The value of Andrey Ivanovich Stackenschneider in a brief biographical encyclopedia. Significance of Andrey Ivanovich Stackenschneider in a brief biographical encyclopedia Stackenschneider architect of his work

Stackenschneider (Andrey Ivanovich) - a famous St. Petersburg architect in his time, the grandson of a tanner, ordered to Russia by Emperor Paul I from Braunschweig; genus. at the mill of his father, near Gatchina, on February 22, 1802, and at the age of thirteen, he entered the Imperial Academy of Arts as a pupil of his own. Having not shown particularly brilliant success during the course in it, he immediately after its completion, in 1821, received a position as a draftsman in the Committee for Buildings and Hydraulic Works, from which, four years later, he moved to serve as an architect-draughtsman on the construction commission. Isaac's Cathedral. The builder of this temple, Montferan, turned his attention to the ability and diligence of the young artist and entrusted him with many serious works and, among other things, gave him the opportunity to distinguish himself by making general and detailed drawings for the construction of hearses and mourning decoration of the Peter and Paul Cathedral at the burials of Emperor Alexander I and Empress Elizabeth Alekseevna and Maria Fedorovna. In 1831, Mr.. Sh. left the service in the aforementioned commission in order to be more free to engage in private buildings, mainly the construction of a manor house for Count A. X. Benckendorff on his estate Fall, in the vicinity of Revel. Satisfied with his architect, the count recommended him to the emperor, and from that time on, happiness began to smile more and more on Sh. He quickly acquired the favor of Nicholas I, began to receive important assignments from him one after another, and soon became a privileged builder of royal and grand ducal palaces. Having begun his court service as an architect at the court of Grand Duke Mikhail Pavlovich, at the end of his life he was the chief architect of the appanage department, the architect of His Majesty's Own Palace and the head of construction for the country palaces of the empress. In 1834, for the project of a “small imperial palace” compiled by Sh. according to a given program, the academy awarded him the title of academician. In 1837-38. he made a trip for his improvement to foreign lands with an allowance from the government and visited Italy, France and England. In 1844, the academy elevated him to the rank of professor without fulfilling the program task on his part, as an artist who already had great fame, and in 1854 he was appointed to the academy as a full-time professor-teacher. In the last years of his life, Sh.'s health, exhausted by constant intensified labor, weakened significantly; In order to improve him, in the spring of 1865, on the advice of doctors, he went to the Orenburg province for koumiss treatment. The summer he spent there seemed to benefit him, but on his way back to St. Petersburg he felt ill again and died in Moscow on August 8 of the same year.

Numerous works of Sh. are very diverse in terms of styles, which, however, he did not observe in full rigor, introducing arbitrary changes and additions to them, in order to achieve greater luxury. The main and best of his creations is the Mariinsky Palace (the current building of the State Council). In addition to him, in St. Petersburg. he built the palaces of Grand Duke Nikolai Nikolaevich the Elder (now the Kseniev Institute) and Grand Duke Mikhail Nikolaevich, a children's hospital, a chapel on the Nikolaevsky bridge, some of the buildings of the court department and several private houses, including the house of Princess Beloselskaya (later converted into the palace of the Grand Duke Sergiy Alexandrovich). Peterhof and its immediate environs are especially rich in its buildings. Here he owns: a rural house at the Spare Pond, pavilions on Tsaritsyn and Olginsky Islands and on the Samson Canal, a pavilion and a church on Babigon, Maria Nikolaevna’s country palace in Sergievka, His Majesty’s Own Dacha, etc., palaces on Mikhailovskaya and Znamenskaya dachas, a pavilion Renella on this last one and so on. A monument to Grand Duchess Alexandra Nikolaevna was erected in Tsarskoye Selo, in the Sergievskaya Hermitage near Strelna - the church-tomb of Count Kushelev, in Gostilitsy of the Peterhof district - the house of Count Protasov, in Orianda, in the Crimea - the palace of Empress Alexandra Feodorovna, and so on. Of the other works of Sh. worth mentioning are the reconstructions made in the Winter, Marble and Anichkov palaces, the interior decoration of the Old Hermitage for the proposed stay of Tsarevich Nikolai Alexandrovich in St. Petersburg, as well as some alterations in the Oranienbaum and Strelninsky palaces.

STAKENSCHNEIDER, ANDREI IVANOVICH(1802–1865), Russian architect, one of the founders of romantic historicism in Russian architecture.

Born at the Ivanovka manor near Gatchina on February 22 (March 6), 1802 in the family of a landowner; his grandfather was a master tanner, a native of Germany. From 1815 he studied at the St. Petersburg Academy of Arts, from which he graduated in 1821. He served as a draftsman in the Committee for Buildings and Hydraulic Works, then (since 1825) - under the supervision of O. Montferrand in the Commission for the construction of St. Isaac's Cathedral. Lived in St. Petersburg and Ivanovka.

He became famous for the reconstruction of the Fall estate near Reval (Tallinn), which belonged to A.Kh. Benckendorff (1831–1832); the main house, at the behest of the customer, was given the appearance of a medieval castle. Presented by Benckendorff to Nicholas I, the architect has since enjoyed the invariable sympathy of the court. His work, like the work of K.A. Ton, largely determined the reorientation of Russian architecture from “Alexander classicism” to romanticism, which more freely varied different styles of the past, with the difference that Stackenschneider was engaged almost exclusively in palace, secular rather than church building. The master also enthusiastically studied ancient Russian art (this is evidenced, in particular, by the unrealized project of the palace in Kolomenskoye, 1837). However, in the most famous buildings of Stackenschneider, his St. Petersburg palaces - the Mariinsky (1839-1844), Beloselsky-Belozersky (1846-1848), Nikolaevsky (1853-1861) and Novo-Mikhailovsky (1857-1861) palaces, the palette of Western European styles completely dominates - from ancient classics to the renaissance-baroque and rococo. The viewer here gets inside the original historical theaters, striking with a bizarre combination of exquisite luxury with the archaeological accuracy of stylistic retrospections. Combining the general pictorial diversity with the ensemble subordination of parts and the whole, the architect also turned to decorative design (floor lamps made of malachite and bronze according to his sketches, 1836, the Hermitage), as well as to various building innovations (metal beams and rafters of the Mariinsky Palace, etc. ).

Thanks to Stackenschneider, Peterhof acquired a new, romantic hue. Here, according to his designs, the Tsaritsyn, Holgin and Pink (Ozerki) pavilions were erected in the Upper Park (1842–1849), the Belvedere Palace on the Babigon Heights (1853–1856), the seaside “Own Dacha” (1858), the Farm Palace repeatedly rebuilt by him in Alexandria Park (1838–1855), Lion Cascade in the Lower Park (1853–1857). Among his other works are the Kursaal in Pavlovsk (1836; he was also restored after a fire in 1843-1844), the reconstruction of the Strelna Palace near Peterhof (1848-1850; all these structures were badly damaged or were completely destroyed - like the Lion Cascade and the Pavlovsk Kursaal - during World War II). During construction in Peterhof, he also acted as a master of gardening art. The palace in Oreanda (1842–1852; burnt down in 1882), created by the architect, seemed to recreate the ancient Greek appearance of the Crimea. Stackenschneider carried out restoration and decoration work on a huge scale in the Winter Palace complex (especially in the 1850s–1860s), creating here a number of remarkable interiors, of which the white marble Pavilion Hall of the Small Hermitage (1850) is the most famous.

Architect of high taste and skill
The Pudost region can rightly be proud of its famous fellow countryman, architect Andrey Ivanovich Stackenschneider. He left a unique mark in the formation of the architectural appearance of St. Petersburg and its environs. It is no coincidence that being a brilliant master of stylization, an advanced innovator and connoisseur of architectural styles, he enjoyed great recognition among his contemporaries. The future architect was born on March 6, 1802 in his father's estate, which later became known as Ivanovka Manor, and was baptized in the Gatchina Lutheran Church under the name Heinrich. As the youngest son in the family, he grew up as a sickly boy. In the family of a mill tenant, it was customary to speak their native German, but Heinrich, who soon became Andrei, quickly mastered the Russian language.

The boy received a good education at home and early showed a desire for fine arts, he drew beautifully and was very fond of building miniature fortifications, castles and palaces from local limestone. In 1815 he entered the architectural department of the Imperial Academy of Arts. Since the family was listed as foreign, Johann Stackenschneider had to pay for his son's education. The young man graduated with honors from the Academy of Arts after a five-year course of study. Andrey Stackenschneider was immediately invited to serve in the drawing workshop of the "Committee of Buildings and Hydraulic Works". In 1825, he went to work on the "Commission for the construction of St. Isaac's Cathedral" and was determined to serve Auguste Montferan as an "architect draftsman". A talented architect, builder of the famous cathedral, noticed extraordinary creative abilities in a young student. This period of time became a good practical school for the young Andrey Stackenschneider.

The beginning of his activity as an architect was laid in 1830-1833 by the successful execution of the order of Count A.Kh. Benckendorff - the restructuring of his estate Fall (translated from German - a waterfall) in Estonia near Reval (now Tallinn), in the then fashionable Gothic style. Its distribution was associated with a powerful wave of the romantic movement in the literature and art of those years. Fall Castle, built in the spirit of a medieval castle, surrounded by expressive Baltic nature, was subsequently highly appreciated by many artists, writers, and poets who visited here. The first creation of the then little-known architect was also admired by Emperor Nicholas I, who visited here twice.

Since that time, the architect was appointed to the Court of Grand Duke Mikhail Pavlovich and was working on Kamenny Island in St. Petersburg, which then belonged to the prince. From the track record of Stackenschneider it is known that here he was engaged in changing the facade and interiors of the dacha. The document reports on the work that was done "with perfect art, strength and economy." In 1837, the young architect traveled to Europe, studying ancient architectural monuments. Sketches made by Andrey Stackenschneider in Italy, France, Germany have been preserved, characterizing him as an excellent landscape painter.

An important contribution was made by A.I. Stackenschneider in the development of a new direction in Russian architecture of the 19th century - eclecticism (free use of various styles), having built in 1833-1834 in one of the parks of Peterhof "Nikolsky Domik" - a kind of pavilion for a short rest, outwardly imitating the estate of a wealthy peasant. The architect skillfully used the techniques of folk architecture. "Nikolsky Domik" served as an excellent model for the construction of many architectural "variations on the Russian theme." Subsequently, Stackenschneider designed the "principal hut", the "royal mill" and the church of St. Alexandra in the vicinity of Peterhof.

The outstanding buildings of the architect include the building of the Mariinsky Palace in St. Petersburg, originally intended for the daughter of Nicholas I - Maria Nikolaevna. By the beginning of 1841, the palace was almost ready in rough form, but its decoration continued until the end of 1844. The architect arranged the main facade of the building in the best traditions of classicism. In the construction of the Mariinsky Palace, he applied a lot of technical innovations: metal structures, lightweight vaults, plaster on a metal mesh - a distant prototype of reinforced concrete. The uncommon talent of the architect manifested itself both in the perfection with which the decoration of his interior was executed and in how skillfully he “fitted” the palace into the general space of the square.

The Mariinsky Palace was the Grand Duke's residence for almost forty years, and in early 1884 it was transferred to the treasury. The Committee of Ministers began to meet in the former Dance Hall, and the Rotunda was reserved for meetings of the State Council. The subsequent history of this palace was associated with many events in political life. The construction of this building put forward Stackenschneider among the leading architects of Russia. In 1844, the council of the Academy of Arts, "in respect for well-known knowledge and works in architecture," awarded him the title of professor - without submitting special work to the council, as was then usually supposed to be done. And in 1854, the architect was appointed to the full-time position of professor of architecture.

This architect can rightfully be called the most productive Russian architect of the middle of the century before last. Magnificent buildings according to his designs were built in the vicinity of St. Petersburg - Strelna, Gostilitsy, Znamenka, Mikhailovka and Sergeevka. In the southern part of the Peterhof palace and park ensemble, he created the Olgin and Tsaritsyn pavilions, the Belvedere and other charming buildings, which contemporaries called "an oasis of taste and luxury." A.I. Stackenschneider also took part in the reconstruction of a number of fountains and buildings in the Lower Park in Peterhof. The Baroque style in 1844 inspired him to create another Peterhof estate - Own Dacha, which belonged to Emperor Nicholas I.

Fulfilling imperial orders, he worked in the Crimea, where, according to the project of the architect, the original ensemble of the royal villa in Oreanda and a monumental temple-monument at the cemetery of Russian soldiers who died during the heroic defense of Sevastopol in 1854-1855 were built.

But A.I. worked especially hard. Stackenschneider in Petersburg. He was the author of the palace built for the princes Beloselsky-Belozersky near the Anichkov Bridge (1846-1848), the Nikolaevsky Palace (1853-1861), the Novomikhailovsky Palace (1857-1861). The last of the listed objects was built by order of the Grand Duke Mikhail Nikolaevich. Its magnificent façade, whose composition combines elements of two different styles of Baroque and Renaissance, was one of the first examples of a new stage in the development of architecture of that period. He also worked in the buildings of the Winter Palace, the Small and Old Hermitage, creating several interiors here, among which the Pavilion Hall is especially impressive. Among its buildings is a four-story building of the barracks of the first battalion of the Life Guards of the Preobrazhensky Regiment, located next to the Hermitage on the banks of the Winter Canal. According to his designs, several residential buildings were being built for the St. Petersburg nobility, in 1840 he supervised the restructuring of the house of Count G. G. Kushelev, located on the Fontanka embankment. Stackenschneider actively worked in the suburbs of the capital: Oranienbaum, Tsarskoye Selo, Pavlovsk and in the estate of Countess A.A. Tolstoy "Pustynka", located on the banks of the Tosna River. In 1852, according to the project of the architect, a country house would be built in the estate of Count G.G. Kushelev in Ligovo. The collection of the Gatchina Museum-Reserve contains a project he completed for the house of the wife of the titular councilor Natalya Makeeva on Malogatchinskaya Street, completed in 1854.

The official career of the architect was also successfully progressing, for several years he was assigned to the “Cabinet of His Majesty”, and from the end of 1856 was called the “architect of the Supreme Court”. AI Stackenschneider was in charge of all the work carried out in the suburban imperial palaces. In 1858 he received the rank of real state councilor. As a professor of architecture at the Imperial Academy of Arts, from 1854 he was engaged in teaching activities and brought up many talented students. The personal life of Andrei Ivanovich developed quite successfully. He was married to Maria Fedorovna Kholchinskaya. In 1836, the young couple had their first-born daughter, Elena, who left vivid diary memories of family life. Subsequently, she became the main heiress of the family estate "Manor Ivanovka". In total, the architect's family had eight children, of whom one died in infancy.

For many years, without a state-owned apartment, the Stackenschneider family occupied one of the apartments in the house at the Lutheran church of Peter and Paul, on Nevsky Prospekt. But, for a growing family, this apartment was cramped and not comfortable, so in 1852 the architect buys an old house with a large plot on Millionnaya Street. Then he completely rebuilds the house and improves the territory adjacent to it. “This morning at 10? hour. Our house on Millionnaya Street was laid,” wrote A.I. Stackenschneider in his diary, 8 June 1852. Finishing work continued until the autumn of 1854. A chic three-story mansion, built according to the project of the architect, stood out for its unusual interiors. “The entrance was from the Moika,” the daughter of the architect Elena Andreevna recalled. - We entered through the winter garden, and the effect was quite charming. The winter garden was lit, but in some places banana leaves cast a gigantic shadow, and this shadow was somehow mysterious, and the noise of falling drops seemed mysterious. Lamps in other places shed some kind of warm light on the plants, there all the leaves played with gold ... to our favorite room, called for some reason the sofa room; there are only two sofas in it, otherwise all the chairs. Here, right in front of the chic garden doors, there is a theater bordered by a light, graceful arch with caryatids - an object of admiration for everyone, both artists and non-artists.

Soon the house on Millionnaya Street became one of the centers of salon life in St. Petersburg. The wife of the architect, Maria Fedorovna, was apparently a very educated and not ordinary person. She was connected by friendship with many famous figures of national culture and art. Invited guests usually gathered on Saturdays: they read poetry, played music, sang songs, danced, and discussed capital news. The circle of invited muses was really great, the Stackenschneiders had J.S. Turgenev, F.M. Dostoevsky, I.A. Goncharov, D.V. Grigorovich, G.P. Danilevsky, N.G. Pomyalovsky, A.N. Maikov, V.G. Benediktov and others. The most frequent guest was the poet Yakov Petrovich Polonsky, who even at one time after the death of his wife in 1860 lived in the architect's house. Among the visitors of the hospitable house on Millionnaya Street were also the architect A.P. Bryullov, academician and professor of painting F.A. Bruni, furniture maker A. Gambs, artists I.K. Aivazovsky, I.I. Sokolov and many others. All sorts of anniversary celebrations were often celebrated in the Stackenschneiders' salon. “Our Saturdays are growing, today we are apparently invisibly waiting for guests,” the daughter of the architect Elena Andreevna reported in her diary on November 4, 1855, “There will be, by the way: Goncharov, Potekhin, Danaurov, Gorbunov. Today is Benediktov's birthday, but he also wanted to be when he brought his guests. Maykov promised to read his new poem "Earthly Comedy". The New Year was especially celebrated. “We live terribly noisy. Every day new acquaintances, and now a performance, now a masquerade, and now they are planning picnics ... - E.A. wrote in her diary. Stackenschneider on December 31 of the same year. The home theater enjoyed great success, on the stage of which amateur performances were staged, the main roles in them were played by famous guests. So, for example, in 1856, the play “School of Hospitality” was staged here, written jointly by the writers I.S. Turgenev, D.G. Grigorovich and A.V. Druzhinin. Poet A.N. Maikov, in a letter to the architect's wife, wrote: “Ah, dear Marya Feodorovna, how I wish I could climb up to you next Saturday and suddenly find out in two months what was done in our literature; after all, your home is artistic and literary, one of the few Petersburg ones that you appreciate better when you leave Petersburg.

Many freethinkers, and even future revolutionaries, came to the architect's house. The well-known democrat, professor of the Military Artillery Academy, Colonel P.L. Lavrov, one of the ideologists of populism, who quite boldly delivered his fiery speeches here. “We had an unexpected guest, the idol of our living rooms, Lavrov,” Elena Andreevna wrote in her diary. Pyotr Lavrovich, who was friends with N.G. Chernyshevsky, was the author of the Russian Marseillaise: “Let's renounce the old world! Shake his ashes from our feet!” Subsequently, in anticipation of the impending arrest, he asked E. A. Stackenschneider to hide important forbidden papers: letters and diaries. After the famous Karakozov shot on April 21, 1866, Lavrov was arrested. A search in his house on Furshtadtskaya Street turned up nothing: all the papers were transported by Elena Andreevna to the "Ivanovka Manor" and were kept there for some time. “I could not hide Lavrov's belongings very skillfully at the manor, there were too many of them,” recalled E.A. Stackenschneider. - In the event of a search, I could not vouch for all our numerous spouses, besides, the manager and the gardener were new people whom I did not know yet. I didn't think of protecting myself. Once I took things - the question was over. Being under arrest in St. Petersburg and during the exile in the Vologda province, she carried on an active correspondence with him. No less curious is the subsequent history of the life of the submarine. Lavrov. He managed to escape from exile abroad, join the 1st International, fight on the barricades of the Paris Commune. In 1871, he met and became close friends with K. Marx and F. Engels, and in 1873-1876 he was the editor of the Vperyod magazine, collaborated under various pseudonyms in many Russian newspapers, and lived in France until the end of his life.

Conversations and disputes about the most pressing problems of the development of Russian society were the norm among the regular and "tested" guests of this salon. So, on January 25, 1858, some of them “spent almost the entire evening, locked up, upstairs, in my room,” Elena Andreevna wrote. - They read the fifth and sixth issues of the Bell. Name A.I. Herzen was pronounced quite often here. The owner himself - A.I. Stackenschneider, a man of right views, did not welcome such a rapid development of free-thinking thoughts in his house, so much was hidden from him. Maria Feodorovna, for example, when she first saw Herzen's manuscript handed over to her daughter, was so frightened that she burned it without even reading it. However, later, secluded in her room, she reread the next issues of the forbidden Bell.

This hectic life, which has become regular and almost everyday, full of luxurious receptions and all kinds of festive events, could not but affect the financial and domestic side of the life of the Stackenschneider family. Despite good project orders, there was not enough money. Andrei Ivanovich, tired of the secular hobbies of his wife and eldest daughter, could not create normal conditions for raising younger children. In addition, he often fell ill. He often had to work, closed in a workshop or office, among the reigning noise and din. In such an environment, it was impossible to concentrate, and there were many orders for projects. All this eventually led to the fact that the owner of the house was forced to sell first his dacha, located on the Peterhof highway, and in 1862 part with the house on Millionnaya Street. This abrupt turn of events came as a shock to Maria Feodorovna, but it was no longer possible to change her husband's decision. The whole family moves to permanent residence in the home of the architect. A new, final period in the life of A.I. Stackenschneider associated with Ivanovka Manor.

The grandson of a tanner, sent to Russia by Emperor Paul I from Braunschweig, was born at his father's mill, near Gatchina, on February 22, 1802, and at the age of thirteen he entered the Imperial Academy of Arts as a pupil of his own. Having not shown particularly brilliant success during the course, he immediately after its completion, in 1821, received a position as a draftsman in the Committee for Buildings and Hydraulic Works, from which, four years later, he moved to serve as an architect-draughtsman on the commission for the construction of St. Isaac's Cathedral. Attracted by Auguste Montferrand to work in the Winter Palace. In 1831, Stackenschneider left the service in the aforementioned commission in order to be more free to engage in private buildings, mainly the construction of a manor house for Count A. H. Benckendorff on his estate Fall, in the vicinity of Revel (Keila-Joa). Satisfied with his architect, the count recommended him to the emperor, and from that time happiness began to smile more and more to Stackenschneider.

The architect quickly acquired the favor of Nicholas I and began to receive important assignments from him one after another, and soon became a privileged builder of royal and grand ducal palaces. Having begun his court service as an architect at the court of Grand Duke Mikhail Pavlovich, at the end of his life he was the chief architect of the appanage department, the architect of His Majesty's Own Palace and the head of construction for the country palaces of the empress.

In 1834, for the project of a “small imperial palace” compiled by Stackenschneider according to a given program, the Academy awarded him the title of academician. In 1837-1838 he made a trip for his improvement to foreign lands with an allowance from the government, and visited Italy, France and England. In 1844, the Academy elevated him to the rank of professor of the 2nd degree of the St. Petersburg Academy of Arts without fulfilling the program task on his part, as an artist who already had loud fame.

Since 1848 - the architect of the imperial court.

He worked in St. Petersburg, Tsarskoye Selo, Peterhof, Novgorod, Moscow, Taganrog, Crimea.

The Stackenschneider House in St. Petersburg at 10, Millionnaya Street (the second facade overlooked 9, Moika Embankment) was the center of cultural and social life of the artistic intelligentsia of the capital. The architect purchased it from the titular advisers M. E. and D. E. Petrov and rebuilt it for his family in 1852-1854. Stackenschneider's "Saturdays" were held in the mansion, at which poets, writers, artists and artists gathered, amateur performances were staged. V. G. Benediktov, I. A. Goncharov, F. M. Dostoevsky, I. S. Turgenev, Ya. P. Polonsky and others have been here. In 1865, the Stackenschneiders sold this house due to the illness of the owner. The building was rebuilt into an apartment building.

Stackenschneider also had a country estate - the Ivanovka manor, located not far from Gatchina and inherited from his father in the late 1850s.

In the last years of his life, Stackenschneider's health, exhausted by constant intensified labor, weakened significantly; for his recovery, in the spring of 1865, on the advice of doctors, he went to koumiss treatment in the Orenburg province. The summer he spent there seemed to benefit him, but on his way back to St. Petersburg he felt ill again and died in Moscow on August 8 of the same year. The architect was buried in St. Petersburg in the Trinity-Sergius Hermitage in the Church of Gregory the Theologian, built by himself (the grave has been preserved).

Works in St. Petersburg

Numerous works by Stackenschneider are very diverse in terms of styles, which, however, he did not observe in full rigor, introducing arbitrary changes and additions to them in order to achieve greater luxury.

The main of his creations is the Mariinsky Palace (now the seat of the Legislative Assembly of St. Petersburg), built in 1839-1844 on St. Isaac's Square.

In addition to him, in St. Petersburg they built:

• Palace of Grand Duke Nikolai Nikolaevich the Elder (Nikolaev Palace on Truda Square), 1853-61
• Palace of Grand Duke Mikhail Nikolaevich (Novo-Mikhailovsky Palace on Palace Embankment, 18), 1857-1861 Now the Institute of Oriental Manuscripts of the Russian Academy of Sciences is located here.
• Beloselsky-Belozersky Palace (Nevsky Prospect, 41), built in 1846-1848 in neo-baroque style. In 1884, the palace passed into the possession of the brother of Alexander III, Grand Duke Sergei Alexandrovich. Now there is a cultural center and a wax museum.
• children Hospital
• chapel on the Nikolaevsky bridge, lit in honor of St. Nicholas the Wonderworker (1853-1854).
• some of the buildings of the court department
• on Kamenny Island, the architect is engaged in alterations in the Kamennoostrovsky Palace, rebuilding Dolgoruky's dacha (architect S. L. Shustov), ​​acquired by P. G. Oldenburgsky. In 1835, according to his project, the dacha of the actor Zhenies was built on Kamenny, in 1836-38. - the Zvantsovs' dacha. In 1834, Stackenschneider completed the project for the reconstruction of the dacha of M. I. Mordvinov.

Works in Peterhof

Peterhof and its immediate environs are especially rich in its buildings. Here he owns:

• layout of two landscape parks - Kolonistsky and Lugovoy
• Tsaritsyn and Holguin pavilions in the Kolonistsky park
• Pavilions "Ozerki" and Belvedere in Lugovoi Park
• His Majesty's Own Dacha
• Church of the Holy Trinity at Own Dacha
• country palace of Maria Nikolaevna in Sergievka
• a palace, two greenhouses and a gardener's house in Mikhailovka
• Palace and Pavilion Renella in Znamenka
• Lion Cascade, 1854-1857
• in 1842-1843 in Alexandria Park, he builds the Farm Palace, and also adds a dining room with a Marble terrace to the Cottage (1826-1829, architect A. A. Menelas).

Other buildings

• Monument to Grand Duchess Alexandra Nikolaevna in Tsarskoye Selo
• in the Sergius Hermitage near Strelna - the church-tomb of Count G. G. Kushelev (son)
• in Gostilitsy, Peterhof district - the house of Count Protasov
• in Taganrog - the palace of Achilles Alferaki
• in Oreanda, in the Crimea - the palace of Empress Alexandra Feodorovna and so on.

Of the other works of Stackenschneider, the buildings made in the Winter, Marble and Anichkov palaces, the interior decoration of the Old Hermitage, for the proposed stay of Tsarevich Nikolai Alexandrovich, in St. Petersburg, as well as some alterations in the Oranienbaum and Strelninsky palaces, deserve to be mentioned.

Gallery

Mariinsky Palace in St. Petersburg

Nicholas Palace in St. Petersburg

Alferaki Palace in Taganrog

Beloselsky-Belozersky Palace in St. Petersburg