is full and empty. Antithesis helps to abstract from the human form, because now in the church there is only a “subdued, disembodied soul” and music.
The world, and with it Viktor Petrovich, are ready to “fall to their knees, repent, fall with a withered mouth to the holy spring of goodness.” The author uses an extended metaphor to show how music affects a sinful person.
The author's position is extremely clear. Music has the power to heal people's hearts. Under its influence, a person’s state of mind and his view of the world around him changes. Viktor Petrovich thanks music and its

We write an essay in. P. Astafiev “Dome Cathedral”. – download presentation

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WE WRITE AN ESSAY by V. P. Astafiev “Dome Cathedral”.
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A title sentence in which we formulate the topic A title sentence in which we formulate the theme of the text (for example, Music... Magic sounds...) A rhetorical question addressed to everyone or to oneself (What does music mean in the life of each of us? Or: Why does a person in minutes sadness or joy, sings, listens to music? How does it help?) A general phrase that leads to the formulation of the problem of this particular text (for example, Many people have thought about this problem, they did not leave NN indifferent, who is considering the role of music in ...) IF IF YOU HAVE SOLVED TASK A28 CORRECTLY, YOU WILL BE ABLE TO IDENTIFY THE AUTHOR'S POSITION. By asking her a question, you formulate the problem.
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The commentary must not contain a retelling of the original text or any part thereof; reasoning about all the problems of the text; comments about the actions of the characters in the text; general reasoning about the text, because you need to comment on one of the problems!
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clearly, directly, directly clearly, directly, directly in the title of the text; in separate sentences of the text; through a series of arguments;
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How to correctly object to the author, stating your position How to correctly object to the author, stating your position The author, in my opinion, is not entirely right in asserting that... The author’s point of view is, of course, interesting, but I believe that... In my opinion, the author is somewhat categorical in his judgments.

The author's point of view, it seems to me, is quite controversial.
I believe that the author’s statement that... In my opinion, the author is not entirely right, not noticing the fact that... The statement expressed by the author is beyond doubt, but, as far as I know, there is such a point of view :... The author’s arguments are convincing, but one can hardly agree that...
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Examples from your own life experience Examples from your own life experience Examples from books, films, radio and television programs Quotes (if you remember them verbatim) Conjectural example Appeal to the common sense of the audience Conclusions of science
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Appeal to the reader's experience is the strongest argument of an essay. But you need to refer to it if you remember well both the author of the book and the work itself, in order to avoid factual errors.

When you turn to Russian classical literature, remember this rule: do not allow expressions like Alexander Pushkin, or, say, about M.I.

Tsvetaeva, you can’t call her Marina; speaking about the heroes of a literary work, call them as the author does (Evgeny Bazarov, but not Zhenya, Tatyana Larina, but not Tanya, Katerina (from “The Thunderstorm”), but not Ekaterina. Correctness and accuracy must be observed, otherwise you will lose points according to criteria K 11, K 12.
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Book of Zatesi. Author – Astafiev Viktor Petrovich. Contents – Dome Cathedral

The connection was often broken, and we had a lot of work to do. The telephone line was stretched across the park and went into the basement of the master's house, where the company commander arrived and settled with his servants.
According to a very clever procedure that was not established by us, if the connection was broken, we, the already confused and delayed signalmen from the front line, had to correct it under fire, and the company signalmen had to scold us, since we did not do it very quickly.
In turn, company signalmen ran communications to the battalion; battalion - to the regiment, and then I don’t know what was done and how, then the connection was rarely damaged, and the signalmen already called themselves telephone operators, they were well-fed, washed and looked at us, trench shrews, with lordly arrogance.
While running along the communication line, I more than once noticed Abdrashitov digging in the park.

Small, with clumsily wrapped windings, he was already covered in clay and plaster, emaciated and completely blackened, and to my lively “salaam alaikum!”, smiling quietly and guiltily, he answered: “Hello!” I asked him if he had eaten.

The goddess above the fountain was repaired by Abdrashitov and the Pole. They covered the wounds on her with unclean plaster, collected the breast, but collected it without the nipple. The goddess became ugly, and even though the bloodless veins appeared on her, she did not cheer up at all. The patched goddess still mournfully bent over the silent fountain, in which the fish were rotting and the slimy lilies were turning black.

The Germans got wind of something about our offensive and watered the front line with everything they had at their disposal.
My partner and I scoured the park, repaired communications and cursed everyone who came to mind.
On a rainy, cloudy morning, our guns struck - artillery barrage began, the ground shook under our feet, the last fruits fell from the trees in the park, and a leaf began to spin overhead.

The platoon commander ordered me to unwind the communications and, with a coil and a telephone, follow them into the attack. I happily rushed along the line to reel in the wires: although it was cozy in the master’s hut and estate, I was still tired - it’s time and honor to know, it’s time to go forward, fooling the German is still far away from Berlin.

The shells rushed over me with multi-voiced screams, purrs and whistles.
The Germans responded rarely and randomly - I was already an experienced soldier and knew: the German infantry was now lying with its nose buried in the ground, and prayed to God that the Russians’ supply of shells would soon run out.
“Let it not end! They’ll be hammering for an hour and ten minutes until they crush you, the villains,” I thought with a feverish elation. During artillery preparation it’s always like this: it’s creepy, it shakes everything inside and at the same time the passions in the soul flare up.
As I was running with a coil around my neck, I stumbled, and my thoughts were cut short: the goddess Venus stood without a head, and her hands were torn off, only her palm remained, with which she covered her shame, and near the fountain covered with earth, Abdrashitov and the Pole were lying, covered white fragments and plaster dust. Both of them were killed. It was before the morning that the Germans, concerned about the silence, launched an artillery attack on the front line and fired a lot of shells into the park.
The Pole, I established, was the first to be wounded - a piece of plaster was not yet dry and crumbling in his fingers. Abdrashitov tried to pull the Pole into the pool, under the fountain, but did not have time to do this - they were covered again, and they both calmed down.

A bucket lay on its side, and a gray plaster dough fell out of it, the broken head of the goddess was lying there, and with one glassless eye it looked into the sky, screaming with a crooked hole punched below the nose. The mutilated, disfigured goddess Venus stood. And at her feet, in a pool of blood, lay two people - a Soviet soldier and a gray-haired Polish citizen, trying to heal the beaten beauty.

House... House... House...
Dome Cathedral, with a cockerel on the spire. Tall, stone, it sounds like over Riga.
The vaults of the cathedral are filled with the singing of the organ. From the sky, from above, there floats a rumble, then thunder, then the gentle voice of lovers, then the call of the vestals, then the roulades of a horn, then the sounds of a harpsichord, then the talk of a rolling stream...
And again, a menacing wave of raging passions demolishes everything, again a roar.
The sounds sway like incense smoke. They are thick and tangible. They are everywhere, and everything is filled with them: the soul, the earth, the world.
Everything froze, stopped.
Mental turmoil, the absurdity of a vain life, petty passions, everyday worries - all, all of this remained in another place, in another world, in another life, distant from me, there, somewhere.
“Maybe everything that happened before was a dream? Wars, blood, fratricide, supermen playing with human destinies in order to establish themselves above the world.
Why do we live so tensely and difficultly on our land? For what? Why?"
House. House. House…
Blagovest. Music. The darkness has disappeared. The sun has risen. Everything is changing around.

There is no cathedral with electric candles, with ancient sculptures, with glass, toys and candies depicting heavenly life. There is a world and I, subdued with awe, ready to kneel before the greatness of beauty.

The hall is full of people, old and young, Russian and non-Russian, party and non-party, evil and good, vicious and bright, tired and enthusiastic, everyone.
And there is no one in the hall!
There is only my humble, disembodied soul, it oozes with incomprehensible pain and tears of quiet delight.
She is being cleansed, my soul, and it seems to me that the whole world is holding its breath, this bubbling, menacing world of ours is thinking, ready to fall to its knees with me, to repent, to fall with its withered mouth to the holy spring of goodness...

And suddenly, like an obsession, like a blow: and yet at this time somewhere they are aiming at this cathedral, at this great music... with guns, bombs, rockets...

This can't be true! It shouldn't be!
And if there is. If we are destined to die, burn, disappear, then let now, let at this moment, fate punish us for all our evil deeds and vices. Since we cannot live freely, together, then at least let our death be free, and our soul depart to another world lighter and lighter.
We all live together. We die separately. It's been like this for centuries. It was like that until this moment.
So let's do it now, let's do it quickly, while there is no fear. Don't turn people into animals before killing them. Let the vaults of the cathedral collapse, and instead of crying about the bloody, criminal path, people will carry into their hearts the music of a genius, and not the bestial roar of a murderer.

Dome Cathedral! Dome Cathedral! Music! What have you done to me? You are still trembling under the arches, still washing the soul, chilling the blood, illuminating everything around with light, knocking on armored breasts and aching hearts, but a man in black is already coming out and bowing from above. A little man, trying to convince him that it was he who performed the miracle. A wizard and a singer, a nonentity and a God, to whom everything is subject: both life and death.

Dome Cathedral. Dome Cathedral.
There's no applause here. Here people cry from the tenderness that stuns them. Everyone cries for their own reasons. But together everyone cries that the beautiful dream is ending, that the magic is short-lived, the deceptively sweet oblivion and endless torment.
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Thick morning fog fell on Lake Kubenskoye. You can't see the shores, you can't see the world. I didn’t notice how and when the sun rose. The fogs moved away towards the shores, the lake became wider, the ice on it seemed to float and sway.
And suddenly, above this moving ice, white in the distance and gray near, I saw a temple floating in the air. He, like a light toy made of papier-mâché, swayed and bounced in the sunny haze, and the fogs swayed him on their waves.
This temple floated towards me, light, white, fabulously beautiful. I put down my fishing rod, fascinated.

Behind the fog, a brush of forests appeared like sharp peaks. The distant factory chimney and the roofs of the houses were already visible. And the temple still hovered above the ice, sinking lower and lower, and the sun played in its crown, and it was all illuminated with light, and the haze glowed under it.

Finally, the temple sank onto the ice and became established. I silently pointed at him, thinking that I was dreaming, that I had actually fallen asleep and that a vision had appeared to me out of the fog.
“Save the stone,” my comrade said briefly.
And then I remembered how my friends told me about some kind of Spas Stone. But I thought that a stone was just a stone.
And here is the Spas-stone - a temple! Monastery!
Without taking his eyes off the fishing rod, my friend muttered to me the story of this diva. In honor of the Russian warrior-prince, who fought for the unification of the northern lands, this monument-monastery was erected.

The legend says that the prince, fleeing from his enemies, began to drown in heavy armor and was already going to the bottom, when he suddenly felt a stone under his feet, which saved him. And in honor of this miraculous rescue, stones and earth from the shore were piled onto the underwater ridge.

On boats and across a drawbridge, which was turned over every spring by the breaking ice on the lake, the monks brought an entire island and set up a monastery on it. It was painted by the famous Dionysius.
However, already in our time, in the early thirties, construction began on collective farms and bricks were required. But the monks were excellent builders and created a monolith out of brick.
I had to blow up the monastery. They rushed, but still didn’t take the brick: it turned out to be a pile of ruins, and that’s all.

All that remains of the monastery is one bell tower and a living room, in which nets are now stored and fishermen take shelter from bad weather...

I looked at the sunlit temple. The lake had already completely dissolved, the fogs rose high. In the midst of a huge lake, endlessly shimmering with reflections, there stood a temple on the ice - white, as if crystal, and I still wanted to pinch myself, to make sure that all this was not a dream, not a mirage vision.
It’s breathtaking when you think about what this temple was like before they planted explosives under it!
“Yes,” says the comrade, still gloomily. - It was such that you can’t even describe it in words. A miracle, in a word, a miracle created by human hands and mind.
I look and look at the Spas-stone, forgetting about fishing rods, and about fish, and about everything in the world.

Presentation of “Vision” - (Astafiev)

V. P. Astafiev, “Dome Cathedral”: summary, features of the work and reviews

Viktor Petrovich Astafiev, the author of the story “The Dome Cathedral,” was born in troubled times and swallowed in full all the troubles and misfortunes that fate could have prepared for him.
From an early age, life did not spoil him: first his mother died, and Victor could not come to terms with it until the end of his life; later his father brought a new wife into the house, but she could not stand the boy. So he ended up on the street.
Later, Viktor Petrovich would write in his biography that he began an independent life suddenly and without any preparation.

Master of literature and hero of his time

The literary life of V.P. Astafiev will be quite eventful, and his works will be loved by all readers, from the smallest to the most serious.
Astafiev’s story “The Dome Cathedral” undoubtedly occupied one of the most honorable places in his literary biography and, even years later, continues to find connoisseurs among the modern generation.

V. Astafiev, “Dome Cathedral”: summary

In a hall crowded with people, organ music sounds, which gives the lyrical hero various associations.
He analyzes these sounds, compares them either with the high and ringing sounds of nature, or with the hissing and low peals of thunder. Suddenly, his whole life appears before his eyes - his soul, the earth, and the world.
He remembers the war, pain, losses and, amazed by the sound of the organ, is ready to kneel before the greatness of the beautiful.

Despite the fact that the hall is full of people, the lyrical hero continues to feel lonely. Suddenly a thought flashes through his mind: he wants everything to collapse, all executioners, murderers, and music to sound in people’s souls.

He talks about human existence, about death, about the path of life, about the significance of a little person in this big world and understands that the Dome Cathedral is a place where gentle music lives, where all applause and other exclamations are prohibited, that this is a house of peace and tranquility . The lyrical hero bows his soul before the cathedral and thanks it with all his heart.

Analysis of the work “Dome Cathedral”

Now let's take a closer look at the story that Astafiev wrote (“Dome Cathedral”). Analysis and comments on the story can be presented as follows.
From the first lines, the reader observes the author’s admiration for the majestic work of architectural art - the Dome Cathedral. Viktor Petrovich had to visit this cathedral more than once, which he soon fell in love with.
The building of the Dome Cathedral itself, located in the capital of Latvia, Riga, has only partially survived to this day.
Made in the Rococo style, the cathedral was built according to the design of foreign sculptors and architects, invited specifically to erect a new structure that would resonate for centuries and remain a wonderful reminder to subsequent generations of bygone times.

But what made the cathedral a real attraction was the organ, which has incredible acoustic power. Great virtuoso composers wrote their works specifically for this majestic organ and gave concerts there, in the cathedral.

Thanks to the assonances and dissonances that V.P. Astafiev skillfully uses at the beginning of the story, the reader can feel himself in his place.
The melodies of the organ, compared with the peals of thunder and the roar of waves, with the sounds of a harpsichord and a ringing stream, reach us seemingly through space and time...
The writer tries to compare the sounds of the organ with his thoughts. He understands that all those terrible memories, pain, grief, worldly vanity and endless problems - everything disappeared in an instant. The sound of the organ has such majestic power.

“The Dome Cathedral” is rightfully one of his deepest philosophical works.

The image of loneliness and the soul in the story

Loneliness is not a fact, but a state of mind. And if a person is lonely, then even in society he will continue to consider himself that way. Organ music sounds through the lines of the work, and the lyrical hero suddenly realizes that all those people - evil, good, old and young - they have all dissolved. He feels only himself and no one else in the crowded hall...
And then, like a bolt from the blue, the hero is struck by a thought: he understands that at this very moment someone may be trying to destroy this cathedral. Endless thoughts swarm in his head, and the soul, healed by the sounds of the organ, is ready to die overnight for this divine melody.

The music stopped sounding, but left an indelible imprint on the soul and heart of the author. He, being impressed, analyzes every sound he hears and cannot help but simply say “thank you.”

The lyrical hero received healing from accumulated problems, grief and the killing bustle of the big city.

Genre of the Dome Cathedral

What else can be said about the story “The Dome Cathedral” (Astafiev)? It is difficult to determine the genre of a work, because it contains designations of several genres. “The Dome Cathedral” is written in the essay genre, reflecting the author’s internal state and impressions of one life event. Viktor Astafiev first published “The Dome Cathedral” in 1971. The story was included in the “Zatesi” cycle.

“Cathedral of the Dome”: essay plan

  • The Dome Cathedral is a place of music, silence and peace of mind.
  • An atmosphere filled with music that evokes many associations.
  • Only the sounds of music can touch the strings of the human soul so subtly and deeply.
  • Getting rid of burdens, mental heaviness and accumulated negativity under the influence of a wonderful medicine.
  • Gratitude of the lyrical hero for healing.
  • In conclusion

    It is worth noting that the author undoubtedly has a subtle mental organization, because not everyone can feel music so much, be healed under its influence and convey their inner state to the reader with subtle, gentle words. Victor Astafiev deserves respect as a phenomenon of our time. And everyone should definitely read Viktor Astafiev’s work “The Dome Cathedral”.

    Task 25.(1)House...House...House...

    (2) Dome Cathedral, with a cockerel on the spire. (3) Tall, stone, it sounds like over Riga.

    (4) The sounds sway like incense smoke. (5) They are thick and tangible. (6) They are everywhere, and everything is filled with them: the soul, the earth, the world.

    (7) Everything froze, stopped.

    (8) Mental turmoil, the absurdity of a vain life, petty passions, everyday worries - all, all of this remained in another place, in another world, in another life, distant from me, there, somewhere.

    (9) Maybe everything that happened before was a dream? (10) War, blood, fratricide, supermen playing with human destinies in order to establish themselves above the world.

    (11) Why do we live so tensely and difficultly on our land? (12) Why? (13) Why?

    (14) House. House. House.

    (15) Blagovest. (16) Music. (17) The darkness disappeared. (18) The sun has risen. (19) Everything around is transformed.

    (20) The hall is full of people, old and young, Russian and non-Russian, evil and good, vicious and bright, tired and enthusiastic.

    (21) And there is no one in the hall!

    (22) There is only my humble, disembodied soul, it oozes with incomprehensible pain and tears of quiet delight.

    (23) She is being cleansed, my soul, and it seems to me that the whole world is holding its breath, this bubbling, menacing world of ours is thinking, ready to fall to its knees with me, to repent, to fall with a withered mouth to the holy spring of goodness...

    (24) Dome Cathedral! (25) Dome Cathedral! (26) Music! (27) What did you do to me? (28) You are still trembling under the arches, still washing the soul, chilling the blood, illuminating everything around with light, knocking on armored breasts and aching hearts, but a man in black is already coming out and bowing from above. (29) A little man, trying to convince him that it was he who performed the miracle. (30) A wizard and a singer, a nonentity and a god, to whom everything is subject: both life and death.

    (31) Dome Cathedral. (32) Dome Cathedral.

    (33) There is no applause here. (34) Here people cry from the tenderness that stuns them. (35) Everyone cries for his own reasons. (36) But together everyone is crying that the beautiful dream is ending, that the magic is short-lived, the deceptively sweet oblivion and endless torment.

    (37) Dome Cathedral. (38) Dome Cathedral.

    (39) You are in my shuddering heart. (40) I bow my head before your singer, thank you for the happiness, albeit short-lived, for the delight and faith in the human mind, for the miracle created and sung by this mind, thank you for the miracle of resurrecting faith in life. (41)3 that’s it, thank you for everything!

    Show full text

    Music occupies a special place in the life of every person. It’s amazing how notes, an instrument and a musician’s talent can have a beneficial effect on a person’s soul, making them rethink what we seem to regard as immutable truths. This is a special type of art, the power of which could hardly be compared with anything else. So what is the role of music in human life? It is this problem that Viktor Petrovich Astafiev raises in the proposed passage.

    The author is located in Riga Dome Church, he is fascinated by the music, which, “like incense smoke,” hovers in the air. Viktor Petrovich notes that at this time, for him, what worries us in everyday life does not exist. All this is there, outside the walls of the church, where these magical motives do not exist. Rhetorical questions overwhelm him, making you think about the cruelty of man, the futility of wars, blood and fratricide. The hall is full and empty. Antithesis helps abstract from the human form, because now in the church there is only a “subdued, disembodied soul” and music. The world, and with it Viktor Petrovich, are ready to “fall to their knees, repent, fall with a withered mouth to the holy spring of goodness.” The author uses an extended metaphor to show how music affects a sinful person.