Analysis of the work of Nekrasov on the road. Poem N.A

Poem "On the road" was written by a 24 year old Nekrasov in 1845. At this time, Nikolai Nekrasov worked closely and productively with "Furious Vissarion" Belinsky. Also at this time, Nekrasov, having rented on shares with Panaev the Sovremennik founded by Pushkin, began to engage in publishing activities. It was by no means his first poetic work. In 1840 he published a book of his poems "Dreams and Sounds" ignored by the reading public. Nekrasov's frustration with indifference to his work prompted him to buy up and destroy the edition of his collection, almost like Gogol with his "Ganz Küchelgarten". Only Vissarion Belinsky dryly and restrainedly praised "Dreams and Sounds" as "coming out of the soul."

Nekrasov showed him a poem written after several years of interruption "On the road". The critic was delighted. When Nekrasov read a poem Belinsky hugged him tightly and cried out: “You are a poet, and a true poet!”

Herzen also liked this poem so much that he, breaking the tradition of not publishing poems on the pages of the Bell, printed it, calling it “excellent” in the announcement.
genre poem "On the road" is a bizarre and tart mixture of a story and a coachman's song. Built in the form of a dialogue between a passenger, a Russian gentleman, and a coachman. The core of the poem is a story about the drama and tragedy of a commoner, in whose soul illusions have been planted.
The end of the poem - this is a replica of the barin. Anticipating in advance the dull monotony of a long road, he asks the coachman:

About the rivertsky set and separation;

What a joke

And the coachman willingly (seems to have tormented his soul!) tells the vicissitudes of his far from gloomy life. First, he complains to the master that he was "crushed by the villainous wife."

The villainous wife crushed! ..

But the further the coachman's story goes, the more dramatic the story becomes: the picture of the tragedy of Agrafena-Pear becomes clear before the reader's mind's eye. Having grown up on the estate as the confidante of her contemporary young lady, she not only learned to read and write, she received a decent education. She also plays music (“play the harp” (organ)). But the death of the head of the house brings down the happiness of the village girl to dust. The young lady leaves for St. Petersburg, and Agrafena - Pear returns to the village, to the hut:

"Know your place, man!"

Then, without any hesitation, she is pushed down the aisle like a sheep to a ram. But Grusha's strength is not enough to put up with it and put on a strap to drag to death, meekly, a thousand-pound weight of peasant fate.

It's a sin to say that you were lazy
Yes, you see, it's in your hands, don't argueelk!
Like firewood or water carried,
As she went to corvee - it became
Indus is sometimes a pity ... yes, where! -
Do not console her with a new thing:
The cats rubbed her leg,
Then, listen, she is uncomfortable in a sundress.
With strangers here and there,
And stealthily roars like a crazy ...
The lords killed her
And there would be a dashing woman!

Pear's suffering is not from the conditions of bestial life, not from overwhelming peasant work, although this destroys her physically, but mortal anguish is generated by the realization of the hopelessness of her fate and the lifetime of her slavery. Having lived on the estate during the early years of her life, she was used to thinking like a person, and not like an ignorant servant. And a sharp, mean turn in her life broke her and brings her closer to a tragic denouement:

And the coachman is not able to, because, according to the concepts of the Russian village, he was quite a liberal husband:

God knows, did not torment
I am her tireless work ...
He dressed and fed, did not scold without a way,
respected thenhere's how, with pleasure ...
And, listen, beat - so almost never beat,
Is it only under a drunken hand ...

These last words of the bewildered peasant are unbearable for the passenger, who cuts off his confession with the bitterest irony:

Well, that's enough, coachman! Dispersed
You are my unrelenting boredom!

"On the road" a composition of three parts clearly emerges. TO first part can be attributed to the beginning of the poem request of the passenger. Second main part- a slightly mournful narration of a coachman. The third part- the final remark of the master. IN early And final poems arise boredom theme, longing, invariably present in Russian life. In this regard, we we can talk about ring composition.
The poem "On the Road" is a three-foot anapaest, the rhyme is varied - cross, pair and ring. Nekrasov generously, with knowledge of the subject, scatters pearls of artistic expressiveness: epithets (“a daring coachman”, “a dashing woman”), a metaphor (“the wife crushed the villain”), an anaphora (“The cats rubbed her leg, Then, listen, she is embarrassed in a sundress ”), comparison (“roars like crazy ...”). The language of the poem is rich "On the road" into dialect expressions: “You understand-hundred”, “hang around”, “hear”, “where”.
Poem "On the road" marked breakthrough in creativity Nekrasov. It was written after, as mentioned above, the failure of the 1840 collection of poems Dreams and Sounds.

Nekrasov realized that he needed to write differently. That poetry should be nourished by the passions and life of people. “In front of me, never depicted, were millions of living beings! They asked for a loving look! And whatever a person is, then a martyr, whatever life is, then a tragedy! the poet later recalled.

That's how it was born "On the road", discovered in the work of Nekrasov theme of Russian peasant life and where he became the first among equals, earning himself a well-deserved fame as a great poet.

"Boring! boring! .. The remote coachman,

Disperse my boredom with something!

Song, or something, buddy, sing

About the rivertsky set and separation;

What a joke

Or what you saw, tell me -

I will be grateful for everything, brother.

- “I myself am unhappy, sir:

The villainous wife crushed! ..

Hear you, from a young age, sir, she

In the manor house was learned

Together with the young lady to various sciences,

You understand, a hundred, sew and knit,

All noble manners and things.

Dressed not what we have

In the village, our sarafans,

And, roughly imagine, in an atlas;

Ate plenty of honey and porridge.

I had such an imposing look,

If only the lady, you hear, natural,

And not like our serf brother,

Tois, the noble one wooed her

(Listen, the teacher was a hundred crashing,

Bait the coachman, Ivanovich Toropka), -

Yes, to know, God did not judge her happiness:

Not needed - a hundred servants in the nobility!

The master's daughter got married,

Yes, and in St. Petersburg ... And having celebrated the wedding,

Sam - at, you hear, returned to the estate,

Fell ill at Trinity in the night

I gave my master's soul to God,

Leaving Grusha as an orphan ...

A month later, the son-in-law arrived -

Went through the revision of the soul

And from the flank he put me on quitrent,

And then I got and to the pear.

Know she was rude to him

In something, or simply crowded

It seemed to live together in the house,

You know, we don't know.

He brought her back to the village -

Know your place, man!

The girl howled - cool came:

White-handed, you see, white-handed!

As a sin, the nineteenth year

It happened to me at that time ... they put me in jail

On tax - yes, they married her ...

Tois, how much trouble I've got!

Such a look, you know, severe ...

No mowing, no going after the cow!..

It's a sin to say that you were lazy

Yes, you see, the matter was not argued in the hands!

Like firewood or water carried,

As she went to corvee - it became

Indus is sometimes a pity ... yes, where! —

Do not console her with a new thing:

The cats rubbed her leg,

Then, listen, she is uncomfortable in a sundress.

With strangers here and there,

And stealthily roars like crazy ...

The lords killed her

And there would be a dashing woman!

For some patret everything looks

Yes, he is reading a book...

Indus fear me, you hear, it hurts,

What will destroy her and her son:

Teaches literacy, washes, cuts,

Like a barchenka, she scratches every day,

It doesn’t beat - it won’t let me beat ...

Yes, the shot will amuse for a short time!

Hear how the sliver is thin and pale,

Walks, tois, completely through force,

On the day of two spoons will not eat oatmeal -

Tea, we'll dump it into the grave in a month ...

And why? .. God knows, he didn’t torment

I am her tireless work ...

He dressed and fed, did not scold without a way,

Respected, then, that's how, willingly ...

And, listen, beat - so almost never beat,

Is it only under a drunken hand ... "

“Well, that’s enough, coachman! Dispersed

You are my unrelenting boredom! .. "

If games or simulators do not open for you, read.

"On the road" analysis of the work - theme, idea, genre, plot, composition, characters, problems and other issues are disclosed in this article.

History of creation

The poem "On the Road" was written by Nekrasov in 1845, the poet is only 24 years old. This is a genre scene created in the form of a dialogue between a gentleman and a coachman (long-distance carrier). Coachmen often sang songs and told stories to bored riders, so Nekrasov describes a typical life situation. The song-complaint of the coachman as a genre existed in folklore.

Literary direction, genre

Nekrasov's poems are realistic. They describe the typical hero in typical circumstances. In times of serfdom, peasants often became a toy in the hands of the masters. Sometimes this happened as if by accident, as described in the poem "On the Road": a serf girl was taken to the manor's house as a friend and companion of the owner's daughter. When the young lady grew up and got married, and the old master died, his son-in-law sent the girl, accustomed to living like a young lady, to the village and married her off. The landowners did not think about the fate of their serfs. The change in life has made the young peasant woman unhappy and threatens her with death. In fairness, it must be said that there were also unequal marriages between landowners and serfs, but they were rarely happy.

The poem belongs to civil lyrics and denounces the social structure of feudal Russia.

Theme, main idea and composition

The plot of the poem is the coachman's complaints about his wife, who grew up in the master's house. Pear was taught the sciences, sewing, knitting, reading, playing the piano. She dressed like a master, ate the master's food (porridge with honey). A teacher even wooed her, “yes, to know, God did not judge her happiness.” After a new owner came to the house, Pear was for some reason sent to the village and married, and her life, as well as her husband's, became unbearable. Her husband does not consider her lazy, but she does not know how to do anything, “neither mow, nor go after the cow.” It is difficult for a woman to perform any physical work. The coachman husband takes pity on her and comforts her, as is customary among peasants, but even new clothes do not please her, unusual clothes and shoes are uncomfortable. The pear cries, eats little and, obviously, will not live long in the world. She is reading some book (perhaps the only one she has), looking at some portrait (isn’t it a portrait of a teacher?) The coachman does not understand his wife at all, does not see his own fault, because he treated her according to -peasantly good, even almost did not beat. He is also worried about the fate of his son, whom his mother is raising as a young lady.

The main idea of the narrator is contained in two lines: "The gentlemen destroyed her, And there would be a dashing woman." The coachman implies that the peasant woman was ruined by the lordly upbringing. The master, who asked to be entertained with a story, stops the peasant on the words that he beat his wife only under a drunken hand. The master understands how much a girl should be oppressed by such a life. Not because she has to do dirty peasant work, but because she is humiliated. The theme of the poem is the unfortunate fate of a person with self-esteem. The master is aware of all the hopelessness and bleakness of the fate of the unfortunate spouses and, in general, of all people in the class society, which was serf Russia. The idea of the poem is anti-serfdom.

Size and rhyme

The poem is written in three-foot anapaest, reminiscent of tonic Russian songs-complaints. This rhythm falls on the sound of hooves. The liveliness of speech conveys the alternation of female and male rhymes, as well as a variety of rhymes that alternate randomly: cross, pair and ring.

Paths and images, speech

Realistic speech of the coachman is made by vernacular expressions: you hear, you understand, a hundred, tois, crashing, bait, sam-at, patret. Nekrasov accurately managed to convey the condition of a peasant who does not know how to help his wife and what is his own fault. The master at the beginning of the dialogue is calm and indifferent: he does not care what story to listen to. But he is not heartless. The barin's speech is ironic. Sarcasm is felt in the last phrase “You dispersed my persistent boredom”: it was sad, but it became even sadder and hopeless.

There are no paths in the coachman's speech, and where would they come from a peasant. There are two vernacular comparisons roars like crazy, like a sliver thin and pale and one epithet - the highest peasant praise dashing wench. epithet master persistent boredom emphasizes his bitterness from what he heard.

The work "On the Road" was written by Nekrasov in 1845. It was the first poem that was shown to V. G. Belinsky, who highly appreciated it. When Nekrasov first read this work to him, Belinsky exclaimed: “Do you know that you are a poet, and a true poet?”

Realism in the work of Nekrasov

Analyzing Nekrasov's poem "On the Road", it can be mentioned that in its form the work can be attributed to coachmen's songs, but it also contains elements of a story. The work is built in the form of a dialogue between a coachman and a rider. It tells about the tragic life of a woman who grew up in a manor house, but was sent back to the village. Many of the poet's poems are quite realistic - for example, such is the work "Railway" by Nekrasov. An analysis of the poem, briefly carried out by a student, shows that this poem also describes the misfortunes of ordinary people. It will be of interest to anyone interested in this difficult topic. All Nekrasov's works are close to the people, the suffering of the common man, who turned out to be a victim of the master's arbitrariness.

Another poem by Nekrasov - "Railway"

The above work can also be given to a student within the framework of the topic "Nekrasov's Creativity". An analysis of the poem "Railway" by Nekrasov according to the plan may contain the following points.

Title of the work.
Description of the composition of the work (it consists of four parts).
The theme of the deceived people in the poem. Who actually builds the railroad.
Artistic means.
Student's opinion about the poem.

Getting to know the main character

But back to the main topic of this article. An analysis of Nekrasov's poem "On the Road", briefly conducted by the student, can begin with a description of the beginning of the work. This is a replica of the master - rider. He asks the driver to tell him some story that could disperse his boredom. And he decides to tell the sad story of his own life. At first, he complains to his rider that he was "crushed by the villainous wife." However, as the driver tells the reader, the reader will learn about what kind of life was prepared for Grusha. She spent her childhood in a manor house, where she was taught music, literacy, science. However, after the old master passed away, she was returned to the village. She was given in marriage without Grusha's consent, but she can't get used to her new life.

Two worlds of work

An analysis of Nekrasov's poem "On the Road" shows that Grusha suffers not so much from overwork, but from the everyday life in which she has to live. And her husband, the coachman, does not fully understand the tragedy of her situation. He is sure that he treats her quite well. The work contrasts two worlds: the world of wealthy boyars, because of which innocent people die, and the world of serfs, who have no rights. The latter cannot manage their own lives, they have no right to choose.

All the sympathy that the poet expresses in his work is addressed to such representatives of the common people. An analysis of Nekrasov's poem "On the Road" also shows that the work contains an unusually acute social aspect. After all, just because of one lordly whim, the fate of a young woman turned out to be crippled. Only this fact can already cause indignation of the reader. But the denunciation does not exhaust the content of the work. His inner drama is actually much deeper.

The moral side of the tragedy

The spiritual side of the story that happened to Grusha is not directly described by Nekrasov. To feel it, you need to imagine the circumstances that happened to the girl. Of course, the external severity of the circumstances in which Grusha fell into cannot be underestimated. Although at the same time she is capable of hard physical work. Those words of the coachman with which he describes his wife (“Beloruchka, you see, white-faced”) cannot be taken too literally. After all, when he talks about the tears of his wife, this to some extent refutes his irony.

The broken fate of a woman

Pear does not despise physical work - it's just that she is practically beyond her strength. After all, this work, which lay on the shoulders of serf peasant women, was comparable to that of men. And in this respect, the fault of the masters lies not only in the fact that they sent the girl back to the village, but also in the fact that they did not accustom her to hard work from her youth. The coachman mentions that his wife is "reading some book" in passing. However, this phrase can serve as food for thought, including about the spiritual side of this drama, about the moral suffering that befell Pear. What can torment her besides work? Maybe she is crying not only from overwork? What portrait is she constantly looking at? The coachman does not give himself the trouble to think about the answers to these questions, however, the reader who analyzes Nekrasov's poem "On the Road" should not be content with this superficial view.

Perhaps she is looking at a portrait of her lover, who was dear to her heart when she was still in the manor house? However, this assumption cannot be justified psychologically. After all, a peasant wife would not indulge in longing for another person in the presence of her husband. It would be more correct to make a different assumption - most likely, this is a portrait of a writer or poet, whose book is dear to her. Most likely, this is the person who evoked in her a sincere desire for happiness, true love.

Analysis of Nekrasov's poem "On the Road": the misfortune of an educated woman

The pear, which has learned the sciences and reading, has already begun to live consciously - its soul has higher aspirations. And she is not so much afraid of physical hardships as spiritual isolation. The husband is not able to share her views. Interestingly, the coachman perceives his wife's concern for his son as a master's whim: "Like a barchenka, she scratches every day ...". One can only judge indirectly about what everyday peasant life was like. The pear, perhaps not for long, consoles himself with his worries about his son. However, they bring her new pain - what kind of life awaits him in the future? That desire for happiness and spiritual development, which was instilled in Pear, cannot be realized in those social conditions.

The coachman and his wife

The difficult fate of a woman in every reader will cause deep sympathy. After all, she suffers the most, turns out to be guilty without guilt. And even the narrow-minded husband calls her a "villain." All the "villainy" of Pear lies in the fact that she does not have any mental or physical strength to cope with the situation in which she finds herself. However, it is difficult to envy the coachman himself. After all, he got a heavy share. And he laments with all his heart that his wife is about to die from such hard work. In his own way, as best he can, he is ready not only to “dress and feed” her, but also to “amuse” her. According to the plan, an analysis of Nekrasov's poem "On the Road" should also contain a paragraph describing the attitude of the coachman to his wife. He cannot be accused of being close-minded - after all, he has no evil intentions towards his wife. He is also a victim of the master's arbitrariness. He was married without desire. Consent in his family is not and cannot be. And ahead of him is waiting for widowhood, loneliness. Perhaps if a simple Russian peasant woman became the driver's wife, they could agree on their liking, it would be more fun and easier for them to live their difficult life. True, the coachman does not fully understand the tragedy of the fate of his wife. But after all, Grusha does not share with him those worries that weigh on him.

You are my unrelenting boredom! .. "

N. A. Nekrasov

Nikolai Alekseevich Nekrasov - singer of the national share. There was no such life situation, a dramatic turn in the fate of the people, to which the poet would not respond, would not capture in his lyrics. Already in the early poem of 1845, "On the Road", the main features of Nekrasov's poetry were reflected, which later acquired the characteristic features of his work: close attention to the needs of the common people, lyricism and bitter humor, sometimes turning into satire and even sarcasm.

The poem "On the Road" opens with a simple dialogue between a rider and a coachman.

"Boring! Boring! .. The remote coachman,

Disperse my boredom with something!

Song, or something, buddy, sing

About recruiting and separation ... "

"I'm not happy myself, sir..."

And the bitter speech of the poor man poured out, telling a story familiar to tears ...

Crushed by the villain-wife! ..

Hear you, from a young age, sir, she

In the manor house was learned

Together with the young lady to various sciences,

You understand, a hundred, sew and knit,

All noble manners and things.

The poem does not differ in detailed characteristics, this situation was not uncommon, therefore the author only outlines the basis of the conflict, the rest of the readers knew very well from what was happening around.

The master's daughter got married

Yes, and in St. Petersburg ... Her "benefactor" -

Fell ill, and on Trinity in the night

I gave my master's soul to God,

Leaving Grusha as an orphan...

A month later, the son-in-law arrived ...

In the very lexical selection of words, one can feel the author's attitude to the narrative: “orphan”, “Pear”, “son-in-law”. The new landowner is not interested in the feelings of the subject peasants, he is guided by momentary moods and decisions.

He brought her back to the village -

Know your place, man!

As a sin, the nineteenth year

It happened to me at that time ... they put me in jail

On tax - yes, they married her ...

Here the poet has not yet departed from naturalistic techniques - there are many colloquial words and turns, later he will avoid this in his works. In the meantime, the style, the unique language of his Nekrasov works, is developing. A sad story of a coachman who does not understand why he is punished, and his wife, in general, is not guilty of anything, except perhaps only by birth and the bitter fate of a serf.

The lords killed her

And there would be a dashing woman!

A real dramatic story opens before the "master" and the reader. The coachman is unaware, but we understand why his wife is dying. The reason is not in the hard and unusual peasant work, but in the violation of human dignity, which they tried to trample on in it.

Hear how the sliver is thin and pale,

Walks, tois, completely through force,

On the day of two spoons will not eat oatmeal, -

Tea, we'll dump it in the grave in a month ...

And the words of the rider sound bitter irony, allegorically explaining the author's position. He is completely on the side of his destitute heroes. So far, only he listens to them in order to find out the troubles and aspirations of his native people, but soon he will also see the path to people's happiness, albeit very long and thorny, but the only true one. And now only a bitter smile, barely hiding the tears of compassion, sounds in the last line of the poem.

“Well, that’s enough, coachman! Dispersed

You are my unrelenting boredom! .. "

The poem “On the Road” was written by Nekrasov in 1845, the poet is only 24 years old. This is a genre scene created in the form of a dialogue between a gentleman and a coachman (long-distance carrier). Coachmen often sang songs and told stories to bored riders, so Nekrasov describes a typical life situation.

The song-complaint of the coachman as a genre existed in folklore.

Literary direction, genre

Nekrasov's poems are realistic. They describe the typical hero in typical circumstances. During the time of the fortress

The rights of the peasants often became a toy in the hands of the masters.

Sometimes this happened as if by chance, as described in the poem “On the Road”: a serf girl was taken to the manor’s house as a friend and companion of the owner’s daughter. When the young lady grew up and got married, and the old master died, his son-in-law sent the girl, accustomed to living like a young lady, to the village and married her off. The landowners did not think about the fate of their serfs. The change in life has made the young peasant woman unhappy and threatens her with death.

In fairness, it must be said that there were also unequal marriages between landowners and serfs, but they were rarely happy.

The poem belongs to civil lyrics and denounces the social structure of feudal Russia.

Theme, main idea and composition

A teacher even wooed her, “yes, to know, God did not judge her happiness.” After a new owner came to the house, Grusha for some reason was sent to the village and married, and her life, as well as her husband's, became unbearable. Her husband does not consider her lazy, but she does not know how to do anything, “neither mow, nor go after the cow.” It is difficult for a woman to perform any physical work.

The coachman husband takes pity on her and comforts her, as is customary among peasants, but even new clothes do not please her, unusual clothes and shoes are uncomfortable. The pear cries, eats little and, obviously, will not live long in the world. She is reading some book (perhaps the only one she has), looking at some portrait (isn’t it a portrait of a teacher?) The coachman does not understand his wife at all, does not see his own fault, because he treated her according to -peasantly good, even almost did not beat.

He is also worried about the fate of his little son, whom his mother is raising as a young lady.

The main idea of the narrator is contained in two lines: "The gentlemen destroyed her, And there would be a dashing wench." The coachman implies that the peasant woman was ruined by the lordly upbringing. The master, who asked to be entertained with a story, stops the peasant on the words that he beat his wife only under a drunken hand.

The master understands how much a girl should be oppressed by such a life. Not because she has to do dirty peasant work, but because she is humiliated. The theme of the poem is the unfortunate fate of a person with self-esteem. The master is aware of all the hopelessness and bleakness of the fate of the unfortunate spouses and, in general, of all people in a class society, which was serf Russia.

The idea of the poem is anti-serfdom.

Size and rhyme

The poem is written in three-foot anapaest, reminiscent of tonic Russian song-complaints. This rhythm falls on the sound of hooves. The liveliness of speech conveys the alternation of female and male rhymes, as well as a variety of rhymes that alternate randomly: cross, pair and ring.

Paths and images, speech

Colloquial expressions make the coachman's speech realistic: you hear, you understand, a hundred, tois, crashing, bait, sam-at, patret. Nekrasov accurately managed to convey the condition of a peasant who does not know how to help his wife and what is his own fault. The master at the beginning of the dialogue is calm and indifferent: he does not care what story to listen to.

But he is not heartless. The barin's speech is ironic. Sarcasm is felt in the last phrase “You dispersed my persistent boredom”: it was sad, but it became even sadder and hopeless.

There are no paths in the coachman's speech, and where would they come from a peasant. There are two popular comparisons roaring like crazy, like a chip thin and pale, and one epithet - the highest peasant praise of a dashing wench. The master's epithet obsessive boredom emphasizes his bitterness from what he heard.

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On the Road The poem "On the Road" by N. A. Nekrasov is the first of the works about the hard lot of a Russian woman in Russia. V. G. Belinsky gave a high assessment to the poem. In the very first stanza, the image of a lyrical hero, bored on the road, is drawn. In order to somehow pass the burden of the journey, he begins to ask the coachman to tell some funny fable. Further, in contrast to this […]
The poem by N. A. Nekrasov “On the Road” is the first of the works about the hard lot of a Russian woman in Russia. V. G. Belinsky gave a high assessment to the poem. In the very first stanza, the image of a lyrical hero, bored on the road, is drawn. In order to somehow pass the burden of the journey, he begins to ask the coachman to tell some funny fable. Further, in contrast to this installation, […]
This poem raises topics that were traditional for Nekrasov's Creativity - the life and suffering of the common people. The author tells about the fate of a peasant girl who grew up in a manor house, but later married off to a simple peasant. The poem contains the image of a narrator, whose appeal opens a lyrical narrative. This is a gentleman who is on the road. To pass the time, he offers the coachman [...] ...
ANALYSIS OF THE EXTRACT OF NEKRASOV'S POEM. On the road Boring! Boring!.. Daring coachman, Disperse my boredom with something! A song or something, buddy, binge About recruitment and separation; What a funny story Or what you saw, tell me - I will, brother, be grateful for everything. - I myself am not happy, master: The wife crushed the villain! .. Hear you, from a young age, sir, she is In the manor house [...] ...
The theme of this poem is the life and suffering of the peasants, the common people. The poem is written in the form of a monologue within a monologue. The composition consists of a traveler's address and a coachman's story. This is the style of storytelling. You should pay attention to the opening words of the poem: “Boring! boring!..” This is not only road boredom, but “boring” in the sense of “sad”, “sad”, “hopeless”, which refers to the story […]...
The poem "On the Road" was written in 1845. When Belinsky read it, he noted that “the most interesting poems belong to the pen of Mr. Nekrasov, because they are imbued with thought; these are not poems to the maiden and the moon; they have a lot of smart, practical and modern” when Nekrasov read “On the Road” to Belinsky, the critic hugged him and said almost […]
The theme of this poem is traditional for Nekrasov's work - it is the life and suffering of the peasants, the common people. This work describes the fate of a peasant girl who grew up in a manor house, but was married to a simple peasant. The poem opens with an address by the narrator. This is a traveler, a gentleman who spoke with a coachman to pass the time on the road, which is stated in the title. He offers […]...
-Boring! bored! ... daring coachman, Disperse my boredom with something! These lines begin the poem by N. A. Nekrasov “On the Road”, written in 1845 in the collection “Dreams and Sounds”. The great Russian literary critic V. G. Belinsky enthusiastically welcomed this work, calling Nekrasov “a true poet.” Indeed, the second poems not only dispersed the boredom of readers accustomed to sugary lyrics, but also stirred up civil feelings with dialogue [...] ...
It is based on a folk anecdotal story about how the caretaker of the postal station mistook a bear, who accidentally found himself on a galloping troika, for a general, but the anecdote of a domestic incident develops into a social denunciation. A madly flying trio with a roaring beast in a sleigh instills fear in the oncoming ones, as if it’s really not a bear, but a general. No wonder I made a mistake and […]
History of creation The poem "The Forgotten Village" was written by Nekrasov in 1856 and published in the collected works of 1856. It was originally called "Barin". Literary direction and genre The poem belongs to the genre of civil lyrics and raises the problem of forgotten villages abandoned by landlords. After the publication of Chernyshevsky's review in Sovremennik, No. 11, 1856, censorship saw an allegory in the poem: in the image [...] ...
Turgenev's poem "On the Road" reproduces before the readers a magnificent picture of autumn. The picture of a foggy morning, the beauty of the autumn forest is described by the poet in his poem. But this topic is not fundamental. The author tells about his emotional experiences, about the thoughts that accompany him on the way. He recalls the sad and happy moments from his life, which he keeps with trepidation in his [...] ...
Akhmatova's acquaintance with Mikhail Leonidovich Lozinsky took place in 1911. Then he appeared at one of the St. Petersburg meetings of the literary association "Workshop of Poets", headed by Gorodetsky and Gumilyov. Anna Andreevna was proud of her relationship with him. According to her memoirs, Lozinsky was an amazing person, distinguished by "fabulous endurance", "graceful wit", nobility, tirelessness in work, devotion to friendship. Before the Great October Revolution, he [...] ...
Alexander Blok wrote this interesting poem in 1910. And it is interesting because the poet himself made a note that this is a kind of imitation of one of the episodes of Leo Tolstoy's work "Resurrection". Speaking of the plot, it's a rather sad picture. The life of a young girl who hoped for happiness in life. But she only got death. It seems that the lyrical […]
Ivan Sergeevich Turgenev is perceived by most readers as the author of works of a large form - the stories "Asya", "First Love", the novels "Rudin", "The Noble Nest" and many others, no less known to connoisseurs of Russian classics. However, the writer began his creative activity precisely with poetic forms, and in the last years of his life he became famous for a special genre, which later received the name “Poems in Prose”. Turgenev [...]
The work of Nikolai Nekrasov is sustained in the spirit of critical realism, and there is nothing surprising in this. Born into a noble family, the future poet saw two sides of the medal of landlord life from childhood. He was provided with everything necessary, but the stern father often beat not only serfs, but also household members. Nekrasov often escaped from beatings in the people's room, […]...
Anna Akhmatova treated her life purpose with a certain amount of mysticism, believing that her fate was determined in childhood. Once, while walking with her nanny to the Kiev city garden, the future poetess found a brooch in the form of a lyre and heard the prophetic words of her teacher that she was destined to become a writer. Years passed, the prophecy came true and faith in [...] ...
The poem “The Forgotten Village” presents a peasant theme. The original name is "Barin". The words “forgotten” and “village” are missing from the text. V. I. Dal defines the word “village” as follows: “a peasant village in which there is no church.” However, there is a church (see the last stanza), from which we can conclude that the “Forgotten Village” would be a more accurate name. The steward Vlas has a grandmother [...] ...
At the heart of A. S. Pushkin’s poem “Demons” is a dialogue with a coachman, although it can hardly be called a dialogue, since only one replica comes from the lyrical hero, moreover, stereotypical for travelers: “Hey, the coachman has gone! ..” Rather, it is a monologue coachman, and in fact without signs of stylization of common speech. The general impression of the monologue is, of course, the speech of an ordinary person, but this [...] ...
The poem "Troika" by Nikolai Alekseevich Nekrasov (1821-1878) was written in 1846 in the genre of "civil lyricism", close to the poet. It was a difficult time for the author, in the same year he, together with a friend, the writer Panaev, fought for the right to head the Sovremennik magazine, founded by A. S. Pushkin, where it was later published. The main theme of the poem "Troika" is [...] ...
The poem was written by Nikolai Alekseevich Nekrasov in 1846. The poem describes what the author himself saw, he just looked around and saw what others at that time considered the norm. The image of the Motherland in the poet's poem implies his father's home, where he spent his childhood. This is rather an ironic name, because the poem describes all the terrible [...] ...
Nikolai Alekseevich Nekrasov considered the folk theme to be the main theme of his work. The question of the people was relevant for the society of the Nekrasov era. Nekrasov, on the other hand, had an unusual trait - he treated other people's suffering as his own, passionately sympathized with the humiliated, disenfranchised people and constantly thought about their fate. Born into a noble family, the poet absorbed the spirit of the people. Unfortunate […]...
History of creation The poem “Uncompressed strip” was supposedly written in 1854, published in “Sovremennik” No. 1 for 1856 and included in the collected works of 1856. . The poem was set to music several times in the 19th and 20th centuries. Literary direction and genre [...] ...
The image of a blizzard The question of the authors of the textbook contains the statement that “through the magical whirling of a blizzard, a feeling of the unreasonableness of what is happening and the confusion of the soul is created”. If one can agree with the feeling of mental confusion, then it is hardly worth agreeing with the feeling of “unreasonableness of what is happening”. Pushkin creates the image of a blizzard through rhythmic whirling, which is expressed with the help of a dynamic four-foot chorea, and through repetitions: Repetitions in [...] ...
Nikolai Nekrasov grew up in a noble family, but his childhood was spent in the family estate of the Yaroslavl province, where the future poet grew up with peasant children. The cruelty of his father, who not only beat the serfs, but also raised his hand against the household, left a deep mark on the soul of the poet for life, who in his own house was as disenfranchised as […]...
Analysis of the poem Peasant Children The world depicted by Nekrasov in the poem “Peasant Children” is full of light, warmth and kindness. The author loves, understands and knows peasant life well. The life of the people is always in harmony with nature, which the author draws carefully and with love. At the beginning of the poem, we are presented with a calm and happy life, which a poet can only have [...] ...
Nikolai Nekrasov spoke rather dismissively about landscape lyrics, believing that such poems are the lot of weak romantic natures who are able to close their eyes to the social inequality of people and enjoy the beauty of the surrounding nature. Nevertheless, the poet himself repeatedly addressed this topic in his works, using landscape sketches to create or, conversely, smooth out the contrast. Nekrasov has […]
History of creation The poem "Schoolboy" was written in 1856 and published in the journal "Library for Reading" No. 10, was included in the collection of poems in 1856. At the time of writing, Nekrasov lived in a dacha near Oranienbaum, near which in the 18th century. Russian scientist Lomonosov organized a factory for the production of colored glass on the territory of his estate. Literary direction, genre Poem [...] ...
History of creation The poem “Forgive me” was written by Nekrasov in 1856 and dedicated to Avdotya Panaeva. It is included in the so-called "Panaev cycle" of love poems. It was published in “Library for Reading” No. 10 for 1856 and included in the collected works of 1856. Not a single poem by Nekrasov has been set to music as many times as this miniature […]...
The period from 1848 to 1855 in the history of the Russian Empire was called the “Gloomy Seven Years”. This time is marked by real censorship terror. Nicholas I and his associates were so frightened by the revolutionary events in France that they began to persecute liberal literature and journalism with tripled energy. It was difficult for Nekrasov, who tried with all his might to maintain the reputation of Sovremennik, which he led. The strongest […]...
The poem by N. A. Nekrasov “Troika” is devoted to the theme of the difficult fate of a Russian woman. In 1847 it was published in the journal Sovremennik. He also opened a small collection of poetry by N. A. Nekrasov. All this indicates that the poet attached great importance to the work. The theme of the difficult fate of a Russian woman is heard in the poems “Who should live well in Rus'”, “Frost, Red Nose”, […]...
History of Creation The poem “Knight for an Hour” was written in 1862 and published in Sovremennik No. 1-2 in 1863. It was originally called “Insomnia”. The poem reflected Nekrasov's impressions of his stay in Greshnev and Abakumtsevo, where Nekrasov's mother was buried outside the church of Peter and Paul. Dostoevsky believed that "Knight for an Hour" is a masterpiece of Nekrasov's work. Myself […]...
Nekrasov and Belinsky sympathized with each other even before they met in person. Both of them were engaged in critical activity and often agreed in opinion. It happened that Nikolai Alekseevich responded to some work earlier than Vissarion Grigorievich. Without a doubt, Belinsky was impressed by the negative assessments given by the novice critic to the pseudo-historical stories of Zagoskin and Masalsky, the works of now forgotten poets full of romantic pathos, pleasing to the authorities, but […]...
In the center of the poem by N. A. Nekrasov “The Gardener” is the problem of “love and social inequality”. It begins as a poetic love story between a young gardener and a noble daughter. N. A. Nekrasov spares no figurative and expressive means to make the story look like a fairy tale, and its characters like an ideal couple. The beautiful girl is “black-browed, stately, like sugar is white! ..”. She has “clear eyes”, [...] ...
The later poem "Elegy" (A. N. Eu) (1874) seems deliberately old-fashioned, emphatically traditionalist. It is written in Alexandrian verse (iambic 6-foot with paired rhyming), sustained in a lofty, solemn style, didactically and instructively, full of motifs dating back to the poetry of past times. Nekrasov abandoned the idea of starting it with the following witty couplet: “It’s old, isn’t it, to bake bread from flour? / However, from […]...
In 1868, Nikolai Alekseevich Nekrasov became the editor of the journal Domestic Notes. In the same year, from under his sharp writing pen, fluttered like a bold bird, the poem “Stuffy! Without happiness and will…” Included in the collected works of the writer in 1869. Set to music by various composers. The lines of the poem were essentially a call for revolutionary action. In the poem [...]
Nikolai Nekrasov in his poems tried to portray the harsh reality, without any exaggeration, there are no vivid epithets and metaphors in his work, only direct meaning can be found in poems. The choice of this path was influenced by the life experience of the author, those moments when he left home in his youth taught him to perceive reality, whatever it was. In his [...]
History of creation The poem "Farewell" was written by Nekrasov on February 28, 1856 and was not published during the life of the poet. It was found and published by K. I. Chukovsky only in 1931. However, the author read this work to his friends and associates, they remembered it by heart, and N. G. Chernyshevsky counted it among his favorites, about which in […]. ..
In 1840, with his own money, young Nekrasov, who hid under the initials “N. N., released his first collection, called Dreams and Sounds. It included poems that were mostly imitative in nature. Nikolai Alekseevich was inspired by the work of various authors, including Lermontov, Zhukovsky, Pushkin, Benediktov. This is not to say that the book was smashed by critics - reviews met as [...] ...
In this poem, the author confesses his love for his beloved. How many beautiful names, epithets he comes up with for her! She is both a young beauty and a queen… And the hero, of course, is ready to become her slave. From the very beginning of the poem, the lover describes his condition, speaks of feelings. They are so strong that he feels chained to this girl. He's ready […]...
The history of creation The poem “In full swing the countryside suffering” was written in 1862 and published in “Sovremennik” No. 4, 1863. It was repeatedly set to music. Literary direction and genre The poem belongs to the genre of philosophical lyrics. These are thoughts about the hard life of a Russian peasant woman. Her work did not become easier after the abolition of serfdom. Nekrasov firsthand […]...