What literary techniques are used by the color motherland. Listen to the poem by M. Tsvetaeva. Analysis of the poem Rodin Tsvetaeva

On the other hand, the position of Adam Pomorski appears, which in the aforementioned essay "Los and Will" resembles the song "Poetry", which, in fact, begins, would seem like a clear statement. And she touched on sarcasm. Only the word "classicism" has the meaning attributed to it by the Soviet literary critics past: "reaching models of pre-modern poetry". Hence, Pomorski argues that this is a misunderstanding because Brodsky can see a number of elements that call into question the connection between his relationship with the classicist movement.

A few months later, she retracted this initial confession, but it did not matter - Aliya was sentenced to eight years in labor camps, and Sergei Efron was executed by firing squad in a swift and brutal state. The apparatus now took everything from Tsvetaeva except Moore.

Sliding down a dead end street. Marina and Moore were evacuated to the city of Yelabuga, where they settled in a creaky old country house in stark contrast to the grand Parisian surroundings of their émigré period. Tsvetaeva was unemployed with no financial means, and she had no idea if her daughter and husband were dead or alive. She has entered a dangerous spiral, as her son Moore described in his journal: Mother lives in a suicidal haze, and she only talks about suicide.

This is best seen when you look at the work of this poet in opposition. Brodsky's independence manifesto is mainly directed at the poet's opposition to tyranny. Subjectivity can be extended according to subjectivity-objectivity: if independence is to be manifested by a subjective set of feelings, its opposite will impose the "objective" truths of tyranny from top to bottom. Objectivism itself is a field of classicism that, with its norms and patterns, wanted to promote one type of thinking.

This leads to another opposition: the chaos of the world versus the orderly philosophical system. In a chaotic world there is a world of poetics in the sense that it is based on the paradox of human will against humanity. Speech on the occasion of the graduation ceremony, in which Brodsky interprets the famous biblical verses about putting the other cheek in a non-passive expression, but, on the contrary, an activity beyond measure, which would lead against us to absurdity.

The day before Moore made this entry, Tsvetaeva traveled to the nearby town of Chistopol, where several other evacuated writers lived. During this visit, Tsvetaeva expressed a desire to obtain registration and residence in Chistopol and applied for a job as a cleaner in the writers' canteen. She was a woman desperately torn between the desire to fight hard to support her son, and to drag the end of her nearly lifelong suffering.

Tsvetaeva was alone in the house; she wrote three farewell letters. The first was addressed to whoever found her body. She asked them to take Moore to the city near Chistopol, where the poet Nikolai Aseev lived. The second letter was for Aseev and his wife, imploring them to look after their son and asking them to accept a trunk containing notebooks with her poems, as well as bundles of prose writing.

The last important opposition is formed around the abstraction of classicism, the manipulation of ideas and figurines in pure form. Such an alien attitude is Brodsky, whose poems, as Baranchak writes, "with all their metaphysical depth and intellectual complexity, boast of a material, concrete life." Where, therefore, on the axis of tradition is the Brodsky Pomeranian? The researcher most likely considers the poet the heir of the sentimentalists. The most important element heritage of sentimentalism is the assertion and defense of the individual, the individuality of people against the enmity of objective reason - all systems of ideology: whether it be science or religion, despotic state or its doctrinal opposition - writes Pomorski.

In his opinion, the three aspects that define his poetics depend on the Russian belonging to this circle of thought. First of all, irony is the negation of negation, as the Pomeranian describes it. With some attachment to details, to specific things, this is the main weapon of the writer in the fight against tyranny. This is an important note for those who are just starting their adventure with the author of "parts of speech" - to be extremely careful when we are talking about the introduction of various feelings or aphorisms, densely sown in verse, at the mouth of Brodsky himself; There is often irony behind these twists and turns.

The fact that Brodsky's work can be discussed from the point of view of the opposition proves that the poet is faced with different ideas, but generally emphasizes his own position. Third, the elegance of his poetry. The elegy allows him not only to reflect on human destiny, but also to portray oneself - as if the poem were an act of self-exaltation and embodiment in reality.

Brodsky is sent to a labor camp for five years. The conversation that this text opens is a recording of one of the dialogues that survived this incident. Hence the motive of time and space. The cosmos, the poet says, belongs to power, tyranny. Strength often suffers in space - they convince us of "Lykomed on Skyros" or "Publish atheatem nostra". Time, in turn, is the realm of song, it is strictly dependent on language in the sense that language renews time by recalling memories, which is a "temporal ledge".

In the essay "Take pleasure from the shadows", Brodsky returns to the moment when he first read the poems of his master Auden. Time is an element that does not endure. To a beautiful human form -. Can we talk about time and space in the already known categories of opposition? No, Brodsky thinks, because time is "older and larger than space." In this very statement, intertwined time with poetry, it is, as it were, the superiority of poetry in relation to anything else.

In the above text, the word "tyranny" appeared repeatedly. It should be noted that Brodsky did not identify it exclusively with the Soviet Union or with any other political form of enslavement of the population. No wonder one of the poems "The End of a Beautiful Era." To live in an age of fulfillment, when the heart is poetic.

This is, unfortunately, difficult. It's just that the world shrinks until we reach. And one of the essays, "In Praise of Boredom," thus clashes with the universal vision of life as a constant pursuit of opportunity and pursuit. Boredom is to say, a window in time, for those traits that we usually ignore, most often due to mental imbalances. In short, this is a window to the infinity of time, that is, to our inferiority, we read in this excellent text.

For many years, Brodsky must have been aware of his insecurity and bad physical condition. He has been battling heart problems since the end of the year. Rather hit the drum by saying you have. These scissors on which it depends. fate of life. Death will take more than you.

The more you agree with God. Drum in the drum until you let go of the sticks. Marina Tsvetaeva was fiercely individualistic, aloof in her own country and beyond. Her life was one of shocks and tragedies that eventually engulfed the poet himself.

Poet Marina Tsvetaeva in France. She was born from a culturally conscious and intellectual family - her father founded the famous Museum fine arts them. Pushkin - and was figurative child who began writing poetry at the age of six. But by the age of 27, she had lost her child to starvation, and barely five years later she was forced to leave Russia, a country she loved very much. The idea of ​​personality was paramount for the poet, and there was no place for this in the new regime. Tsvetaeva's introverted nature and reluctance to make connections in emigre society were not the only reasons she and her family were suspicious of the Russian community in France, where the family had moved.

In fact, there are rumors that Sergei was a Soviet Spy. Rumors that were absolutely true as it happened. During his years in Europe, Sergei often claimed that he was too ill to work. His inability to find a stable job left Marina as the sole winner of bread, which greatly affected their relationship. However, despite constant arguments and mutual betrayals, her loyalty to her husband was unshakable. Efron actually led double life. He was active in society and began to gravitate toward Soviet ideas, eventually becoming an agent of the Soviet secret police.

Marina Tsvetaeva with her husband and children in Prague. Against this background, Tsvetaeva's relationship with her eldest daughter Ariadna reached the limit. Already exhausted family life Tsvetaeva. Marina was left alone with her son George, nicknamed Mur, in a very delicate situation.

Worse, Moore, who was 14 at the time, was desperate to reunite with his sister and father and see his homeland for the first time. Now, returning to home country she just traveled to more misery. It is not surprising that in paranoid Russia at that time in Russia, this did not mean the beginning of happy times. Aliya was arrested for espionage and followed a few months later: Aliya was tortured at the Lubyanka until she signed a statement admitting that she and her father worked for the French secret service.

A few months later, she retracted this initial confession, but it did not matter - Aliya was sentenced to eight years in labor camps, and Sergei Efron was executed by firing squad in a swift and brutal state. The apparatus now took everything from Tsvetaeva except Moore.

Sliding down a dead end street. Marina and Moore were evacuated to the city of Yelabuga, where they settled in a creaky old country house in stark contrast to the grand Parisian surroundings of their émigré period. Tsvetaeva was unemployed with no financial means, and she had no idea if her daughter and husband were dead or alive. She has entered a dangerous spiral, as her son Moore described in his journal: Mother lives in a suicidal haze, and she only talks about suicide.

This is best seen when you look at the work of this poet in opposition. Brodsky's independence manifesto is mainly directed at the poet's opposition to tyranny. Subjectivity can be extended according to subjectivity-objectivity: if independence is to be manifested by a subjective set of feelings, its opposite will impose the "objective" truths of tyranny from top to bottom. Objectivism itself is a field of classicism that, with its norms and patterns, wanted to promote one type of thinking.

This leads to another opposition: the chaos of the world versus the orderly philosophical system. In a chaotic world there is a world of poetics in the sense that it is based on the paradox of human will against humanity. Speech on the occasion of the graduation ceremony, in which Brodsky interprets the famous biblical verses about putting the other cheek in a non-passive expression, but, on the contrary, an activity beyond measure, which would lead against us to absurdity.

The day before Moore made this entry, Tsvetaeva traveled to the nearby town of Chistopol, where several other evacuated writers lived. During this visit, Tsvetaeva expressed a desire to obtain registration and residence in Chistopol and applied for a job as a cleaner in the writers' canteen. She was a woman desperately torn between the desire to fight hard to support her son, and to drag the end of her nearly lifelong suffering.

Tsvetaeva was alone in the house; she wrote three farewell letters. The first was addressed to whoever found her body. She asked them to take Moore to the city near Chistopol, where the poet Nikolai Aseev lived. The second letter was for Aseev and his wife, imploring them to look after their son and asking them to accept a trunk containing notebooks with her poems, as well as bundles of prose writing.

The last important opposition is formed around the abstraction of classicism, the manipulation of ideas and figurines in its purest form. Such an alien attitude is Brodsky, whose poems, as Baranchak writes, "with all their metaphysical depth and intellectual complexity, boast of a material, concrete life." Where, therefore, on the axis of tradition is the Brodsky Pomeranian? The researcher most likely considers the poet the heir of the sentimentalists. The most important element of the legacy of sentimentalism is the assertion and defense of the individual, the individuality of people against the enmity of objective reason - all systems of ideology: whether it be science or religion, a despotic state or its doctrinal opposition, writes Pomorski.

In his opinion, the three aspects that define his poetics depend on the Russian belonging to this circle of thought. First of all, irony is the negation of negation, as the Pomeranian describes it. With some attachment to details, to specific things, this is the main weapon of the writer in the fight against tyranny. This is an important note for those who are just beginning their adventure with the author of "parts of speech" - to be extremely careful when it comes to introducing various feelings or aphorisms, densely sown in poetry, into the mouth of Brodsky himself; There is often irony behind these twists and turns.