Being famous is ugly parsnip epithets. Being famous is ugly parsnip analysis of the poem

Being famous is ugly analysis of the poem according to plan

1. History of creation. The work "Being famous is ugly" (1956) refers to late period Creativity B. Pasternak. By this time, he had already experienced a lot in life, got the opportunity to compare his fate with the rest of his fellow writers. The work can be considered the author's program statement about creativity in general.

2. Genre- a lyric poem.

3. main topic works - creative activity. Already in the first line, the phrase that defines the entire poem appears - "to be famous is ugly." Most likely, the author means an infinite number of "creative figures" Soviet Union which are really nothing special. They achieved all-Union success not by creativity, but by humility and countless praises to the political leadership of the country. The ideological background of the work is not so important.

Pasternak recalls that the main goal of any author is "self-giving." Unfortunately, things often go the other way. Having achieved a certain success, the poet or writer enjoys fame and honor. In the future, his work will already be subordinated to the maintenance of this position ("to be a parable on the lips of everyone"), and not to higher creative goals.

Pasternak was sure that real recognition should come to the creator much later, from grateful descendants. In a fit of inspiration, the poet is able to break the boundaries of time and space. Only in this case, his work will have real value. Calling on his colleagues to "plunge into the unknown," the author denounces mediocre scribblers who are prone to publishing voluminous memoirs and autobiographies.

Task creative person consists in creating new worlds, and not in exalting one's own wretched and nobody interesting fate. Especially important Pasternak considered the ability not to distinguish "defeat from victory." Each author must completely renounce worldly goods through complete self-giving, while remaining himself. Only by eliminating his dependence on surrounding temptations or dangers, the creator can consider himself "alive".

4. Composition poems are sequential.

5. The size of the work- iambic tetrameter with cross rhyming.

6. Expressive means. The whole poem is built on antithesis. The author contrasts "self-giving" with "hype" and "success", "imposture" with "love of space". The figurativeness of the work is given by phraseological units ("parables on the lips", "a span behind a span") and metaphors ("the future call", "gaps in fate"). The finale is strengthened by the threefold repetition of the epithet "live".

7. the main idea works - true creativity cannot be dependent on transient values.

Don't sleep, don't sleep, artist
Don't give in to sleep.
You- hostage of eternity
Time is a prisoner.
B. Pasternak

Boris Leonidovich Pasternak - a poet-philosopher, a thoughtful artist, peering with interest into surrounding life. The inquisitive mind of the poet wants to penetrate the very essence of things, understand them and tell the world about his discoveries.
The late Pasternak is academic. He spends sparingly artistic means, which are in his arsenal, but this does not make his poems dryer, but only emphasize the skill of the artist. The poem “Being famous is ugly” was written by a recognized master during the period of his “last songs”. It conveys the poet's inner perception of his role and essence on earth.

Being famous is not nice.
It's not what lifts you up.
No need to archive.
Shake over manuscripts.

Indeed, human love is fleeting, unfair, subject to fashion. But the poet is above the crowd. He creates for people, not listening to their enthusiasm and blasphemy.

The Purpose of Creativity- dedication,
Not a hype, not a success.
It's shameful, meaning nothing
Howling parables on the lips of all.

Pasternak refers to fame as to worldly fuss, his art is akin to celestials who give people blessings without demanding anything in return. He experiences the joy of creativity itself. It is his element and way of existence. The poet cannot but compose, for him it means to live, pouring out his soul in sounds, filling the world with beauty.
A true artist is always a pioneer. Others will follow him, perhaps not even remembering whose footsteps they are following, but it will be easier for them, and this is the main thing.

Others on the trail
They will follow your path span by span.
But defeated by victory
You don't have to be different.

Only then a masterpiece of art is born when the human soul is alive, when it is open to the world and people. It is hard to live like this, sometimes unbearable, but such is the fate of the poet. If the artist begins to take care of himself, save his strength, creativity ends, and the remaining mastery will not bring new fruits.
In this poem, Boris Pasternak uses phraseological units: “To be a parable on the lips of everyone” and “Not to be seen.” They give special expressiveness of speech with a small amount of words. The repetition in the last quatrain of the word “alive” indicates great importance with which the author gives this epithet.

And owe not a single slice
Don't back away from your face
But to be alive, alive and only,
Alive and only until the end.

In just a few quatrains, a poem by Boris Leonidovich Pasternak makes you take a fresh look at creativity. This is not a way to get money, not a job - this is the image of the poet's life, which he cannot refuse while he is alive.

Tasks and tests on the topic "Artistic analysis of the poem "Being famous is ugly""

• The base of the word. Parsing words by composition. Analysis of the word composition model and selection of words according to these models - Composition of the word grade 3

  Lessons: 1 Assignments: 9 Tests: 1

• Basic principles of Russian punctuation - Basic concepts of syntax and punctuation Grade 11

The poem “Being famous is ugly” is his program work: in it the author expresses his thoughts about what a creative person should be like, describes his views on literary creativity. Using brief analysis“Being famous is ugly” according to the plan in the 9th grade literature lesson, you can easily and easily explain to schoolchildren the essence of these views.

Brief analysis

History of creation- written in 1956, it was included in poetry collection“When it clears up”, along with other works written by Pasternak in three fruitful years.

Theme of the poem- the essence of creativity and the poet's code of life.

Composition The work can be divided into three thematic parts. In the first, the poet argues that the creator should not strive for the recognition of the public, this is not the goal of creativity. The second part reveals the opinion on how exactly a poet should live, and in the last, final part of the composition, Pasternak says that following the code of life will eventually lead a creative person to literary immortality.

Genre- Philosophical lyrics.

Poetic size- complex, Boris Pasternak uses transitions from one size to another according to the scheme spondei - pyrrhic - pyrrhic - iambic.

Metaphors – “leave gaps in destiny“, “be on everyone's lips“,

epithets– “Well whole life“, “living trail“, “a single slice“.

Comparisons – “how the area hides in the fog“.

Antithesis - " defeat - victory“.

History of creation

The poem “Being famous is ugly” was written after a whole series of events in the poet’s life - he was recognized, he became a member of the Writers’ Union, the “leader of the peoples” died, but the general near-literary fuss worried him less, mostly Pasternak was engaged in translations. At the same time, he thought a lot about the essence of creativity, and the result of these reflections was the hard-won truth, clothed in poetic form in 1956.

There is a hypothesis related to the history of creation that with this work, which without exaggeration can be called a program, Boris Pasternak demonstrated rejection creative choice Vladimir Mayakovsky, who at that time was considered the best poet of our time and a person almost inviolable.

The poet included the poem in his collection “When it clears up”, which was filled with more than forty poems in the period from 1956 to 1958.

Subject

The general theme is the essence of creativity and the path of a creative person, his destiny, however, Pasternak also reflects on death and life, on fate, on the goals of creativity in the broadest sense.

Composition

The compositional structure of the verse is quite simple - it is three-part. In the first part, the poet seems to be pouring a tub of ice water, speaking of the creators, who are a parable on everyone's lips, meaning nothing at the same time.

The second part is a reflection on how a person should be after all. engaged in creativity - Pasternak sees him as a man who lives without imposture, but for the sake of eternity. He must leave his life as if behind the scenes, showing only the result of his creativity, and not his personality.

And the third part is instructions to other poets what needs to be done in order to stay in eternity, and not to acquire only momentary glory. According to Pasternak, for this it is necessary to be alive to the very end. At the same time, his instructions should not be taken as arrogant moralizing - the poet himself always followed the commandments that are set out in "Being famous is ugly."

The main motive of the work is knowledge and search for oneself.

Genre

This is philosophical work, Pasternak's message to his contemporaries and descendants, his teaching, where the poet himself acts as a mentor. He shows others the path that he himself considers true - not to recognition by his contemporaries, but to something distant and eternal. Pasternak uses complex transitions from one size to another, spondey is replaced by pyrrhic, and tom, in turn, by iambic. This allows him to freely express his thoughts without feeling constrained by the form. The rhyme is always the same - cross.

means of expression

Pasternak mostly uses verbs to convey movement, the poem abounds participle turns- all this makes him very energetic. At the same time, the poet does not refuse classical expressive means, such as:

• Metaphors– “leave gaps in fate”, “be a parable on everyone’s lips”,
• epithets- “a whole life”, “a living trace”, “a single slice”.
• Comparisons- "how the area hides in the fog."
• Antithesis- "defeats - victory."

All means of expression used as harmoniously as possible - they work to reveal common idea. Pasternak created a work that is a perfect combination of content and form.

Being famous is not nice.
It's not what lifts you up.
No need to archive
Shake over manuscripts.

The goal of creativity is self-giving,
Not a hype, not a success.
It's shameful, meaning nothing
Be a parable on everyone's lips.

But we must live without imposture,
So live so that in the end
Attract the love of space
Hear the call of the future.

And leave gaps
In fate, not among papers,
Places and chapters of a whole life
Underlining in the margins.

And dive into the unknown
And hide your steps in it
How the area hides in the fog,
When you can't see anything in it.

Others on the trail
They will go your way span by span,
But defeat from victory
You don't have to be different.

And owe not a single slice
Don't back away from your face
But to be alive, alive and only,
Alive and only until the end.

Analysis of the poem "Being famous is ugly" by Pasternak

The creative fate of B. Pasternak was very difficult. His works did not fit the standards Soviet ideology. The poet and writer was constantly subjected to devastating criticism. His work was under an unspoken ban. At home, only an insignificant part of the works was published, subjected to the strictest censorship corrections and distortions.

Despite this, Pasternak always remained true to his convictions. He never adjusted to official requirements, believing that the duty and sacred duty of a real writer is to remain extremely sincere and express real, and not thoughts imposed by someone. The best works of Pasternak were illegally distributed in lists and published abroad.

Few writers shared the convictions of Boris Pasternak. The majority preferred to create mediocre works, the main criterion for which was loyalty to the authorities and praise of the leaders. Such waste paper was declared "masterpieces" of world literature, and its authors enjoyed artificial honor and respect.

In 1956, Pasternak wrote the poem "Being famous is ugly", in which he expressed his opinion about the true vocation of the writer. main goal he considers a writer not to achieve fame and success, but to give maximum dedication and selfless service to art. AT Soviet time voluminous memoirs were very common, which did not represent any artistic value. The "cult of personality" is deeply rooted in the mind. In a country that officially proclaims universal equality and fraternity, works were popular in which the authors endlessly exalted their role and merits in life.

Pasternak sharply criticizes this position. He believes that a person is not able to appreciate eigenvalue. His assessment will always be subjective. Therefore, one should not stick out one's affairs, but, on the contrary, "plunge into the unknown." Only the future is able to make a final judgment on a person and fairly consider his life path.

At the end of the work, Pasternak consolidates his thought. Instead of creating a false halo of glory for himself, capable of deceiving his contemporaries, but not future generations, the writer must remain a living person and recognize that he has inherent human vices and weaknesses.

Time has proven the writer right. Many "masters" of Soviet prose have been thrown into the dustbin of history. Pasternak is recognized as a world-class figure, a worthy owner Nobel Prize on literature.

The writing

“In the field of words, I love prose most of all,
but he wrote most of the poetry. Poem
regarding prose - this is also an etude
regarding the picture. Poetry seems to me
great literary sketchbook.
B.L. Parsnip

The work of Boris Leonidovich Pasternak stands apart in the history of Russian literature. He lived and worked in a very difficult time for Russia. The old canons collapsed, changed harshly former life, people and destinies broke down ... And in the midst of all this - a wonderful poet with a subtle soul and a peculiar vision of the world. Born at the turn of fate, Boris Pasternak managed to become one of the symbols of his age.
Poems occupy a separate place in his work. From his pen came many wonderful lines. The last collection of poems, never published during Pasternak's lifetime, entitled "When it clears up", absorbed selected works author. The theme of renewal, hope, is clearly audible in the book, which became a reflection of the changes taking place in the country. It was in this collection that the poem "Being famous is ugly ..." was printed, which can be called a kind of set of rules for a real poet. It is in this work that Pasternak reveals his attitude to creativity.

The poem has a programmatic meaning, as if continuing Pushkin's appeal to the "Poet". The lyrical hero, continuing the idea of ​​the great poet about the independence of the artist from the "love of the people", introduces into his judgment moral assessment:
Being famous is not nice. It's not what lifts you up. No need to start an archive, Shake over manuscripts.

The goal of creativity is self-giving,
Not a hype, not a success.
It's shameful, meaning nothing
Be a parable on everyone's lips.

We see that Pasternak does not accept empty, undeserved glory, it is easier for him to sink into obscurity than to be on the lips of everyone without doing anything for this. Such a position deserves only respect. The artist paves his lonely way "in the fog", where "not a single sight can be seen", hearing only the "future call" ahead. He must leave a "living trace" in modernity, which will be continued by "others".
The unique fate of the poet is understood by Pasternak as a link between the past and the future in a single chain of art, loyalty to the vocation:

And owe not a single slice
Don't back away from your face
But to be alive, alive and only,
Alive and only until the end.

Once having chosen this path, the poet should never deviate from it.
Also an important work for revealing the image of the poet in the view of Pasternak can be the poem “In everything I want to get to the very essence ...”, written in the same year as the first, and included in the same collection.

In everything I want to reach
To the very essence.
At work, in search of a way,
In heartbreak.

From this quatrain follows the desire lyrical hero, which can conditionally be equated with Pasternak himself. The desire for life, for the knowledge of its secrets and mysteries, the thirst for activity and feelings. In this poem, the lyrical hero sets himself an almost impossible task - to penetrate the secret essence of life, deduce its laws, unravel its secrets ... He tries to grab the "thread of fate, events." But the task is complicated by the fact that he seeks not only to understand, but also to express in words the general law of being:

Oh if only I could
Although in part
I would write eight lines
About the properties of passion.

Discarding empty words, he is looking for the main, basic ones. Is this not the task and goal of poetry in general and of each poet in particular? .. Pasternak always believed that what is significant does not have to be complex. The truth of things and phenomena lies precisely in their simplicity. Hence the poet's desire to express in eight lines the properties of passion, which for Pasternak is life, because only when a person feels does he actually live. This is the recipe for penetrating the mystery of life.

The role of nature in the work of Pasternak in general and in this poem in particular is interesting. She miraculously comes to life, but not as a cluster of living and inanimate objects of the world around us, but as embodied poetry:
I would break poetry like a garden.

With all the trembling of the veins, the lindens would bloom in them in a row,
Guskom, in the back of the head.

The world of poetry and the world of nature are intertwined, and it is not entirely clear where one ends and the other begins, and the poet's lindens line up in orderly rows, like words in a line...