The meaning of Eulampia (Peter Pyatnitsky) in a brief biographical encyclopedia. Gurvich Lev Gavrilovich

Today Pavel Pyatnitsky (biography, photos presented in the article) does not hold important government positions, but is a media personality whose opinion is listened to. What is known about him?

The beginning of the way

The young man’s small homeland is the Novosibirsk region, the village of Dovolnoye. Date of birth: 02/3/1984. Pavel began his career with the regional newspaper “Selskaya Pravda”, where, as a simple correspondent, he already became a local celebrity. He won the regional competition for young journalists (the “Best Interview” category). Since his school years, he took an active position, participating in the formation of the Youth Parliament in the region, for which he received gratitude from the governor.

What kind of education did Pavel Pyatnitsky receive? Biography is presented differently in different sources. The hero of the article himself, in an interview on KP radio, confirmed the official version that he has a higher legal education and graduated from the FSB Border Institute (Moscow). According to the encyclopedia of parliamentary candidates from the Rodina party, he graduated from the private university TIEI (Tula) in 2016. The beginning of his political career is associated with joining the LDPR. What has Pavel Igorevich Pyatnitsky achieved in this field?

Biography: Civil Rights Movement

Having been a member of Zhirinovsky’s party since school, the young man first worked at the regional level, and then, together with the LDPR deputy Loginov, moved to Moscow. Until July 2011, he was involved in different areas: he led the party’s youth movement, the public reception of its chairman, and then the LDPR faction in the State Duma. Members of the same party believe that Pavel Pyatnitsky, whose biography is filled with contradictions, left the political association without being included in the electoral lists.

Working for the last two years (2009-2011) at the Ministry of Internal Affairs, the ambitious leader paid great attention to contacts with the media. His speeches and interviews influenced a number of pressing issues: strengthening the powers of the FSB and the Ministry of Internal Affairs, the free sale of rifled weapons. In 2012, this allowed him to create the socio-political movement “Civil Law”, of which he is the leader. The association entered the international community "DVIZH".

What party is Pavel Igorevich Pyatnitsky, whose biography is discussed in the article, a member of today?

Present day

In January 2013, the politician returned to the LDPR at the personal invitation of Zhirinovsky, becoming the coordinator of the regional branch of the party (Moscow region). According to him, the party framework had already become cramped, so he again found himself floating freely. In 2016, he took part in the federal elections. The Novosibirsk branch of the Rodina party nominated him among other candidates, but failed to become a State Duma deputy.

Today Pavel Pyatnitsky, whose biography is interesting due to his frequent appearances on television, is the deputy chairman of the POC of Moscow. This public burden involves monitoring by the public over the observance of human rights in the prison and providing assistance to prisoners.

Many people are interested in what means a public figure lives on. At one time he managed the affairs of entrepreneur Sergei Polonsky. Today there are many scandalous publications around this. Pyatnitsky claims to own a small company that provides intercoms in conference rooms.

Family man Pavel Pyatnitsky: biography

The public figure met his wife Ksenia Timoschenko under interesting circumstances, which became known thanks to the program “Let Them Talk.” The girl dated the common-law husband of Ekaterina Kravtsova (Strelki group) for five years, giving birth to his son Maxim. As a result of a scandal in February 2015, a man broke his ex-lover's nose and threatened her with a knife, leaving traces of cuts on her arms and neck.

The hero of the article began dating a brunette beauty shortly before the tragic events. Defending his beloved woman, Pavel Pyatnitsky (biography presented in the media) ensured that the prosecutor took special control of the case, and the criminal was charged not with assault, but with attempted murder. Kravtsova’s husband was sentenced to 7 years, and Timoschenko became Pyatnitsky’s wife. According to him, during their marriage they had a daughter.

The public figure, who constantly communicates with subscribers on Periscope, was married three times and has three children.

Information provided:

Irina Luneva, poetess, laureate of the International Literary Prize in the Poetry category, Philanthropist 2010.

Pyatnitsky Petr Efimovich was born in 1931 on July 10 in the village of Rudnya, Voronezh region, Vorobyovsky district, into a family of townspeople and artists. His great-great-grandfather Lazar Semenovich Shcherbatov is the founder of the village of Rudni. Being a bogomaz, he painted churches throughout the province. He had three sons: Benedict, who continued his work; Vasil, a gardener, was a close friend of Ivan Michurin, and they solved gardening matters together; Mikhail, Pyotr Efimovich’s great-grandfather, graduated from art school in St. Petersburg. Lived and studied with the great Russian artist Ivan Kramskoy. Later he entered the Academy at the Faculty of Painting. He graduated with the rank of 2nd class at the Imperial Academy of Arts. Mikhail Lazarevich did a lot for the village of Rudnya - a water supply system, a bell tower for the church and built a school for girls with his own money. For several years in St. Petersburg he taught the children of Nicholas II, who for this work gave Mikhail Lazarevich a pension of 1000 rubles a year. He was also a trustee of the Navy. He was married to the daughter of the royal doctor Emilia Shliser. They had no children.

My maternal grandmother completed 2 years of high school in Voronezh.

For little Petya, from the age of five, pencils and watercolors became his main pastime. He went to first grade in Kalache. The restless, mischievous child constantly received blows for his tricks both at home and at school.

In 1939, in December, Petya and his parents moved to live in Georgia in the city of Zestafoni. There he continued to go to school, and in his free time he began, for now for pleasure, to draw tanks, planes, ships, pirates based on the books of Jules Verne.

One day, his father’s friend showed him how to draw by cells and the boy drew A.S. Pushkin the Child from an engraving by Wright. Even then, the artist’s talent began to manifest itself. Later he tried to draw from life. After finishing 7th grade, he leaves the village of Rudni.

In 1947, an exhibition of schoolchildren was held in Voronezh, Peter painted the portrait “Queen Tamara” and went to the Rostov Art School for a five-year study with an expanded program.

After studying for three years, since deferments were not given in those years, in 1949 he went to serve in the Army in the railway troops. In the Army he showed himself to be an excellent artist, and it turned out that the profession was in demand there. The headquarters needed paintings, graphs, drawings, maps, and slogans for the soldiers. During his service, Peter made many sketches, drawings and sketches of soldiers, and painted paintings.

In 1952, an exhibition of soldier-artists was held in Stalingrad, at which Peter exhibited two paintings: “The Feat of the Hero of the Soviet Union V.P. Miroshnichenko” measuring 150x120cm and “Taking the Oath” measuring 100x150cm, receiving a diploma and a “Lightning” watch for them. These paintings were left as a gift in the unit.

In 1953, after suffering from a lung disease, Peter was discharged and returned to Kalach, where by that time his parents had moved again. He works for one academic year at secondary school No. 6, where he teaches drawing and drafting to grades 5 and 7, makes copies of paintings for the school such as “Admission to the Komsomol,” a copy of a painting by Grigoriev, “The Ship Grove,” a copy of a painting by Shishkin, and many others, and also his own creative works: “Delinquent Children”, “School Theme”, “On the Fields of War”, “Spring in the Gardens”, “Chalk Quarry”, “Lunch Break at the Chalk Quarry” and still lifes: “Dahlias”, “Bird cherry”, “Telegram”, “Watermelons”, “Melons”, “Morning on the Don”. All these paintings and still lifes were exhibited in Kalach and Voronezh.

In 1954 Peter returns to Rostov-on-Don to complete the remaining two courses at the art school. In 1956 The school administration sends Peter to the Moscow Art Institute. Surikov. Unfortunately, it does not pass the entrance exams, since there are only 50 free places, of which 40 places are for socialist countries, Africa and others, and only 10 places are for Russia.

In 1956 Pyotr Pyatnitsky returns to Kalach. The RK CPSU offers him a job in an art workshop as a senior artist. In the same year he opens an art studio for children and young people. Gennady Babenko, Pavel Dorokhov, Grekov, a worker from a mechanical plant, and many others studied there. There were about 30 people in the group. At this time, Pyatnitsky met the wonderful artist Mikhail Tkachev. Together they have been working outdoors for ten years. Peter admires the quality of his workmanship. although, in turn, Mikhail Tkachev advises Peter to follow his own path of creativity.

Pyotr Efimovich's talent, his unique and lively writing pave a wide creative path for him. He participates in numerous exhibitions. Receives certificates of honor and valuable gifts at the Voronezh regional exhibition for the paintings “Chalk Quarry in the Evening”, “Blossoming May” and other eighteen works. And also for the painting “Stacking” a 1st degree diploma.

The painting “Stacking” was exhibited at the 1st All-Union Exhibition in Moscow in 1961. At an exhibition of artistic creativity of workers and employees, he received a badge and 1st degree diplomas for the paintings “Sultry Day” and “Portrait of a Mother”.

1962 – Kalach “Certificate of Honor” and certificate for “For active participation in the exhibition.”

1964 – Kalach “Certificate for conscientious and timely completion of work.” 1st degree diploma.

1965 – Voronezh – “Certificate of Honor” for creative achievements in the fine arts and participation in regional exhibitions.

1965 – Moscow, All-Russian exhibition of amateur artists, 1st degree diploma.

1966 – Moscow, All-Union Exhibition. Diploma for creative achievements in fine arts. Painting “Lunch of combine operators” 140x175cm. X. m. work at a creative dacha in Goryachiy Klyuch. “Chalk Quarry” 25x45, “Kalach Station” 46x25, “Winter” 46x28, “Collective Farmer”.

The catalog from the exhibition remains, a reproduction and articles about the exhibition have been published in numerous newspapers such as: “Soviet Culture”; “Izvestia” (article “The Wealth of Life”); “Rural life” (article “The Joy of Discovery”); "Commune".

In all of the listed newspapers, reproductions are 15x20 cm. In the magazines “Artist” and “Rise” there is a large article about the exhibition.

1967, Voronezh, “Diploma of Honor” for services to the development of the national economy and culture of the region.

1967 Kalach. “Certificate of Honor” for fruitful work.

1967 Kalach. “Certificate of Honor” for the creative execution of the portrait of V.I. Lenin.

When the curtain opened, the audience stood up to applaud, the certificate was signed by the Secretary of the RKCPSU V.F. Filonenko, chairman of the district executive committee A. Kopytin.

1968, Voronezh - “Certificate of Honor” for creative success and participation in the regional exhibition dedicated to the 50th anniversary of the Soviet state.

1968 “Certificate of Honor” for conscientious work on the 51st anniversary of the Great October Revolution.

The painting “Stacking” was exhibited at the 1st All-Union Exhibition in Moscow in 1969. and received a 1st degree diploma and a badge.

“Certificate of Honor” for conscientious work and success in creativity in 1970.

In Voronezh at the Kramskoy Museum - 1st degree diploma for the painting “Towards the Dawn” 110x185 cm, x. m. And in the museum catalog he was one of the first to be mentioned for creative success in the regional show.

G. Kalach – II degree diploma for creative achievements dedicated to the 100th anniversary of V.I. Lenin and catalogue. 1978

There were five personal exhibitions in Kalach. In 2005 The anniversary event took place in Voronezh, at the I. Kramskoy Museum, and was exhibited for 6 months.

In 2003 10 paintings were exhibited at the regional exhibition in Voronezh: “Russian Gods”, “Strategy of G.K. Zhukov”, landscapes “Komova Dacha” and many others.

In 2006 in Kalache, in honor of the artist’s 75th birthday, an exhibition of one hundred paintings is being held, and the newspaper “Kalacheevskie Dawns” publishes an article “With talent through life.”

In the city of Kalach there was an exhibition “My Spring, My Victory”, dedicated to the 65th anniversary of the victory over Germany, there is a catalogue.

The painting “He Defended the Motherland” was exhibited.

Winter 1981 In Pyatnitsky’s house there was a domestic fire in which several hundred books, narrow film films, radio equipment, a Volga GAZ-21 car, several dozen art materials and paintings burned: “Youth” thesis 90x130cm. X. m. 1955; “Mom’s assistant 110x80 cm x. m. 1958; “Lunch in a chalk quarry” 130x80 cm. x. m. There is a photograph left;

“Lunch of combine operators” 140x185 cm. x. m. 1965.

“Towards the dawn” 110x186 cm x. m. 1970

The following paintings were made for the Rodina collective farm: “Lunch of combine operators” (the author’s repetition of 1970);

“Vasily Terkin” 1971, 160x200cm

copy from a painting by Neprintsev;

“Hunters at rest” 1972, 90x140 cm, oil on canvas. m. – copy from Perov’s painting.

“Spring in Yunakovo” 100x170 cm. x. m., “Taras Bulba”, “Spring” - 1974. X. m., “Panoramic landscape of the village of Yunakovo” 1982, 500x1000 cm, oil on canvas. m., “Blossoming May” and four still lifes.

“Panoramic landscape of Ilyinka” was performed on the Ilyinka collective farm.

“Panoramic Landscape of Manino” was performed on the Manino collective farm.

In addition, in 1991 Petr Efimovich made a creative painting of the ceiling measuring 200 sq.m. in the assembly hall at the College of Mechanization. And in 1992 painting the ceiling of a sports hall measuring 200 sq.m.

In 1997 Art critic Diana Rehnhorst comes from Chatanagua, Tennessee, (USA) and purchases 60 works. And in 2006 art critic Kleine Pin arrived and also purchased 60 works. There are currently 120 paintings in the United States: “On a Date”; “Masonry in the garden”; "Privokzalnaya"; “Corner of the winter yard”; "Gardener"; "Beet harvesting"; “Sunflower harvesting”; “Sultry day” 1961; “Melon” – still life; “Stacking” 1958;

“Procurement of green fodder” 1969, 40x70 cm; “For interrogation” version of “Towards the Dawn” 180x120cm, 1971; and others that are repeatedly exhibited.

Paintings by Pyotr Pyatnitsky are also in the Kramskoy Museum in Voronezh. These are: “Russian Gods” 2002; 120x140 cm;

"Strategy of Zhukov G.K." 2003 110x140 cm;

“Aba Tsivi Tskhali” 2005, 90x120 cm, dedicated to childhood;

“Mom in the workshop” 1942, 90x110 cm, 2010.

“Sermon” 1995, 80x130 cm, dedicated to Porfiry Ivanov;

“Komova Dacha” 70x110 cm, 1975. X. m. 2005 1 personal exhibition of Pyatnitsky Pyotr Efimovich is taking place in Voronezh. 18 paintings remain as a gift in Voronezh. And in 2007 collector from Voronezh A.V. Gutorov acquires another 60 paintings.

Now in the artist's house there is

“Lonely pensioner” 1954, 60x55 cm x. m. “Song of lovers on the Don 1957, 50x40 cm, “Dreaming” - nude 1955, 100x70 cm.

"Morning on the Don - cook." 100x60 cm x. m.

“New road to the sugar factory” 1985, 70x120 cm. x. m. "Winter's Tale" 1999, 70x100 cm, oil on canvas. m.

“Bather” 2000, 65x90 cm,

“Village morning-milk collector” 2001, 80x20 cm, “Prayer” 60x80 cm, “Wisdom”, 60x80 cm, “Portrait of Leo Tolstoy”. The paintings had never been exhibited anywhere before.

“Rye” copy from a painting by I. Shishkin 159x250 cm 1983 located in the College of Mechanization and “Koltsov on Don” 200x400 cm, x. m. 1981 in the library at the technical school of mechanization.

The Voronezh newspaper “Commune”, “Leninsky Put” and the local “Kalacheevskie Zori” constantly talk about the talent of Pyotr Efimovich, about the exhibitions he holds, about his art studio and introduce readers to the multifaceted world of the artist.

Pyotr Efimovich is an enthusiastic person.

He participated in the artistic design of the film directed by A. Erickson “Bread”, for which he received a certificate of honor.

He has a large collection of art books. He is interested in philately and has collected 20,000 postage stamps.

He is a car enthusiast and a radio amateur with extensive experience.

He is engaged in winemaking and the production of bread drinks.

Mozhaev Nikolay Vasilievich

Nikolai Vasilyevich Mozhaev was born in the village of Gnilitsa, Kletnyansky district. Here I studied and lived in my youth. In 1939 he was drafted into the Soviet Army. After graduating from military school in 1942, he was sent to the front of the Great Patriotic War and participated in many battles, showing valor, courage and heroism. In 1943, together with the paratroopers, he landed on “Malaya Zemlya” near Novorossiysk and fulfilled the combat mission with honor, for which he was awarded the Order of the Red Banner. During the days of the Battle of Kursk he commanded a battalion. For skillful leadership of the unit's combat operations and the successes achieved in defensive and offensive battles near Belgorod, personal courage and bravery, he was awarded the second Order of the Red Banner. Battalion N.V. Mozhaev was one of the first to cross the Dnieper near Kanev. For five days and nights, the battalion's soldiers fought off attacks by superior enemy forces, during which time they destroyed 12 tanks, 8 vehicles, 12 guns and up to 200 fascists. Personally, battalion commander Mozhaev knocked out two tanks in those battles and destroyed more than 40 Nazis, for which on June 3, 1944 he was awarded the title of Hero of the Soviet Union. N.V. Mozhaev died in 1944 during the liberation of the fraternal Polish people in a fierce battle for the crossing of the Vistula River near the village of Mazurov, and was buried in the city of Kazimierz, Dalny.

The exploits of N.V. Mozhaev are immortalized in his homeland. The name of N.V. Mozhaev was given to the Gnilitsky school, where he studied in 1928-1933. One of the streets in the village of Kletnya is named after him. A five-meter reinforced concrete pedestal was built here in 1981. Length 60 cm, width 60 cm. On it there is a bust of the Hero and a marble plaque with the inscription: “To the Hero of the Soviet Union Nikolai Vasilyevich Mozhaev. Eternal glory and memory to the Hero - fellow countryman.” The size of the marble board is 40x50 cm.

Pyatnitsky Petr Nikolaevich

Born in 1913 in the village of Muzhinovo, Kletnyansky district, Oryol province (now Bryansk region). From an early age he learned the hardships of peasant labor, learned to read and write, and worked on a collective farm. When the war began, he was 28 years old. In July 1941 he went to the front and took part in battles (267 SD). In 1942 he was wounded and captured. In 1944 he was released from the concentration camp and returned to duty. Before the final battles in Germany, he joined the ranks of the Communist Party. On the eve of the storming of the Reichstag, he served as an orderly for Captain Stepan Neustroev, commander of the assault battalion of the 150th Infantry Division.

The legendary Soviet film "Liberation" shows how Neustroev's subordinates - Junior Sergeant Meliton Kantaria and Sergeant Mikhail Egorov - were presented with the Victory Banner. But the fact remained behind the scenes that in fact there were several banners. And one of them was handed to Guard Sergeant Pyatnitsky. According to eyewitnesses, on April 30, 1945, he was the first to rush to the central entrance of the Reichstag and dragged his comrades along with him. While running he managed to unroll the banner. The enemy fired heavily. The hero ran up the steps and was hit by a bullet. To prevent the body from being trampled, it was moved and placed near the column. In the heat of battle they forgot about him. The banner that fell from the hero’s hands was hoisted on the Reichstag along with the Victory Banner. When the comrades returned, Pyatnitsky’s body had already been taken away and buried in a mass grave. Its exact location is still unknown. The command of the unit petitioned for Pyotr Pyatnitsky to be awarded the title of Hero of the Soviet Union posthumously, but “at the top” they limited themselves to the Order of the Patriotic War.

Later, Mikhail Egorov came to bow to the hero’s wife and son. In 1981, in the village of Kletnya, a copper bust was installed to Pyotr Nikolaevich (pictured). Below it is a marble plaque with the text: “Brave participant in the storming of the Reichstag.”

Anatoly Dzhugash “From the memories of P. Pyatnitsky”

Among the names of the human soldiers and officers who took the Reichstag, one has been frivolously forgotten - Pyotr Nikolaevich Pyatnitsky. Meanwhile, he was the first to jump onto the pavement from the window of Himler’s house in Berlin when the storming of the Reichstag began in April 1945 during the very first attack. Then, under crossfire on Landwehr-Canal Street, when the companies of the 756th Infantry Regiment, 150th Infantry Division, 3rd Shock Army, 1st Belorussian Front lay down, suddenly one of the fighters stood up to his full height, unfurled the red banner and carried the their comrades. This was the junior sergeant of one of the forward companies of the 756th Infantry Regiment, Pyotr Pyatnitsky. The soldiers remaining in Himmler's house saw Pyotr Pyatnitsky run up to the steps of the main entrance of the Reichstag and waved the banner again, calling to him the soldiers running after him. A second, another, a little more, and in a furious jump he was about to catch the toe of his boot on the edge of the last granite step of the flight of stairs, but at that moment he was cut off by a machine-gun burst from a fascist warrior. Peter froze in his jump, his body broke and began to fall on the steps. When junior sergeant Shcherbina ran up to him, out of breath from running, Peter was already dead, but he was tightly clutching the red battle flag in his hand. The banner that Pyotr Pyatnitsky did not carry to the Reichstag dome, Shcherbina and his squad of fighters will then attach to the top of one column of the main entrance of the lair of Adolf Hitler himself. However, for this moment, Shcherbina had to endure another whole day until the evening. All day long, both Soviet soldiers and the Nazis saw Pyotr Pyatnitsky, sprawled on the steps of a granite staircase with a banner in his dead hand, but neither one nor the other dared to approach him, since both sides fired intensely from all types of weapons, not letting each other get close to it. Only before evening, after heavy artillery preparation and with the support of 1
1st battalion of the 380th and 674th regiments. companies of the 756th Infantry Regiment resumed their attack on the Reichstag. Pyotr Pyatnitsky was lying in front of the entrance with a flag in one hand and in the other he was clutching a machine gun, which had no cartridges. Shcherbina with difficulty took the future banner of Victory from his hand and ran with it to the doors of the main entrance, and his soldiers took
carefully and carefully Peter's body and carried it to one of the granite columns, where they left Pyatnitsky, and then rushed after junior sergeant Shcherbina. During the hot battle of the battle, the 756th Infantry Regiment lost so many soldiers that the clerk of General Shatilov’s headquarters was tormented while counting losses, his memory was also overcome by the thought that the war had actually ended, and the young soldiers continued
burn like gunpowder... Pyotr Pyatnitsky, essentially, went into the last battle as a private, since, according to the recollections of his commander, only two or three days before his last attack on the Reichstag, he was awarded the rank of junior sergeant. During his last exploit he was listed
in the position of liaison officer for the battalion commander, Captain Stepan Neustroyev, and it was not his task to lead fighters in attacks on the enemy, especially in the last days and hours of the war... After the heroic death of junior sergeant Pyotr Pyatnitsky, one of the war correspondents Vasily Subbotin wrote the first about he wrote a note in the divisional newspaper -
that one, but the material about this feat of Peter was not published. It didn’t reach the reader, and that’s all. Moreover, the glorious name of Pyotr Pyatnitsky began to be forgotten, it was understandable at that time, too many events appeared in print after the fall of not only
the Reichstag, Berlin itself, all of Nazi Germany.
Pyatnitsky fought bravely until the end of his life, died heroically, with the banner of Victory in his hand, it will be raised by his comrades Yegorov and Kantaria on the dome of the Reichstag. They will remove this banner from the column of the Reichstag, where junior sergeant Shcherbina secured it, taking it from Pyatnitsky’s hands. Perhaps his relatives, neighbors and friends who live in the village of Severtets, Kletnyansky district, Bryansk region, or somewhere else in the vast mother Russia, think
Is Peter Pyatnitsky still missing due to the fact that he is buried in an unknown location in distant Germany? Or maybe there was one other circumstance that prevented us from highlighting the soldier’s name? Peter came to his division shortly before the attack on Berlin. He came to it after undergoing quarantine and interrogation by a special department of the division headquarters, through the omissions of his new commanders. Peter received this thorough check because before appearing in the division he was in fascist captivity for two years, where he was seriously wounded in July 1942.
One could argue and doubt, discussing any details of the biography of the soldier and former prisoner of war, but one thing became clear, this was the new, ideal Peter Pyatnitsky after his harsh captivity. His penultimate fact of life also advocated this. When the well-known Schneidemmühl group of Fritz, the last support and hope of the Fuhrer in this war, was fleeing through the rear of the Shatilov division, it was Pyotr Pyatnitsky with his machine guns as part of a foreign partisan detachment of the Maquis who stood first in the path of the movement of the column of tanks and infantry of the Nazis. The Nazis did not get through then The Alps and this was the main merit of Peter and his fellow partisans in that battle. One can talk endlessly about how he stepped in the rain of lead bullets with a banner, after his new commanders and comrades believed in him, a former prisoner of war in a fascist death camp, how they put him in line and gave him weapons...

From Nikolai Yamsky’s book “Who Took the Reichstag. Heroes by Default”:

"From the memoirs of Stepan Neustroyev: “Who will go first? After a short thought, I came to a firm decision that I should send junior sergeant Pyotr Pyatnitsky. Together with him we have come a long way. I loved him for his courage, impeccable performance, and acumen in battle. Pyatnitsky was my orderly. But when it was necessary to carry out a particularly important assignment on the scale of a squad or platoon, I boldly entrusted it to Peter...” Here, interrupting Neustroyev’s narrative a little, it would be necessary to say a few words about junior sergeant Pyatnitsky. Already at the very beginning of the war - in the summer of 1941 - Pyatnitsky was captured. He ran twice. Both failed. For escaping he was subjected to terrible torture. And the fact that he survived after them is a real miracle. But it is an even greater miracle that he survived until 1944, when our advancing army rescued him from captivity. After being drafted, he ended up in the 756th Regiment, in Neustroev’s battalion. He fought not just bravely, but desperately. Apparently, he was taking his soul away after all the suffering and humiliation in Hitler’s captivity... But let’s return to the episode when, before crossing the Moltke Bridge, battalion commander Neustroev decided that it was Pyatnitsky who could better than others fulfill the role of “leading the way” in this deadly task. “Summoning him to me, I said: “You, Petya, with a reserve platoon will have to be the first to cross the Spree across the bridge, and the whole battalion will follow you in a platoon.” The jowls on the junior sergeant’s high-cheekboned face began to appear with excitement. I understood that he was not afraid of death or injury, but was concerned at that moment with only one thing: could he do what was entrusted to him? Pyatnitsky replied: “The task is clear.”
The advance of the leading platoon of the Neustroevsky battalion began to the frantic accompaniment of the German and our batteries entering into a fierce duel. In the rapidly approaching darkness, Pyatnitsky’s platoon managed to get almost close to the barricade at the entrance to the bridge. But just at this moment the enemy artillery shifted fire to the attacking infantry. The road to Pyatnitsky’s platoon was blocked by a solid wall of explosions. The soldiers were forced to lie down. Holding his breath, through the smoke, fumes and flashes of explosions, Neustroyev tried to see, until his eyes hurt, what was happening to his vanguard. However, it was already clear: a few more minutes of delay, and only memories would remain of Pyatnitsky’s platoon. It was necessary to do something decisive that could immediately turn the situation around. Having contacted Regimental Commander Zinchenko by telephone and reporting the situation, the battalion commander decided to tighten the ranks of the attackers and, with one throw forward, take them out from under the enemy artillery attack. To do this, he brought another platoon into battle - junior lieutenant N. Lebedev. At that moment, scouts from the group of Captain V. Makov were urgently transmitting data on priority targets via radio to the headquarters of their artillery brigade. Apparently, spotters from other artillery divisions were no worse at aiming their guns at enemy targets. Because, although not immediately, the results of their skillful work began to appear more and more clearly. Very soon, the fire support of enemy batteries from Tiergarten Park weakened noticeably. And most importantly, many firing points equipped in fortified buildings on the opposite side of the bridge, on the Kronprinzenufen and Schlieffenufen embankments, were suppressed. As a result, the enemy could no longer fire at our infantry stepping onto the bridge with the same intensity and power. And the thick darkness that fell, depriving the Germans of the opportunity to conduct aimed fire, was only to the advantage of our assault detachment...
Let's return to the story of S. Neustroev: “The decisive moment has come for crossing the Spree. Pyotr Pyatnitsky's platoon and Nikolai Lebedev's platoon rushed forward. Following the explosions of our artillery shells, the soldiers rushed to the bridge. Then the soldiers of Senior Lieutenant Pankratov’s company rushed forward. Meanwhile, Pyatnitsky moved to the other side of the river. Lebedev is behind him. Soon the second rifle company of Lieutenant Mikhail Grankin moved to the other side, followed by machine gunners, mortar men and the rest of the units of my battalion.”
Observing the progress of the battle from his “low battalion bell tower,” Captain S. Neustroyev, naturally, could monitor the maneuvers of other participants in the crossing only insofar as. Meanwhile, in the darkness and confusion, following the platoons and companies of the Neustroevites, other advanced units made their way across the bridge. In particular, the already mentioned battalion of senior lieutenant K. Samsonov, which operated from the left flank of the bridge. This entire “group”, not God knows how many in number, with the friendly support of tank guns and direct fire guns from “our” shore, still managed to jump over the bridge and cling to a small patch in front of the buildings facing the embankment. It got caught, but very soon found itself cut off from the main forces, which were trying in vain to repeat the route of their vanguard. And all because the enemy fire, which sharply intensified after a certain lull, from the building of the Swiss embassy and “Himmler’s house” again covered the passage across the bridge with an almost continuous lead curtain. As a result, the introduction of new forces to consolidate and develop the achieved success has stalled. And the advance detachment, lying down at the exit from the bridge to the embankment just opposite the passage to Royal Square, found itself under powerful crossfire.
This is how, in general, the situation was depicted from “our” shore. It was drawn, of course, very approximately, because in the conditions of a night battle, and even in isolation from the main forces, what was happening on the bridgehead could only be guessed. There was only one thing that left no doubt: there was a heavy, unequal battle going on there. The price of his outcome was incredibly high - from wasted sacrifices to the loss of justifying the high honor of being the first to raise the banner of Victory over the defeated Reichstag."

Reshetnev Mikhail Sergeevich

Mikhail Sergeevich Reshetnev was born in 1959 in the village of Gnilitsa, Kletnyansky district, Bryansk region. Member of the Union of Artists of the USSR. Chairman of the Board of the Bryansk organization of the Union of Artists of Russia. Higher education. In 1986 he graduated from the Moscow State Art Institute. V.I.Surikov, faculty of easel painting. Specialty: artist-painter.

While still a student, Mikhail Reshetnev participates in many exhibitions in Russia and abroad. For participation in the preparation and holding of the XII Festival of Youth and Students in Moscow, Mikhail Reshetnev was awarded a Certificate of Honor from the Komsomol Central Committee. In 1986, after graduating from the institute, Mikhail returned to Bryansk.

In 1989, Mikhail Sergeevich Reshetnev was admitted to the Union of Artists of Russia. Mikhail Sergeevich Reshetnev is a participant in almost all Regional, Zonal, Republican and All-Russian exhibitions, where his paintings were exhibited: “In the Skete”, “Rus”, “Foundation of the Svensky Monastery”, “Portrait of F.I. Tyutchev”, “Peter I”, “In Old Russia”, “Lyudmila”, “Evening Bells”, “At the Walls of the Monastery” and others, which were highly appreciated by specialists and viewers.

The main direction in the work of Mikhail Sergeevich is historical painting and portraiture. He highly professionally produced historical canvases for the exhibitions of the museums of Alexei Konstantinovich Tolstoy and Fyodor Ivanovich Tyutchev, the Bryansk Regional History and Literary Museums, and for the Fyodor Ivanovich Tyutchev Museum in Moscow.

Recognition of the special merits of Mikhail Sergeevich Reshetnev in the development of fine arts was the awarding of the A.K. Tolstoy “Silver Lyre” prize in 2000. In 2003, Mikhail Sergeevich became the winner of the regional competition dedicated to the 200th anniversary of the birth of Fyodor Ivanovich Tyutchev.

For his active artistic creativity, Mikhail Sergeevich Reshetnev was repeatedly awarded by the diplomacy of the Union of Artists of Russia, thanks and certificates of honor from the regional administration and the culture department of the Bryansk region.

Reshetnev's personal exhibitions were held in Bryansk, Gomel, Ryazan, Unecha, Moscow, Jurmala. In 2003 - 2007, he held 5 personal exhibitions in Moscow. Articles about these exhibitions were published in the Moscow newspapers “Artist of Russia”, “Our Isographer”, and reports were also shown on the “Culture” channel.

In June 2007, Mikhail Sergeevich took part in the Moscow Culture Days in Jurmala with his personal exhibition. In 2004, for a series of paintings dedicated to the life and work of F.I. Tyutchev, Mikhail Sergeevich Reshetnev was awarded the anniversary medal “In memory of the 200th anniversary of F.I. Tyutchev.”

In 2005 - winner of the regional competition in the category “Singing My Fatherland”. In 2005, on the recommendation of the Secretariat of the VTOO, the Union of Artists of Russia was enrolled in a monthly scholarship for 2005.

The result of Mikhail Sergeevich’s pedagogical work at the Bryansk Art School is that many of his students continued their studies at higher educational institutions in Moscow and St. Petersburg.

Mikhail Sergeevich Reshetnev is active in social activities. He was repeatedly elected as a member of the board of the Bryansk organization of the Union of Artists of Russia, was the chairman of the art council, and participated in organizing and conducting international plein airs of artists in the Bryansk region, Ukraine, and Belarus. Many of his works were donated to orphanages, hospitals, and schools.

In 2007 M.S. Reshetnev was elected chairman of the board of the Bryansk organization of the Union of Artists of Russia

Rumyantsev Nikita Ivanovich

Born in 1906 in the Kaluga region. After the civil war, the Rumyantsev family moved to Kletnya. Participant of the Soviet-Finnish war 39-40. Platoon commander of the 204th separate engineer battalion of the 7th Army of the North-Western Front, lieutenant. Title of Hero of the Soviet Union on March 21, 1940 (posthumously) - for taking the height marked “38.2” with a group of soldiers. After completing the task he died a heroic death. He was buried at the battle site.

Tupitsin Ivan Nikolaevich

Born on July 20, 1915. Worked as a teacher in the village of Muzhinovo, Kletnyansky district. In the active army since July 1942. Commander of self-propelled guns of the 375th Guards Heavy Self-Propelled Artillery Regiment of the 3rd Guards Tank Corps of the 19th Army of the 2nd Belorussian Front) distinguished himself in March 1945 in the battles for the city of Kezlin (Poland). The title of Hero of the Soviet Union was awarded on June 29, 1945 (posthumously). He was awarded the Order of Lenin, the Order of the Patriotic War, I and II degrees, the Red Star, and medals. He was buried on the outskirts of Sopot (Poland).

Chubarov Anatoly Alekseevich

After graduating from the 7th grade of the first village school (at that time it was the graduating class), he went to work in production and continued his education at the school for working youth. Then he served in the army, in tank forces, and was a tank commander. After the service he went to Yekaterinburg, where he graduated from an electromechanical technical school. He worked at a turbo-engine plant as a designer and head of a design bureau. Then he received higher education at the Ural Polytechnic Institute. He worked as deputy chief engineer, deputy general director, and from 1990 until his retirement - general director of the Sverdlovsk OJSC Turbomotor Plant.
Anatoly Alekseevich was an experienced, competent specialist, he improved his qualifications in the USA, spoke foreign languages, he is an Honorary Academician of the Moscow Aviation Institute, “Honored Mechanical Engineer of Russia.” For labor achievements he was awarded government orders and medals.
A.A. Chubarov never forgot about his small homeland and school friends. When he came to visit, he helped the Kletnyans to the best of his ability: he provided assistance to the municipal services of the village, and contributed to the publication of a book about the partisan movement in the Bryansk region, as well as to the restoration of monuments to the Great Patriotic War.
Chubarov A.A. - Honorary citizen of the Kletnyansky district. On December 27, 2012, at the age of 78, Anatoly Alekseevich passed away. He was buried in Yekaterinburg.

A group of soldiers of the 756th Infantry Regiment, in the foreground with a bandaged head - P.D. Shcherbina.

The battalion under the command of Captain S.A. Neustroev 756th Rifle Regiment of the 150th Rifle Division of the 79th Rifle Corps of the 3rd Shock Army of the 1st Belorussian Front.

Among the many attempts to hoist the red banner on the Reichstag, not all, unfortunately, were successful. Many fighters died or were wounded at the moment of their decisive throw, without achieving their cherished goal. In most cases, even their names were not preserved; they were lost in the cycle of events of April 30 and the first days of May 1945. One of these desperate heroes is Pyotr Nikolaevich Pyatnitsky, a private in the 756th Infantry Regiment of the 150th Infantry Division.

Pyotr Nikolaevich Pyatnitsky was born in 1913 in the village. Muzhinovo, Kletnyansky district, Oryol province (now Bryansk region). He went to the front in July 1941. Many difficulties befell P.N. Pyatnitsky: in July 1942 he was seriously wounded and captured, only in 1944 the advancing Red Army freed him from the concentration camp. Pyatnitsky returned to duty; by the time of the storming of the Reichstag he was the liaison officer of the battalion commander, S.A. Neustroeva.

On April 30, 1945, soldiers of the battalion S.A. Neustroeva were among the first to approach the Reichstag. Only Königplatz square separated the building, but the enemy fired constantly and intensely at it. Pyotr Nikolaevich Pyatnitsky rushed through this square in the advanced chain of attackers with a banner. He reached the main entrance to the Reichstag, had already climbed the steps of the stairs, but here he was overtaken by an enemy bullet and died.

It is still unknown exactly where the hero-standard-bearer is buried - in the cycle of events of that day, his comrades in arms missed the moment when the body of P.N. Pyatnitsky was taken from the steps of the porch. The alleged location is a common mass grave of Soviet soldiers in Tiergarten.

And the flag carried by P.N. Pyatnitsky, was picked up by junior sergeant P.D. Shcherbina and secured to one of the central columns when the next wave of attackers reached the porch of the Reichstag. Pyotr Dorofeevich Shcherbina was the commander of a rifle squad in the company of I.Ya. Syanov, late in the evening of April 30, it was he and his squad who accompanied A.P. Beresta, M.A. Egorova and M.V. Cantaria on the roof of the Reichstag to hoist the Victory Banner.

Correspondent of the divisional newspaper V.E. Subbotin, a witness to the events of the storming of the Reichstag, in those May days made a note about the feat of P.N. Pyatnitsky, but the story did not go beyond the “division”. Even Pyotr Nikolaevich’s family considered him missing for a long time.

“...Here the flag of a soldier of the 1st battalion of the 756th Infantry Regiment, junior sergeant Pyotr Pyatnitsky, who was struck by an enemy bullet on the steps of the building, flew up...“.

"History of the Great Patriotic War", 1963

Monument to P.N. Pyatnitsky in the village of Kletnya.

Petr Nikolaevich Pyatnitsky

Place of birth: village of Muzhinovo, Oryol province, Kletnyansky district.

Orderly to the commander of the assault battalion of the 150th Infantry Division, junior sergeant.

In the Red Army since July 1941.

Petr Dorofeevich Shcherbina

Place of birth: village of Skelki, Vasilievsky district, Zaporozhye region, Ukrainian SSR.

Squad commander of the 756th Infantry Regiment, junior sergeant.

EULAMPY (PETER PYATNITSKY)

Evlampy (in the world Peter Pyatnitsky, 1794 - 1862) - spiritual writer, master of the Moscow Theological Academy; was the bishop of Yekaterinburg, Oryol, Vologda, and archbishop of Tobolsk. His main works: “New Year, or Preparatory Teachings for Repentance from the New Year to the Holy Pentecost” (Moscow, 1853); "The First Week of Great Lent" (Moscow, 1852); "Holy Week with Lazarus Saturday and Vaiy Week" (Moscow, 1853); "St. Pentecost" (Moscow, 1858); "Bright Week, or Teachings for each day of Bright Week" (Moscow, 1851); "Holy Pentecost" (Moscow, 1858). Biography of Evlampius - in "The Wanderer" 1869, March. Letters to Evlampius from Metropolitan Philaret were published in “Readings of the Moscow Society of Lovers of Spiritual Enlightenment” (1877, January).

Brief biographical encyclopedia. 2012

The meaning of Eulampia (Peter Pyatnitsky) in a brief biographical encyclopedia. Gurvich Lev Gavrilovich

The beginning of the way

Biography: Civil Rights Movement

Present day

Family man Pavel Pyatnitsky: biography

See also interpretations, synonyms, meanings of the word and what EULAMPIUS (PETER PYATNITSKY) is in Russian in dictionaries, encyclopedias and reference books: