Who wrote being famous is ugly. B.L's poem

Boris Pasternak is not only a famous, but also a publicly recognized Russian poet of the 20th century. He wrote over 500 works. There was a time that he wrote in the direction of futurism, which is very similar to Mayakovsky, but the author got bored with the complexity of the language and the rejection of traditions, so his position changed. The style has become light and casual. In the poem "Being famous is ugly," he tells about his point of view about literary creativity and about people who gave themselves to art.

The poem of the famous Russian poet Boris Pasternak "Being famous is ugly" was created in 1956. It is in the middle of it creative works from poetry collection"When it roams." Then the author was subjected to numerous attacks in the press, and he was not pleased with such fame. Therefore, he warns his descendants: fame seems beautiful only when it is not. In fact, she's disgusting.

The author in his poems touched on many different topics: love, society, time, philosophy. On the this stage of his life, Pasternak talked a lot about what is the essence of creativity in the life of every poet.

Genre, direction, size

In the poem, one can trace how Pasternak leads a philosophical thread and reveals all his thoughts about the goals of creativity, its process and results. Therefore, we have before us the purest philosophical lyrics.

The poem is written in constantly changing sizes: spondeus - pyrrhic - iambic. Rhyme cross. Pasternak uses such transitions to freely convey his thoughts so that people, without hesitation, listen to what the poet is talking about.

Images and symbols

The lyrical hero in the poem is, in fact, Pasternak himself. He goes a long way in search of the truth, the real, something genuine, and, as a result, comes to certain conclusions and conclusions, knowing own experience the essence of fame, publicity and recognition.

The lyrical hero is peaceful and serene, his internal state found harmony. He finally realized who the true creator is. Although the hero is distinguished by self-confidence, he does not stop searching for better ways to realize their creative ideas.

The path and the trail are symbols of the creative and life path. The poet hides his steps in the unknown, that is, he opens up new horizons, to which people will follow in his footsteps. That is where the call of the future leads him.

Themes and moods

The mood of the poem is solemn. The author utters the truths that determine the essence of his worldview.

Main theme - poet and poetry. The author talks about creative way and purpose creative person. He sees it not in glory, but in discovering something new for readers, something that has not yet been. It is necessary to leave a significant mark in the area where you realize your potential.
Pasternak affects the problem of self-giving. Not each of us is able to sacrifice a part of ourselves to ideals and aspirations. People want easy success, giving nothing in return, but this achievement is shameful, according to the author.
The author also says about true and false confession. The poet must create "without imposture", his place will be assessed by history, and not by himself. You should not ascribe to yourself a significance that does not really exist, because it is pointless to leave behind a pile of papers if you have not responded to anyone in the memory of people.
In the poem, one can see the subject of self-discovery, his style, his direction. Only by stepping into the unknown, into new spaces at the call of the future, you can create something truly significant.
Also important theme of modesty: you need to treat yourself and others without a conceited desire to splurge. Even undeniable virtues must be recognized without undue boasting.
Moreover, in the poem important role plays fame problem. Many artists do not stand the test of success and recognition, but it is so important to always be yourself, not attaching importance to the lightweight and fickle love of the crowd.

Main idea

The main idea of the poem is that the significance of the creator does not depend on the number of works written by him, not on the screams and flattery of the crowd, not on the recognition of power, but on how he contributes to eternity, how valuable his creations are on the scale of history. Only the pioneers should have the laurels of genius, because humanity is moving in their footsteps.

Being a mentor, Pasternak calls to write not for fame and wealth, but for society, for his listener, for the future. The poet tramples the road into the unknown in order to lead people along with him - this is the meaning of his mission. But even if he manages to do this, one should not forget about modesty. And victories, and the love of the audience, and fame must be treated adequately. This should not be reveled, because the poet is an artist of the word, called by the future themselves, and not an impostor who does everything for his own benefit.

Means of artistic expression

Pasternak for expressiveness and transmission of his emotional mood uses verbs and adverbial phrases. But besides them, there are other ways artistic expressiveness, such as the epithets "live trail", and "single slice".

The hero plunges into the obscurity of the future, “like the area is hiding in the fog” - this is a comparison. The author often uses antitheses: "defeat" and "victory", "hype" and "love of space". Pasternak also gives special brightness to the poem thanks to phraseological units: “to be a parable on the lips of everyone”, “not to see a single zgi”, and “for span span". Behind the metaphor of “leaving gaps in fate”, the author hides a call to search for oneself, to thoughts about self-knowledge.

In the last quatrain, the poet resorts to the use of repetition, which multiplies the meaning of this word and gives the poem “Being famous is ugly” even more emotional coloring:

But to be alive, alive and only,
Alive and only until the end

Interesting? Save it on your wall!

Damn you, darlings! Why this particular poem, why this particular damn lesson, this disgusting Monday? Oh, burn in hell - I'm with you.

Being famous is not nice.
It's not what lifts you up.
No need to archive
Shake over manuscripts.

The goal of creativity is self-giving,
Not a hype, not a success.
It's shameful to mean nothing
Be a parable on everyone's lips.

Hear the call of the future.

And leave gaps
In fate, not among papers,
Places and chapters of a whole life
Underlining in the margins.

And dive into the unknown
And hide your steps in it

Others on the trail

But defeat from victory
You don't have to be different.

And owe not a single slice
Don't back away from your face

Alive and only until the end.

The poem “Being famous is ugly” was written in 1956 and is included in Boris Pasternak’s lyrical cycle “When it clears up” (1956-1959). In addition, it includes 44 more poems. The basis of this cycle of reflections on time, being, truth, life and death, art and other philosophical topics. The release of the cycle of poems "When it clears up" is associated with the refusal in the USSR to publish the novel "Doctor Zhivago".

The theme of the poem is philosophical.

It can be said that this poem“Being famous is ugly” is instructive, and Boris Pasternak himself is in the role of a mentor. He notices that “to be famous is ugly”, explains “the goal of creativity is dedication”, and then begins to teach in 3, 4, 5 stanzas about how to live, what to do

But we must live without imposture,
Live so that in the end
Attract the love of space
Hear the call of the future.

And leave gaps
In fate, not among papers,
Places and chapters of a whole life
Underlining in the margins.

And dive into the unknown
And hide your steps in it
How the area hides in the fog,
When you can't see anything in it.

And in the last 2 stanzas, explaining, gives instructions

Others on the trail
They will go your way span by span,
But defeat from victory
You don't have to be different.

And owe not a single slice
Don't back away from your face
But to be alive, alive and only,
Alive and only until the end.

The mood of the poem is sublime, solemn, aimed at success, desiring it. The poet's creative life was difficult, so he tried to understand why everything was happening this way, what he was doing wrong, and most importantly, how long would it continue?

Perhaps, at the same time, he noticed that there are many in Russia who write specifically for fame, height, “noise” and “success”, at the same time not at all betraying the importance of what to write and what to write about.

Read the poem and learn. You learn to understand the whole essence of writing, you learn to understand your role, not to become "noise", but "to attract the love of space." This poem uplifts, inspires, inspires

But to be alive, alive and only,
Alive and only until the end.

The rhyme of the poem is cross. There are practically no epithets, personifications, metaphors and comparisons in the text. It's filled with verbs participle turnovers, complex and complex sentences - the author tried to give movement to his instructions, to encourage movement, to life, because "there is no standing position: either you move forward or backward." Frequent alliterations in solid sounds“n”, “r”, “d”, “t”, “g” Pasternak gives his instructions firmness, steadfastness, confidence, thereby expressing his position in life.

The lyrical poem by Boris Pasternak “Being famous is ugly ...”, ironically, is famous, like its author himself. The long-time aphorism of the first line is an example of how important it is to start literary work instantly captured the reader and made him eagerly read the text further to the very end. In fact, already in the first line of his programmatic poem, the author formulates the artistic and personal position, very unbanal for a poet. After all, it is known that people of creativity at all times were in dire need of understanding and success. Often doubting everything, it is thanks to an enthusiastic attitude towards themselves that they understand that they are not doing in vain. However, Pasternak clearly distinguishes between the concepts of "hype" and "love of space" ("future call"). This is the main antithesis of the poem, and it is supported by intonational cross-rhyme.

The poet emphasizes: recognition, if it has already come, should be a natural consequence of “self-giving” in art, and not “imposture”. He seems to foresee the coming glory of the true creator:

Others on the trail
They will go your way span by span,

- and immediately insists that a person "should not distinguish" "defeat from victory." He needs complete acceptance of everything that happens to him as a sign of fate.

Modesty and dignity - this is what Boris Pasternak teaches his reader. And it seems that at the same time he addresses himself, his inner voice and possible impulses of ambition in one's own soul. Is it so? ... Let's see at what time and under what circumstances of the poet's life this poem was created.

Dated 1956, the work was born in late period life and work of Boris Pasternak. By this time, the "great leader" had already passed away. Soviet people» I. Stalin, who was glorified by a romantic poet a few years ago. Already left behind a short period of public recognition of Pasternak in the Soviet Union and membership in the Union of Writers. The poet moved away from the general near-literary fuss and increasingly devoted himself to translating the works of foreign authors and risky activities to protect and support disgraced friends, among whom were Akhmatova and her son. A rethinking of the events of past years and his own path has entered the life of the writer, and in this sense, it would not be erroneous to assume that “Being famous is ugly ...” is a reminder to himself and his fellow writers about true values and, of course, to readers, who, in fact, create a disastrous hype around their idols.

Literary critics suggest that in this poem, Boris Pasternak openly dissociates himself from the creative path of another famous contemporary of his and former like-minded person, Vladimir Mayakovsky. By that time, it was customary to praise him, without knowing the measure, as "the best poet of our time." The words belonged to Stalin, which for a long time determined the “immunity” of Mayakovsky, who had already become a cult poet in the eyes of the people. In this "court way" Pasternak saw a terrible danger for a creative person. But still lyrical hero his poems do not at all salivate slander and do not conceal in their words and intonations resentment against the whole world for their own lack of recognition.

In every phrase one hears a conscious and hard-won truth. This is a strict sermon addressed to those who have the divine gift to inspire and “raise up” and who have forgotten or may forget their destiny on earth. “There is no need to start an archive,” the author writes, “to shake over the manuscripts.” And openly pronounce judgment

It's shameful, meaning nothing
Be a parable on everyone's lips.

Some exaggeration of the denial of the gift in this case should work like crazy cold water. This is the beginning of the awakening from sleep, and it is compositionally expressed in the first two stanzas. Further, the author nevertheless proceeds to reasoning about how a poet should be (both in the narrow and in the broad sense this word).

A poem written in complex, ever-changing poetic size(spondeus - pyrrhic - pyrrhic - iambic), has no external plot - only internal. This is the movement of the thought of the poet-philosopher from the denial of glory to the affirmation of the great power of the gift.

… leave spaces
In fate, not among papers.

The metaphor "gaps" here takes on the meaning of understatement, a motive for knowing and searching for oneself, and the lexical repetition of the word "alive" convinces the reader of the need to strive for spiritual life - "and only"!

Morozova Irina

Lyric poem by Boris Pasternak "Being famous is ugly...", ironically, is famous, like its author himself. The first line, which has long become an aphorism, is an example that proves how important it is for the beginning of a literary work to instantly grab the reader and make them read the text with greed until the very end. In fact, already in the first line of his programmatic poem, the author formulates an artistic and personal position, which is very unusual for a poet. After all, it is known that people of creativity at all times were in dire need of understanding and success. Often doubting everything, it is thanks to an enthusiastic attitude towards themselves that they understand that they are not doing in vain. However, Pasternak clearly distinguishes between the concepts "hype" and "space love" ("future call"). This is the main antithesis poems, and it is supported by intonational cross-rhyme.

The poet emphasizes: recognition, if it has already come, should be a natural consequence "self-giving" in art, not "imposters". He seems to foresee the coming glory of the true creator:

Others on the trail
They will go your way span by span,

And then he insists that the man "must not distinguish" "defeat from victory". He needs complete acceptance of everything that happens to him as a sign of fate.

Modesty and dignity - this is what Boris Pasternak teaches his reader. And it seems that at the same time he addresses himself, his inner voice and possible impulses of ambition in his own soul. Is it so? ... Let's see at what time and under what circumstances of the poet's life this poem was created.

Dated 1956, the work was born in the late period of the life and work of Boris Pasternak. By this moment, the “great leader of the Soviet people” I. Stalin, who had been glorified by a romantic poet a few years ago, had already passed away. Already left behind a short period of public recognition of Pasternak in the Soviet Union and membership in the Union of Writers. The poet moved away from the general near-literary fuss and increasingly devoted himself to translating the works of foreign authors and risky activities to protect and support disgraced friends, among whom were Akhmatova and her son. The life of the writer included a rethinking of the events of past years and his own path, and in this sense, it would not be wrong to assume that "Being famous is ugly..."- a reminder to himself and his fellow writers about true values and, of course, to readers who, in fact, create a destructive hype around their idols.

Literary critics suggest that in this poem Boris Pasternak openly dissociates himself from the creative path of his other famous contemporary and formerly like-minded person - Vladimir Mayakovsky. By that time, it was customary to praise him, without knowing the measure, as "the best poet of our time." The words belonged to Stalin, which for a long time determined the “immunity” of Mayakovsky, who had already become a cult poet in the eyes of the people. In this "court way" Pasternak saw a terrible danger for a creative person. And yet, the lyrical hero of his poem does not at all salivate slander and does not conceal in his words and intonations resentment against the whole world for his own lack of recognition.

In every phrase one hears a conscious and hard-won truth. This is a strict sermon addressed to those who have the divine gift to inspire and "raise up" and who has forgotten or can forget his destiny on earth. "There is no need to start an archive- writes the author, - Shake over manuscripts". And openly pronounce judgment

It's shameful, meaning nothing
Be a parable on everyone's lips.

Some exaggeration of the denial of the gift in this case should work like a tub of cold water. This is the beginning of the awakening from sleep, and it is compositionally expressed in the first two stanzas. Further, the author nevertheless proceeds to reasoning about what a poet should be like (both in the narrow and in the broad sense of the word).

A poem written in complex, ever-changing verse size(spondeus - pyrrhic - pyrrhic - iambic), has no external plot- only internal. This is the movement of the thought of the poet-philosopher from the denial of glory to the affirmation of the great power of the gift.

… leave spaces
In fate, not among papers.

Metaphor "gaps" here takes on the meaning of understatement, motive for learning and search for oneself, and the lexical repetition of a word "alive" convinces the reader of the need to strive for spiritual life - "only"!

Morozova Irina

"Doctor Zhivago", an analysis of the novel by Pasternak
"Winter Night" (Snow, snow all over the earth...), analysis of Pasternak's poem

"Being famous is ugly"

Poem by B.L. Pasternak "Being famous is ugly" (1956) is one of the program works in the poet's work. Its plot consists of laconic formulas that accumulate the author's views on the life of a creative person. The author applies the principles expressed in the poem both to himself and to other writers. B.L. Pasternak talks about the inner depth of the creative act, its self-sufficiency. Neither fame nor success in anyone's eyes are directly related to the quality of the works created. The artist of the word only in the depths of his soul can decide whether the height he aspired to has been reached: “The goal of creativity is dedication, L is not hype, not success.”

In the third stanza of B.L. Pasternak emphasizes the special position of a creative person in time and space. At the same time, he formulates another principle, important and necessary for a human creator: "To hear the call of the future." Only then will the poet be able to become interesting not only to his contemporaries, but also to his descendants. However, in this stanza, there is also a certain mystical motif of the sacrament, the artist needs to "attract the love of space to himself." In fact, the motive will remain unclear until the end. The metaphor “love of space”, which is deep enough in its philosophical content, can symbolize good luck, a muse that brought creative insight, and auspicious life circumstances (interesting meetings with people, nature). But all the same, we are not talking here about the fact that he should realize his place in the world.

Being a poet-philosopher, B.L. Pasternak calls to learn from nature. His lyrical hero is able, without fear of the future, to "plunge into the unknown", just as the area hides in fog.

BL. Pasternak writes about the need for a talented person not to revel in victories, but to observe personal modesty in relation to their successes. After all, the main thing is to lead other people who will decide who in history will be honored with glory, and who will be oblivion. B.L. Pasternak, by personal example, teaches not to prevaricate, not to focus on his experiences, to maintain a keen interest in the world around him, to love life to the very last hour. The theme of the appointment of the poet and poetry is deeply written in the Russian classical poetic tradition.

In this regard, the poem by B.L. Pasternak's "Being famous is ugly" creatively continues it. The poem is written in iambic tetrameter. All seven stanzas of it are connected by cross-rhyming, while female and male rhymes alternate. The poem makes extensive use of figurative and expressive means of the language: phraseological units (“a parable on everyone’s lips”, “five in a span”), antithesis (“defeat-zhenya” - “victory”), as well as the technique of emphasizing the vertical coordinates of the artistic space (“raises up”, “dive into the unknown”), this compositional technique goes back to Tyutchev’s poetic tradition and is characteristic of meditative lyrics in general. The main epithet is the epithet "live", reinforced in the final stanza by a triple repetition. Thus, obviously, B.L. Pasternak sees the meaning of life in life itself, in living it honestly and openly. It is no coincidence that the words “should”, “should”, “must not” are so often found in the poem.