A detailed description of the objects of deconstructivism Zahi Hadid. zahi hadid space architecture

Zaha Hadid died on March 31, 2016 in Miami. She was 65 years old, and many say that for an architect this is a very early death. Hadid began to bring her projects to life late, but immediately received the status of one of the main architects of our time. Her projects stray from the history of architecture: they cling to the history of modern and contemporary art and at the same time pretend that no history of art ever existed. The Village tells what Zaha Hadid's work consisted of and why her work will live on.

Studying with Rem Koolhaas

Born in Baghdad to a wealthy family, Zaha Hadid traveled abroad as a child, studying at the American University of Beirut and then went to study architecture in London, where she met Rem Koolhaas. After working for his OMA office in Rotterdam from 1977 to 1980, she returned to London where she began an independent practice. OMA's interdisciplinary approach clearly influenced Hadid, who incorporated concepts from the visual arts and the natural sciences into her practice. The constant theorizing that Koolhaas did was also important for Hadid, for whom the recognition of her ideas in the early years of work replaced the implementation of projects.

Work in the table

If you look at the list of Zaha Hadid's projects, the first thing that catches your eye is the almost complete absence of completed projects in the 1980s. At the same time, there are many projects left in the form of visualizations and drawings - for different cities and different scales. Her projects won international competitions, but remained on paper because they were too bold - both technologically and contextually. The first building designed by Hadid began to be built only in 1986 in Berlin. She was helped in this by German feminists who were trying to increase the presence of women in modern German architecture. The IBA residential building was completed in Berlin in 1993.

architectural graphics

Fame in architectural circles came to Hadid long before the implementation of the first project. In the early 1980s, she won a competition for the development of Victoria Peak in Hong Kong. This was largely due to the graphic work of Hadid, whose drawings simultaneously conveyed the concept of her architectural project, and could work as completely independent works of fine art. Picturesque renderings of her projects can be viewed on the Zaha Hadid Architects website.

Architect as artist

In general, Hadid's whole approach to architecture and design can be called artistic. Hadid rejected both modernist functionalism and postmodern irony. Her projects seemed to emerge from some parallel world with its own history of art. Her own fantasy was most important to her, but because of this, she was criticized. Thus, the project of the MAXXI Museum of Contemporary Art in Rome was considered completely unsuitable for exhibiting paintings and objects, so that in many ways it became a monument to itself, and its architecture is remembered better than its collection. Her design objects - from furniture to vases to shoes - look like miniature copies of her buildings, and it doesn't matter how comfortable they are to use.

Russian avant-garde

Hadid often said that the Russian avant-garde, especially in the person of Kazimir Malevich, had a strong influence on her work - both as an artist and as an architect. Many of her paintings are reminiscent of his Suprematist compositions, and the title contains the word "tectonics", which is important for constructivists. If you place one of her first projects, the Vitra fire station, next to, say, Konstantin Melnikov's Rusakov club, Hadid's connection to the avant-garde ideas lost in Russia becomes obvious - although not without irony.

Parametricism and composite plastics

Zaha Hadid's bureau subsequently moved from a manual approach to a parametric one, that is, a computational one, in which large amounts of data are processed, on the basis of which the structure of a building is then formed so complex that it can often be hardly perceived by the human brain. It is thanks to this approach that Zaha Hadid became known as the author of projects of bizarre forms - like the Heydar Aliyev Center in Baku. But their implementation would not have been possible without the use of composite plastics, whose properties make it possible to build buildings of non-standard shapes.

Women's

Zaha Hadid is, in fact, the only female star architect, the first woman to win the Pritzker Prize. It would seem that she could serve as a role model for many women who want to make a career in the world of architecture, but her life seemed to be built on a kind of male model. Although she was helped by feminists at the first stage of her career, Hadid herself did not do much for the movement for the emancipation of women. Even if you look at the list of employees of her bureau, there are significantly more male names than female ones. Especially in the higher echelons.

Scandals in Asia

The last years of Hadid's life were marked by scandals related to the construction of sports facilities in Asia. During the construction of her stadium in Qatar, workers died - and the media, of course, paid attention first of all to the famous architect. Hadid asked journalists to check the facts more carefully: the design of the building itself was not dangerous for workers, and the fault lay with the Qatari authorities and the developer, who did not ensure proper safety at the facility. In addition, the stadium project in Qatar was criticized for its extravagant form: for many it resembled a vagina. Although Hadid denied any resemblance, this seems more like a plus: this is how the Islamic ban on the image of human faces was ironically beaten in the stadium design. Another scandal awaited Zaha Hadid in Tokyo: local architects were horrified by her grandiose project of the Olympic stadium for several billion dollars. Someone compared it to a turtle that wants to drag Japan to the bottom of the sea.

Patrick Schumacher

Patrick Schumacher is a partner at Zaha Hadid Architects who has worked with Hadid on key studio projects since 1988. Senior designer of the bureau, he participated in the development of projects for the Vitra fire station and the MAXXI museum. 28 years of joint work could not be in vain: Schumacher shares the principles of Zaha Hadid and works as a shadow ruler of her bureau. So with the death of Zaha, her work will not die: her ghost will remain with us.

PHOTO: cover - Kevork Djansezian / AP / TASS, 1, 4 - Christian Richters / Zaha Hadid Architects, 2, 3, 6 - Zaha Hadid Architects, 5 - Helene Binet / Zaha Hadid Architects, 7 - Ivan Anisimov

Zaha Hadid was the first woman to receive the Pritzker Architecture Prize, which is considered the analogue of the Nobel Prize in the world of architecture (by the way, the second woman to receive this award was Kazuo Sejima (together with Ryue Nishizawa), about her also in the community).

In Moscow, you can see one of the buildings of Zaha Hadid, this is the Dominion Tower business center. It is located at st. Sharikopodshipnikovskaya, 5, near Dubrovka metro station. The customer of this building was the Dominion-M company. Construction began in 2008, however, due to the crisis, it was frozen for four years, and as a result, it was completed only in 2015. I took some photos of Dominion Tower this spring (early spring, in my opinion, is the best time to photograph architecture: in- firstly, the foliage does not cover the building, and secondly, the sky is no longer as gloomy as in winter.Under the cut are my photos and a short post about Zaha Hadid.

Zaha Hadid was one of the stars of the deconstructivist architectural style. The characteristic features of this style include layering, fragmentation, smooth bends. The best examples of this style look like they were the result of someone trying to paint a pen.

The style of deconstructivism got its name from the exhibition "Architectural Deconstructivism", held in 1988 at the New York Museum of Modern Art. Zaha Hadid was one of the most important participants in this exhibition, although at that time she had not yet completed projects.

Deconstructivism is a purse-word: deconstruction + constructivism.

The concept of deconstruction was developed by the French philosopher Jacques Derrida. According to "The Newest Philosophical Dictionary" by A. Gritsanov, deconstruction is not only a style of philosophical creativity, but also "a technique of intellectual work with binary constructions of any type (formal-logical, dialectical, mythological), involving the following steps: a) analysis of the opposition; b ) equalizing the strength of both of its members; c) consideration of the opposition at the maximum remote level of distancing, which makes it possible to judge its impossibility or possibility "().

For participants in the New York exhibition, such binary oppositions in architecture (which had to be identified, considered and equalized by both opposing concepts) were the oppositions of structure and decoration, abstraction and figurativeness, function and form. The deconstruction method was used to create new forms and a new type of architectural space. The second key to discovering new forms and space was the creative rethinking of the ideas of Soviet constructivism.

Thanks to the work of Soviet art critics and art historians (in 1988 in London, a book by Larisa Alekseevna Zhadova about Vladimir Evgrafovich Tatlin, a Soviet artist and the founder of constructivism, was just published in London in 1988), little-known works of Soviet constructivists were discovered for Western architects, and deconstructivist architects in the search for philosophical principles and ideas of Soviet constructivists used their own forms - in particular, the slogan that the material of architecture is space, not stone.

Soviet constructivism was also of interest to deconstructivist architects as an example of how to radically change the internal structure of a building. To many, deconstructivist architecture seems "uncomfortable", but often this was the intention of the architects (in particular, Peter Eisenman spoke about one of his projects that he wanted to make the building "uncomfortable"). The deconstructivists re-evaluated the idea of a home as a shelter, instead offering an ever-changing, plastic interior space that keeps the viewer from relaxing and the eye from blurring. The constant change in the geometry of the internal space makes the viewer consciously relate to the architecture of the building, entering into a dialogue with it.

Zaha Hadid was inspired by Soviet constructivists when looking for new forms, resisting critics, and thinking about the further development of architecture. In the early 80s. she wrote: "The triumph of technology in the 20th century, our "acceleration" and constant changes in the way of life have created totally new conditions. These changes, for all their diversity, instill in us a kind of optimism, which should bring everything new into line with architecture. A revision is needed architecture, its development towards inventiveness, imagery, interpretiveness in order to increase the value of our activities. We are not doing our duty if we continue to create something like confectionery. Our role is grander. We architects must set the task of re-examining the phenomenon of modernism. As before, so now, if something outstripping arises, it finds itself in an atmosphere of total hostility. But it is hostility that makes us more steadfast. And confident that we have only one way - to go in the direction proposed by the early modernists. Their efforts were overturned. , their projects were not realized.Our task is not to resurrect them to sit, but to move forward. This is the only true task, not only in terms of aesthetics, but also in terms of program and strategy. Its implementation will open a new, uncharted territory for the time being - for project invasion and subjugation. And this is just the beginning" (quote from the book by I.A. Dobrytsina "From postmodernism to non-linear architecture: Architecture in the context of modern philosophy and science").

What else made Zaha Hadid and Soviet constructivists related: many constructivist projects were never implemented due to technical requirements that were impossible at that time. Zaha Hadid, as already mentioned, at the time of participation in the exhibition "Architectural Deconstructivism" had no completed projects at all. However, time does not stand still, building and computer capabilities are growing. In the early 1990s, Zaha Hadid's first building appeared: the fire department of the Vitra designer furniture company, also known for its interest in architecture and the involvement of famous architects in the construction of buildings on the factory site in Weil am Rhein, Germany.

In the early 2000s, technology and digital technologies improved even more, software improved. Zaha Hadid and her architectural firm Zaha Hadid Architects are beginning to apply digital modeling techniques and design technologies borrowed from the automotive and aviation industries to design buildings, which help to change design parameters in real time. In Russian articles, this is called computational design, while Patrick Schumacher, partner of Zaha Hadid at Zaha Hadid Architects, singles out design using the latest computational technologies as a separate architectural style and gives it the name parametricism.

In 2008, Schumacher writes his article "Parametrism as a Style - Parametric Manifesto", where he first introduces the concept of "parametrism" and famously proclaims parametricism as the first major style since modernism.

Advances in computational design / parametric design have made possible fluid shapes and crazy volumes of interior spaces that were not possible twenty or thirty years ago. But, of course, the construction of such buildings is difficult and costly (and the original Dominion Tower project turned out to be too expensive for customers and required further refinement and adaptation to Moscow conditions). Zaha Hadid has been repeatedly criticized for putting form over budget, ease of execution and further maintenance of buildings, and for carrying out projects in authoritarian countries (allegedly she did not care about the fate of the workers employed on her projects). In 2014, Zaha Hadid sued one particularly zealous critic (Martin Filler), but subsequently the parties entered into a settlement agreement: Zaha Hadid withdrew the lawsuit and accepted an official apology, in which Martin Filler admitted that the facts were fabricated, and Hadid's quotes he cited were taken out of context, which distorted their meaning. Nevertheless, many people pay attention to the fact that there are many architects working in the Middle East, but for some reason only Hadid was criticized for cooperation with authoritarian regimes and disregard for the fate of the workers.

There are a lot of architects in the modern world, but only a few of them are really outstanding. One of the best experts in this field is Zaha Hadid. The biography of this woman is replete with dizzying stages in life. Large-scale projects, majestic features, the ability to present oneself and one's work - this is all that characterizes Zaha Hadid.

Who is Zaha Hadid?

The biography of the great architect is largely connected with Baghdad. Here, in 1950, she was born into a wealthy family belonging to the bourgeois class. Her father's name was Muhammad al Haj Hussain and her mother was Wajiha al Sabunji. Zaha received her first education at the American University, located in Beirut, in the class of mathematics. She then spent five years studying at the London Association of Architects. After receiving this education, she began working in an architectural office owned by her teacher and mentor Rem Koolhaas. Having adopted all the best qualities and skills from a wonderful Dutch architect, Zaha decided to create her own firm, Zaha Hadid Architects.

Even as a teenager, she was famous for her boundless imagination. Already at that time, the little architect Zaha Hadid was doing various works to order or of her own free will. Among her proposals were such projects as a habitable bridge over the Thames or an inverted skyscraper in Leicester. The architecture of Zaha Hadid has always been distinguished by a certain originality. An example of this is the project of the club, the location of which was supposed to be a high mountain. Then the projects of Zaha Hadid received various architectural awards, but did not find ways to implement. The main reason for this was the unwillingness of customers to accept a non-standard, new, innovative project. But all the projects of Zaha Hadid were original.

Over time, in Zaha, they nevertheless considered a true architect. After recognition, interesting projects began to come to her. The first was the building of Zaha Hadid for the Vitra furniture company. With them, she designed a bomber-shaped fire department. Then more and more projects began to be given to her, and as a result, buildings from the architect are now in dozens of cities.

The personal life of Zaha Hadid, despite not all her successes and attractive appearance, could not line up. She fully realized herself as an architect, but she was never able to realize herself as a woman.

Unexpected departure from life

On March 31, 2016, the greatest architect of our time, Zaha Hadid, passed away. The cause of death of a wonderful and talented woman is very vital and common. 65-year-old Zakha was killed by a heart attack. It happened to her in Miami. She flew here only to treat her bronchitis. So, in an instant, a brilliant, original and very cheerful person was gone. Unfortunately, Zaha Hadid did not have children, so after her death, only work and business remained a reminder of this woman.

creative way

The work of Zaha Hadid interested the public and customers after the world became acquainted with the magnificent creation - the Guggenheim Museum, which was erected in Bilbao. The architecture of Zaha Hadid received a stunning demand after she participated in the construction of the Rosenthal Center for Contemporary Art. Her architectural ideas have always been in conflict with generally accepted canons. In all her works, Zaha Hadid tried to go beyond and give space a new powerful impetus. So, in her projects, one can trace a distorted perspective that helps to identify sharp corners and curvature.

The female architect Zaha Hadid did a great job with large forms. But in addition to her architectural talent, she also had an extraordinary ability to create installations, theatrical scenery, interiors, paintings and even shoes. Performing small works, Zaha honed new forms. Zaha Hadid's architecture adorns many cities, and her small works are kept in museums such as MoMa, Architecture and others. In addition to creating new shapes and objects, Zaha was also happy to share her knowledge. She often gave master classes and lectured in various countries of the world.

Among the works of Zaha Hadid - a number of furniture collections. One of the most memorable pieces of furniture created by Zaha is the Chandler Vortex lamp and the Crystal armchair. Unique creative projects brought Zaha to the first design show in Miami, where she was awarded the title of "Designer of the Year".

Zaha's imprint in Russia

Zaha visited Russia more than once. In this regard, meeting the architecture of Zaha Hadid has become quite simple. In 2004 she was invited to the Hermitage Theatre, where she was awarded the Pitzker Prize. In the same year, Zaha Hadid gave an interesting lecture at the Central House of Architects. A year later, she returned to Russia with a master class, which was held on the basis of the ARCH-Moscow exhibition. The same year brought Zakha a project in Moscow. The company "Capital Group" offered an extraordinary architect to design a residential complex "Picturesque Tower". This is how the first building of Zaha Hadid appeared in Moscow. The address of this building: Moscow, st. Picturesque. Seven years later, in 2012, Zaha Hadid took up the construction of Vladislav Doronin's futuristic mansion on Rublevo-Uspenskoye Highway.

In 2015, a new Peresvet-Plaza business center was erected in Moscow, the architect of which was Zaha Hadid. Moscow, Sharikopodshipnikovskaya street, 5 - the address of the new building of the great architect in Russia. The building is made in an avant-garde style, and at first glance it seems that this is some kind of cosmic object that has descended from heaven to earth.

The legendary buildings of Zaha Hadid

Each building designed by Zaki Hadid becomes a legend. You can take any of her work, and each of them can be called the best with confidence. Among the amazing projects of Zaha Hadid:

The tower in Beijing is an object that impresses not only with its scale, but also with its innovativeness. During the construction, the creators turned to technologies that reduced the amount of energy consumed and minimized the emission of pollutants.
The Rosenthal Center for Contemporary Art in America - this project won Zaha Hadid the Pritzker Prize.
Springboard in Innsbruck.
The BMW headquarters in Leipzig is the result of a rethinking of the function of the traditional office.
National Museum of Art of the Twenty-First Century in Rome.
London Aquatics Center - the building was created for the 2012 Olympic Games.
The Heyder Aliyev Center in Baku was erected in honor of the third president of Azerbaijan.
The futuristic mansion on Rublevka in Moscow is Vladislav Doronin's country house, visually resembling a spaceship.
The Central Bank of Iraq is a very important building for Zaha, as it was built in her homeland. Unfortunately, by the time the construction was completed, the great architect was no longer alive.
Hong Kong Polytechnic University - when you look at it, the legendary Titanic is immediately remembered.

These are just a few of the beautiful works of Zaha Hadid. No less inspiring and grandiose projects are the buildings of the Museum of Transport in Glasgow, the Mining Museum in Italy, the shopping and entertainment center in Beijing, and others. Several super-outrageous works by Zaha Hadit are described in more detail below.

Galaxy SOHO (Beijing)

The grandiose building is located on a land plot of 47 thousand square meters. The construction of this architectural object lasted for 30 months from 2009 to 2012. This complex is the first building built in China designed by Zaha Hadid. Experts and connoisseurs believe that SOHO is the best creation of Hadid in all of Asia. According to Zaha Hadid's agency, this building was made without sharp corners. As for the name, it was originally called “no corners”. Patrick Schumacher, a colleague of Zaha's, decided that this was too crude a name for the concept and suggested that it be renamed "panoramic architecture".

The area of the complex is 330 thousand square meters. It consists of five three-dimensional objects. Each of them has a rounded shape and reaches a height of up to 67 meters. Between themselves, each of the elements is connected by multi-level platforms of floors and covered tunnels. Due to the rounding of the interfloor ceilings, the complex visually became similar to a dynamically moving object. The building has an office ceiling height of three and a half meters. In trading floors, ceilings rise to a height of more than five meters. In total, the complex has 18 floors, three of which are underground. Near the building there is parking for 1250 cars.

Heydar Aliyev Cultural Center

This building is striking in its scale. The total area of the territory occupied by it exceeds 111 thousand square meters. Within the walls of the cultural center there are such important premises as a museum, a conference hall, a library. There is also a special area for various events. Absolutely transparent glass walls dominate the building. In this format, not only external walls are made, but also internal ones. This allows you to minimize energy consumption and use the maximum natural light. Like almost all projects by Zaha Hadid, the architecture of the Heydar Aliyev Cultural Center consists of rounded lines. This building harmoniously combines a wave-like aspiration to the sky and a smooth approach to the earth. This one was not chosen by chance. According to the author's idea, first of all, the center should embody infinity and duration. The color of the building is white, which is a symbol of a brighter future.

CMA CGM Tower (Marseille, France)

The forces of Arab origin in 2011 completed the construction of an impressive skyscraper. In total, it has 37 full floors. The total height of the building is 147 meters. Its location is a business district a kilometer from the central part of Marseille. Here, this skyscraper is the tallest building. The purpose of this building is the head office of the local company CMA CGM. The headquarters has a very advantageous location relative to the coastline, from it to the building there are only one hundred meters. Zaha Hadid's architectural agency won the right to create a project for this building by winning a special competition organized in 2004. Construction began in the same year. Seven years later, it has already been put into operation. In terms of its capacity, the building can easily accommodate 2,700 people. According to the project, parking lots for 700 cars and 200 motorcycles were built near the skyscraper. Visitors can also visit the restaurant, designed for 800 people, or the gym. In terms of its area, the building occupies approximately 94 thousand square meters. In terms of its importance, the skyscraper is included in the TOP-10 skyscrapers of 2011.

One Thousand Museum Tower (Miami, USA)

The sixty-story skyscraper was designed by Zaha Hadid in the heart of Miami, on Biscay Boulevard. The building includes 83 luxury apartments. The area of each apartment is different, as well as their cost. The minimum price of one premise is $5 million. The maximum reaches fifteen million. According to Zaha Hadid, this building was supposed to influence the skyline of the city. As part of the project, the architect proposed to make a podium at the base of the building, from which the tower will line up. In its shape, the tower will differ from those standing next to it with its non-standard design. It is as if braided from the outside with a concrete frame. So the outer part of the building becomes like a tree, entwined with branches. The balconies and loggias of the apartments seem to be buried in the general plane of the facade. The purpose of the podium is to create a multi-purpose public area. There are shops, a cinema, a fitness center. Perforated metal panels surround the lower block of the building. They give the podium a futuristic style.

Museum of the 21st century (Rome)

The National Museum of Art, designed by Zaha Hadid, has become a vast collection of different cultures. As the basis of this building, it was decided to take the complex on which the Montello barracks were located. It is very symbolic for Rome that a new cultural object was built on top of an old building. The interior space of this 21st century museum is 21,000 square meters. Visually, it is similar to volcanic lava flows frozen forever. This effect is created due to volumetric concrete structures passing into each other. Glass surfaces play an important role in this cultural object. Almost the entire first floor, as well as the roof, are made of transparent glass. Thus, all the cultural values stored in the museum can be seen under daylight. Inside the building there is an atrium, assembled from two tiers. It connects all the rooms of the museum to each other. Transitions and asthenic openings inside the building are like black ribbons braiding the snow-white concrete walls of the building. The architectural decoration of the museum in 2010 was awarded the Stirling Prize in the UK. So, with one movement of her hand, Zaha Hadid turned the uncomplicated barracks into a surprisingly extraordinary property of the country.

Capital Hill Residence (Moscow)

Vladislav Doronin never skimped on creating his own comfort. This also applies to his home. So, in 2015, Zaha Hadid developed a project for his futuristic mansion, which was built by the oligarch on Rublevo-Uspenskoye Highway. The total area of the trendy and super-unusual building is two and a half thousand square meters. Eco-style became the basis of Zaha Hadid's concept. When designing Doronin's house, she tried to harmoniously blend modern technology with natural features. When you look at this mansion, you immediately get the feeling that a spaceship has arrived from another planet and settled in Barvikha. The rooms inside the building are distributed over four levels. Downstairs there is a living room, a gym, a sauna, a bathhouse, a hammam and a massage room. Next are the guest reception, kitchen with dining area and swimming pool. On the floor above there is a library, a nursery, a living room and a huge hall. The final floor includes the master rooms and a luxurious terrace.

It is worth noting that the design of private houses is not included in the main specialization of Zaha Hadid. According to experts, for this work she received a fee with six zeros. As a result, the business union of Zaha Hadid and Vladislav Doronin demonstrated to the world a luxurious project and a world-class private house. The only thing that remains incomprehensible to many people is who will live there. It is believed that this house, like many others, the Moscow billionaire will present as a gift to his beloved Naomi Campbell.

The female architect, whose name is Zaha Hadid, is considered one of the most original, unusual and most successful contemporary architects in the world. We can say that Zaha Hadid is a modern Gaudí. This author is called a real genius, and her buildings and structures of the most unusual forms are located in many countries of the world and still continue to be built according to the crazy plans of a talented creator.

Zaha Hadid - Arab architect, was born in 1950 in Baghdad. He currently resides in Britain and is considered both an Arab and a British architect. She has the title of Dame Commander of the Order of the British Empire. The style of her work refers to deconstructivism. Deconstructivism is a striking contrast to the polished and carefully planned constructivism. We can say that deconstructivism is surrealism in architecture. Often these are very complex shapes of objects with broken and irregular lines. Also, this style is characterized by an invasion of the urban massif in the most aggressive way, that is, a glass building rises among ordinary residential buildings or a low and crooked house suddenly appears among even ones, which looks like a wad of crumpled paper, and so on, and it is located in such unexpected places. , which seems to be not the plan of the builders, but the building fell here by accident and completely by accident. Zaha Hadid is a real talent. She became one of the brightest figures in the style described above. Her houses and buildings are so highly regarded that in 2004 she received the Pritzker Prize, which is equal in value to the Nobel Prize or the Pulitzer Prize. Zaha Hadid was awarded in St. Petersburg, in the building of the Hermitage.

As already mentioned, its buildings and structures are located in different countries of the world, including Russia: a futuristic mansion on the Rublyovo-Uspenskoye Highway in Moscow, the Dominion Tower business center in Moscow in the Dubrovka area and others. In addition, her small works are in museums such as the German DAM Museum, etc. Zaha Hadid is engaged in installations, creates theatrical scenery, experimental furniture, shoe design, paints paintings, and is engaged in interior design.

Zaha Hadid

40-storey hotel in Macau, China

Opus Office Tower in Abu Dhabi, UAE

Residential building in Manhattan, USA

Golden metro station in Riyadh

Changsha International Art and Culture Center in China

Beko Masterplan multipurpose complex in Belgrade

Riverside Transport Museum in Glasgow

Skyscrapers Signature Towers in Dubai, UAE

Tokyo Olympic Stadium 2020, Japan

Burnham Pavilions in Chicago, USA

Yesterday, March 31, 2016, Zaha Hadid, the Iraqi-British architect and designer who became the first female architect to win the Pritzker Prize, died of a heart attack. Her work is not only striking in its elegance and innovation, it inspires thousands of other creative people - and this is, perhaps, the most significant contribution of Zaha Hadid. In her hands was the opportunity to change the world - and she did not miss this opportunity.

Zaha Hadid(Zaha Mohammad Hadid) was not a fan of standards, she always wanted to destroy the already established canons. If the building, then no corners. If shoes - then let there be more corners! Let decorations be like architecture, and architecture will be a real decoration of any city. Zaha Hadid's design stands out for its distorted perspective, broken geometry; her buildings don't try to fit into space - they create their own new world.

Heydar Aliyev Center, Baku, Azerbaijan

This building is a cultural center built in the capital of Azerbaijan on Heydar Aliyev Avenue. Inside the spacious premises are a congress centre, several exhibition halls, a permanent museum and offices. Now this graceful building, similar to a white wave, is considered one of the symbols of modern Baku. In 2014, the Center was recognized as the building with the best design of the year.

Messner Corones Mining Museum, Kronplatz mountain in northern Italy

The museum is located at an altitude of 2 km above sea level and occupies one square kilometer. Hadid's design offers a breathtaking view of the area directly from the museum.

Opus 21-storey office building in Dubai

is a huge cube floating in the air. Particular attention was paid to the design of light - in the daytime and at night the building looks completely different.

Bee'ah UAE Headquarters

Bee'ah specializes in eco-friendly recycling. Their new headquarters will be located in the UAE not far from the already functioning waste processing center, which, in fact, will fully provide the headquarters with energy. The building looks like sand dunes located inside an oasis. Reservoirs allow the building to cool in the hot months, and the light facade material will reduce the heating of the building in the hot desert.