The work “Green Oak at Lukomorye” was conceived by Pushkin as an introduction to the poem “Ruslan and Lyudmila”, work on which he began in 1817, while still a young lyceum student. The first output of the literary brainchild was presented without stanzas about the learned cat. The idea about him came to Alexander Sergeevich a little later. Only in 1828, when the poem was published in a new edition, did the reader get acquainted with an unusual poetic introduction. The poem is written in iambic tetrameter, closer to the astrophic one. At that time, it was precisely this style of writing that was inherent in poetic forms.
Thoughts about fairy-tale characters, about a magic oak, did not come to the author by chance. His nanny Arina Rodionovna knew a huge number of fairy tales that she shared with her pupil. He heard something similar from her.
35 magic lines to this day attract literary critics and researchers of Pushkin's heritage. They are trying to unravel the mystery of whether a land called Lukomorye really existed. Some have concluded that such territories did indeed exist on maps of Western Europe in the 16th century. It was a place in Siberia, on one side of the Ob River. Pushkin has always been fascinated by history. In his work, the old names of cities and villages are often mentioned. He reminds contemporaries that our roots go back to the distant past, and we must not forget about them.

We offer you the text of the verse:

Near the seaside there is a green oak;
Golden chain on an oak tree:
And day and night the cat is a scientist
Everything goes round and round in a chain;
Goes to the right - the song starts,
To the left - he tells a fairy tale.
There are miracles: the goblin roams there,
The mermaid sits on the branches;
There on unknown paths
Traces of unseen beasts;
Hut there on chicken legs
Stands without windows, without doors;
There the forest and valleys of visions are full;
There, at dawn, waves will come
On the sandy and empty shore,
And thirty beautiful knights
A series of clear waters emerge,
And with them their uncle is sea;
There is a queen in passing
Captivates the formidable king;
There in the clouds before the people
Through the forests, through the seas
The sorcerer carries the hero;
In the dungeon there the princess is grieving,
And the brown wolf faithfully serves her;
There is a stupa with Baba Yaga
It goes, wanders by itself,
There, King Kashchei languishes over gold;
There is a Russian spirit ... there it smells of Russia!
And there I was, and I drank honey;
I saw a green oak by the sea;
Sitting under it, and the cat is a scientist
He told me his stories.

Near the seaside there is a green oak;
Golden chain on an oak tree:
And day and night the cat is a scientist
Everything goes round and round in a chain;
Goes to the right - the song starts,
Left - tells a fairy tale.
There are miracles: the goblin roams there,
The mermaid sits on the branches;
There on unknown paths
Traces of unseen beasts;
Hut there on chicken legs
Stands without windows, without doors;
There the forest and valleys of visions are full;
There, at dawn, waves will come
On the sandy and empty shore,
And thirty beautiful knights
A series of clear waters emerge,
And with them their uncle is sea;
There is a queen in passing
Captivates the formidable king;
There in the clouds before the people
Through the forests, through the seas
The sorcerer carries the hero;
In the dungeon there the princess is grieving,
And the brown wolf faithfully serves her;
There is a stupa with Baba Yaga
It goes, wanders by itself,
There, King Kashchei languishes over gold;
There is a Russian spirit ... there it smells of Russia!
And there I was, and I drank honey;
I saw a green oak by the sea;
Sitting under it, and the cat is a scientist
He told me his stories.

Analysis of the poem "Lukomorye has a green oak ..."

A textbook work by A.S. Pushkin - a poem "At the Lukomorye there is a green oak." An excerpt from the poem "Ruslan and Lyudmila" children learn long before school, because the simple style and the abundance of fairy-tale images make it easy to remember. The work can be found in any list of literature recommended for reading even for kids.

Composition and genre

The composition of the passage resembles the structure of a folk tale. The main parts are clearly distinguished: a saying with a description of the sea and a learned cat, the main part with a list of fairy-tale heroes and the classic fairy tale ending “..and I was there, and I drank honey ..”.

The form of the fairy tale is due to the fact that “At Lukomorye the green oak ...” is a prologue to the fairy tale poem by A.S. Pushkin "Ruslan and Lyudmila".

The poem is filled with magical events. Therefore, it begins with the introduction of the reader into the world of a fairy tale, with the creation of a mysterious atmosphere, the expectation of a miracle. A.S. Pushkin had a huge supply of folklore material, because he was brought up on Russian folk tales.

His nanny Arina Rodionovna knew a myriad of tales, legends, beliefs, epics, in which a real treasury of Russian folklore was collected. Subsequently, Alexander Sergeevich tried to most accurately embody everything he heard in fairy tales.

“At Lukomorye, a green oak” begins with a description of the magical landscape of a fairy-tale country where the events of the poem will take place. It becomes clear that the magical land is located by the sea. The reader's imagination imagines a perennial oak with a golden chain hanging over the elements. And the central figure is a learned cat who tells fairy tales. This is a generalized image of the narrator in all Russian folk tales, including Boyan, Sadko and others.

After an introduction to the place of events, the author draws miracles that constantly occur in a magical land. Goblin, a mermaid, unprecedented animals, a hut on chicken legs. All characters are depicted against the backdrop of Russian landscapes, which are clearly visible in the nature described by the poet.

Among the listed fabulous events is an indication of one of the most memorable pictures of the poem: ".. the sorcerer carries the hero ..". This fact speaks of the folklore origin of the plot of the poem. Everything points to the ancient Russian origin of Lukomorye. The author himself claims: “There is a Russian spirit ...” To convince the reader of the reality of the picture, the poet uses the traditional fairy tale ending “..and I was there ..”

The size

The work is written in iambic tetrameter - one of the most popular sizes for the lyrics of the 19th century, which gives the verse a dimension and emphasizes the narrative nature of the poem.

Images of Russian mythology

The poem is saturated with the image of fairy-tale characters. To show the reader the magical world of Lukomorye, the poet uses personifications: the cat “starts a song”, the stupa with Baba Yaga “walks, wanders by itself”, the brown wolf “serves”.

The most memorable metaphor of the verse says that the Lukomorye "smells like Russia." This is the main focus of the prologue. Also near Lukomorye, the forest and valleys are "full of visions." This line carries a metaphorical meaning and at the same time is part of a stylistic artistic device - anaphora.

The use of ancient Russian words gives a special color: breg, gold, languishes, a string.

The terms used images of Russian mythology: Baba Yaga, Kashchei, knights, sorcerer. But these characters convey the general picture of Russia. The heroes personify the power of the Russian land, the oak - its wisdom, the princess - beauty and fidelity. With their help, the poet focuses the reader's attention on the image of the Motherland, its natural and folklore riches, which have always inspired him.

A.S. Pushkin. "At the seaside, the oak is green." Video. Cartoon. Listen to a poem.

Said:

At Lukomorye there is a green oak A golden chain on an oak that...

Green oak near Lukomorye
Golden chain on an oak tree
The cat is fat and sleek
Yelling heart-rendingly about his own.

He just needs some fun
Seduce the red girl
He walked left or right
Ile across, but to fornicate everything,

And although our cat suffered from gluttony,
Puzen size 56,
I admire his agility
And I'll give you one example..

The mermaid is warmed by foam,
Although a decent b ^ $ d,
sunbathe half-naked
Gathered under this oak.

Koshak seeing this miracle
Almost fell out of the hole
And, taking a can of beer,
I forgot all my business.

He bred her honorably,
poured without interruption,
When she got drunk
Kotyara blew it for the third time.

Filled with elastic body
And, having finished his booze,
Gently slapping the girl on the pope,
I climbed into my hollow to snore.

Crimson rays of light,
The wave covered the quiet shore,
Then rolled back
Leaving 30 people.

All, as one, in an arc drunk,
They dragged the uncle in their arms
And dashing fighters spotted,
Mermaid sleeping in the bushes.

Bogatyrs, throwing off armor,
And wiping mucus from the scales,
Five minutes of love per brother
Having lifted her tail, they broke away.

And the queen in passing,
Then a sorcerer with a hero,
Then Kashchei with some rabble
And a brown wolf with forest animals.

In short, they abused in chorus,
Caught in a helpless moment
And only with uncle Chernomor
It didn't work out... that old chr#n was sleeping.

The moral is simple, judge for yourself
Know how to drink in moderation!
And be careful with cats
If you want to save honor! ...

Near the seaside there is a green oak;
Golden chain on an oak tree:
And day and night the cat is a scientist
Everything goes round and round in a chain;
Goes to the right - the song starts,
To the left - he tells a fairy tale.
There are miracles: the goblin roams there,
The mermaid sits on the branches;
There on unknown paths
Traces of unseen beasts;
Hut there on chicken legs
Stands without windows, without doors;
There the forest and valleys of visions are full;
There, at dawn, waves will come
On the sandy and empty shore,
And thirty beautiful knights
A series of clear waters emerge,
And with them their uncle is sea;
There is a queen in passing
Captivates the formidable king;
There in the clouds before the people
Through the forests, through the seas
The sorcerer carries the hero;
In the dungeon there the princess is grieving,
And the brown wolf faithfully serves her;
There is a stupa with Baba Yaga
It goes, wanders by itself,
There, King Kashchei languishes over gold;
There is a Russian spirit ... there it smells of Russia!
And there I was, and I drank honey;
I saw a green oak by the sea;
Sitting under it, and the cat is a scientist
He told me his stories.

Analysis of the poem "At the seaside, a green oak" by Pushkin

“There is a green oak near the seashore ...” - lines familiar to everyone since childhood. The magical world of Pushkin's fairy tales has become so firmly established in our lives that it is perceived as an integral part of Russian culture. The poem "Ruslan and Lyudmila" was completed by Pushkin in 1820, but he completed the introduction in 1825 in Mikhailovsky. For its basis, the poet took the saying of Arina Rodionovna.

Pushkin's introduction to the poem continues the ancient traditions of Russian folklore. Even the ancient Russian guslars began their legends with an obligatory saying that was not directly related to the plot. This proverb set the listeners in a solemn mood, created a special magical atmosphere.

Pushkin begins his poem with a description of the mysterious lukomorya - a mysterious area where any miracles are possible. "Scientist Cat" symbolizes an ancient storyteller who knows an incredible number of fairy tales and songs. Lukomorye is inhabited by many magical heroes who have gathered here from all Russian fairy tales. Among them are secondary characters (goblin, mermaid), and "unprecedented animals", and a still inanimate hut on chicken legs.

Gradually, more significant characters appear before the reader. Among the vague visions, mighty "thirty knights" appear, led by Chernomor, symbolizing the military strength of the Russian people. The main positive characters (prince, hero, princess) are still nameless. They are collective images that will be embodied in a particular fairy tale. The main negative characters complete the magical picture - Baba Yaga and Kashchei the Immortal, personifying evil and injustice.

Pushkin emphasizes that this whole magical world has national roots. He is directly connected with Russia: “there smells of Russia!”. All the events taking place in this world (feats, temporary victories of villains and the triumph of justice) are a reflection of real life. Fairy tales are not only invented stories for entertainment. They illuminate reality in their own way and help a person to distinguish between good and evil.

Near the seaside there is a green oak;
Golden chain on an oak tree:
And day and night the cat is a scientist
Everything goes round and round in a chain;
Goes to the right - the song starts,
Left - tells a fairy tale.
There are miracles: the goblin roams there,
The mermaid sits on the branches;
There on unknown paths
Traces of unseen beasts;
Hut there on chicken legs
Stands without windows, without doors;
There the forest and valleys of visions are full;
There, at dawn, waves will come
On the sandy and empty shore,
And thirty beautiful knights
A series of clear waters emerge,
And with them their uncle is sea;
There is a queen in passing
Captivates the formidable king;
There in the clouds before the people
Through the forests, through the seas
The sorcerer carries the hero;
In the dungeon there the princess is grieving,
And the brown wolf faithfully serves her;
There is a stupa with Baba Yaga
It goes, wanders by itself,
There, King Kashchei languishes over gold;
There is a Russian spirit ... there it smells of Russia!
And there I was, and I drank honey;
I saw a green oak by the sea;
Sitting under it, and the cat is a scientist
He told me his stories.

Pushkin's poem near the seashore, the green oak was conceived as an introduction to the poem "Ruslan and Lyudmila", on which he began work in 1817, while still a young lyceum student. The first output of the literary brainchild was presented without stanzas about the learned cat. The idea about him came to Alexander Sergeevich a little later. Only in 1828, when the poem was published in a new edition, did the reader get acquainted with an unusual poetic introduction. The poem is written in iambic tetrameter, closer to the astrophic one. At that time, it was precisely this style of writing that was inherent in poetic forms.

Thoughts about fairy-tale characters, about a magic oak, did not come to the author by chance. His nanny Arina Rodionovna knew a huge number of fairy tales that she shared with her pupil. He heard something similar from her.

35 magic lines to this day attract literary critics and researchers of Pushkin's heritage. They are trying to unravel the mystery of whether a land called Lukomorye really existed. Some have concluded that such territories did indeed exist on maps of Western Europe in the 16th century. It was a place in Siberia, on one side of the Ob River. Pushkin has always been fascinated by history. In his work, the old names of cities and villages are often mentioned. He reminds contemporaries that our roots go back to the distant past, and we must not forget about them.

Literary analysis of the poem "Lukomorye has a green oak ..."

I started my work on the project by deciding to conduct a literary analysis of the poem “At Lukomorye there is a green oak ...” - an excerpt from the poem “Ruslan and Lyudmila”, which everyone knows from childhood. Reading these lines, you involuntarily imagine yourself in the world of fairy tales, in the world of fairy tale characters.

“There is a green oak near Lukomorye ...” this is how the narrative begins, during which the sea bay appears, on the shore there is a hundred-year-old oak, girded with a golden chain. A “scientist cat” walks along the chain, which “starts a song”. The first stanza is small, but very significant, because, like a gate, it opens the entrance to the fabulous world of the poem. The reader is eager to continue, he is interested to know what extraordinary heroes live in this fabulous country.

Miracles... What is a fairy tale without miracles? Goblin, mermaid, unseen animals...

The second stanza tells us about the miracles that await on "unknown paths." Why "unknown", probably, the author was mistaken? How can paths be unknown? But this is a fairy tale! Paths may lead to no one knows where, or they may simply be unfamiliar to the reader, since he first came across them. We are waiting for traces of "unseen animals", that is, which we have never seen. Adventures begin from the moment you meet a hut on chicken legs, which stands without windows and without doors. Who lives in this mysterious hut? Of course, Baba Yaga. How does she get into a hut? The answer is simple: with the help of magic, so she does not need any windows or doors.

In the third stanza, the author before us draws the beauty of Russian nature, talking about the forest, about the share and that they are full of "visions". Maybe it was about views - landscapes. What are these visions? Visions, therefore, they were not seen, they were not known, and, having got into this fairy tale, we can find out how many interesting things await us on the way.

The dawn, the surf, the waves crashing on the empty shore - all this is just the beginning. And out of the waters, in succession, one after another, thirty beautiful knights come out, and with them their commander in heavy armor with a spear in his hands. Why did they appear? What is guarded? These warriors defend their homeland even in a fairy tale! The enemy has always attacked the Russian land, he wanted to exterminate the Orthodox people, to conquer Russia. This brave army guards the fairy tale from uninvited guests.

In the fourth stanza, events are rapidly unfolding. Both the evil tsar and the all-powerful sorcerer encroach on the Russian folk tale. The prince comes to our aid, who fights with the evil king, and a real hero who keeps the sorcerer and does not allow him to do evil before the people. Then we get into the dungeon to the princess. It can be assumed that they want to forcibly marry her unloved. But the princess is firm in her decision, and the gray wolf faithfully serves her, fulfills all orders. Then an unknown path leads us to Baba Yaga. Hunchbacked, with a long nose, in rags, she moves her hands over her stupa, uttering a spell. Her stupa “walks, wanders by itself” and leads us to Koshchei the Deathless. Thin, pale with a greenish tint of face, he bent over his chest of wealth and rakes it with trembling hands, fearing that someone might take it away. For him, this will be the end, because I think that Koschei will then lose the meaning of his life.

And what is the meaning of the life of a Russian person? What is the mystery of the Russian spirit? The ringing of bells, the smell of the stove in the villages, a trio of horses running along a snowy road, a large family at the table - all this is the history, tradition, culture of the Russian people, which the author so carefully conveyed in his poem. Russian spirit!