Exercises to warm up the voice before singing. How to warm up your voice before singing

In this article you will find exercises, after which you will start.

To open the voice

Your voice may not actually be yours. The reason is in the clamps or the wrong way of speaking (for example, on the same ligaments). The exercises below will help you deal with these issues and unleash your true natural voice.

sound engineer

First, understand how others hear you. To do this, you can simulate a recording studio. Your left palm will be an earpiece - press it with a "shell" to your left ear; the right one will be a microphone - hold it near your mouth at a distance of a few centimeters. Start the test: count, pronounce different words, play with sound. Do this exercise for 5-10 minutes for nine days. During this time, you will understand how it really sounds, and you can improve it.

Q-X

To open the voice, you need to free the throat and transfer the main work to the lips and diaphragm. To do this, pronounce the syllables "Q-X". Round your lips on Q, stretch them in a wide smile on X. After 30 repetitions, try giving a short speech. You will feel that the ligaments are less tense, and the lips are better at following your commands.

yawn

The easiest way to relax the muscles of the larynx is to yawn well. Do this simple exercise for 5 minutes a day and you will notice how the blocks and clamps in your voice disappear.

Exhale-groan

This exercise will help bring out the natural sound of your voice. Its essence boils down to voicing your exhalation.

Position: feet on the floor, jaw open and relaxed. Begin to inhale the air, and as you exhale, make any sound. Do this without any effort - if everything is correct, you should get a groan.

When the exercise is performed correctly, the sound comes from solar plexus. It is from there that you need to speak so that the voice is voluminous and expressive.

To make the voice pleasant

Three smiles

This exercise is performed in the same way as the previous one, but with rule of three smiles. Smile with your mouth, forehead and imagine a smile in the solar plexus area. After that, start exhaling with a sound. Just 5 minutes a day - and your voice will start to sound more pleasant and trusting.

Yogi exercise

This training is practiced by Indian yogis to achieve a deep and beautiful voice.

Position: standing, feet shoulder-width apart. First, take a few calm breaths and exhalations, then - and a sharp exhalation with the sound "ha-a". The exhalation should be as full and loud as possible. In this case, the body can be slightly moved forward.

drawling syllables

Inhale deeply, and as you exhale, say a long “bom-m”, “bim-m”, “bon-n”. Drag the last sounds as long as possible. Ideally, vibration should occur in the area upper lip and nose.

A similar exercise can be done with the syllables "mo-mo", "mi-mi", "mu-mu", "me-me". But in this case, first pronounce them briefly, and only then drawl.

Both exercises are best done every morning for 10 minutes. They will not only make the voice more pleasant, but also help to strengthen vocal cords.

Long tongue

Stick out your tongue. First, point it down as far as possible, trying to reach the chin. Keeping this position, tilt your head down. Then stretch your tongue up, trying to reach the tip of your nose. At the same time, raise your head as high as possible.

To make your voice stronger

Sounds "i", "e", "a", "o", "y"

Exhale, then take a deep breath and on the second exhale, say a long “and” sound. Do it freely, as long as there is enough air. Do not force air out of your lungs. In the same way, pronounce the remaining sounds: "e", "a", "o", "u". Do three reps.

The sequence of these sounds is not random: they are distributed along the pitch. Accordingly, “and” is the highest (activates the upper region of the head), “y” is the lowest (activates the lower abdomen). If you want to make your voice lower and deeper, practice the “y” sound more often.

Tarzan exercise

Follow the previous task, only now beat yourself in the chest with your fists, like Tarzan. The exercise is designed to fill the voice and clear the bronchi, so if you feel like clearing your throat, don't stop yourself.

lowing

This exercise activates the work of the chest and abdomen. Exhale and inhale. On the next exhale, begin to pronounce the sound "m" with your mouth closed. Perform three approaches: first, low low, then - at a medium volume, and finally - very loudly.

Growl

Raise your relaxed tongue to the palate and begin to pronounce the sound “r”. It should turn out “rrrr”, like a tractor. Repeat the exercise three times, and then expressively read a dozen words that have the sound "r". Be sure to accompany the reading with a rolling "r".

Chaliapin's exercise for tuning the voice

The great Russian singer Fyodor Chaliapin also began every morning with a growl. But he did not do it alone, but together with his bulldog. After training the sound “r”, Fedor Ivanovich began to bark at his pet: “av-av-av”.

You can repeat Chaliapin's exercise or, if you can't relax your larynx, replace it with villainous theatrical laughter. This is done simply. With your mouth open on the exhale, you laugh angrily: "ah-ah-ah-ah-ha-ha-ha-ha-ah-ah-ah-ah." The sound should come out easily and freely. At the same time, you can jump and beat yourself in the chest with your hands. This exercise will instantly clear the voice and prepare it for work.

Important to remember

When performing all exercises, you need to maintain the correct one. The stomach should be relaxed, and the chest should protrude forward. However, if you keep your back straight, these areas of the body will automatically take the correct position.

Hello dear friends!

Many of us love to sing or would like to learn this skill of sirens. A correctly delivered voice is fascinating, the notes are intoxicating and have a colossal radiance and temperament of the owner.

Of course, not everyone has enough confidence in own forces to go to the vocal teacher. Many are held back by a lack of time, a thought that often occurs to men: “what will people think?” and of course the biting, financial component of this issue.

That is why we hone our skills wherever necessary: in the bathroom, in karaoke, at a corporate party, duet with a cat or with friends in the kitchen. But how to train vocal cords at home? Without harm to health and getting at the same time not a small profit?

Exercises for warming up and pumping "voice muscles" can and should be performed at home, having previously decided on the mission. Do you want to become a professional performer and dedicate everything to this craft? free time? This is one path vector.

In the case when you want to shine at parties, performing famous hits, noticing the audience's jaws dropping with delight, this is a completely different way of development. But what unites these similar ways of becoming is the approach to the upcoming work, desire, and the systematic implementation of exercises.

People who did not understand the essence of how it works?» initially may experience discomfort or unusual sensations in the throat area. There is no need to be afraid of this, but it is necessary to approach the beginning of your experience as an expert in the field of theory and, directly, practice immediately.

Learning to sing beautifully instantly is impossible. I'm not talking now about innate and inhuman abilities. I would like to give an example of an average person taking vocal lessons.

First, most likely as a child, he personally or his parents noticed a tendency to sing along to cartoon songs and hit the notes well. Then followed the path to the teacher, checking the child for hearing, "introductory" test for suitability and the beginning of education with a perspective.

Secondly, many people who are already listening to the finished product on the radio, the file posted on the Internet, forget about the preliminary work. And also about the efforts made by the performer and the methods that made it possible to understand the basics of mastery and put them into practice.

The benefits of training

How to put a vote? - You ask. I will answer this way: even if you do not see yourself as an opera singer in five years or a superstar on a big stage, rehearsals can improve your speech technique. Organically pure speech, without clearly expressed flaws and the habit of muttering under your breath, is extremely important, both in the working field and in everyday, everyday affairs.

So that you can speak clearly and distinctly, as well as have a sonorous and pleasant voice, you need to resort to articulation training. What does it mean?

Located in the oral cavity a large number of muscles that provide high-quality sound extraction from the upper and lower registers with the help of ligaments and messages. And since these are muscles, they certainly need development and load!

To warm up your speech apparatus in a short time, I will advise you to apply these proven exercises. The time that should be allocated for working through each of them should not be less than 2-3 minutes. Remember important rule. Your body position should always be vertical! Sitting, lying, upside down - bad option, due to blocking access to the diaphragm and poor quality air intake.

And one more feature. Strive to take the air bottom the abdomen, and at the moment of its delivery - to strain the muscles of the process, following the example of "pushing out".

Exercises

Before you begin to extract the sound from your throat, I will mention the need to do it alone in the beginning, so that no one interferes with you to fully surrender to the process.
So, imagine the process of rinsing your mouth. Only instead of tilting your head up and taking a mouthful of water, you need to slowly turn your head from left to right with a characteristic, resonating sound.
Deep breath-pause-breath-hold. With closed lips, you need to open your jaws and slightly round your mouth, as if you are going to say the letter "o and m."
As a result, you should have a lowing sound and at the same time, you need to do a slight palpation of the nostrils and the maxillary sinus zone (barely perceptible tapping)
Similar to the second, but instead of tapping on the nostrils, perform a manipulation on the nasolabial wrinkles (facial).
Pronounce the sound “would-would-would-be”, as you exhale. With the second time, add a palpation of the upper lip.
Pronouncing the sound "we-we-we-we-we" or "se-se-se-se-se". With the second approach, add the palpation of the lower lip.
Take a deep breath through your mouth. Prepare the fist for light tapping of the chest from left to right, while chanting the sound “aaa-oooh-uuu” in the lower register.
The sound should be even, slightly quieter than usual, since the lower notes are used. Don't be in a hurry to run out of air. Do the exercise smoothly.

What to exclude?

For singing, it is very helpful to use food taboos before starting a rehearsal, working through exercises, or performing in public.

Namely, it is worth refusing:

Instead, I will recommend chilled, non-sweet herbal teas, as well as clean water room temperature. Sometimes adding a teaspoon of honey to it is helpful.

In our modern world, it is not necessary to have a live instrument at home, you just need to download the application or install the program with ready-made blanks for playing.

As for what's important. The music industry is full of obscure terms and names that you have to deal with.

AT human body There are 3 types of resonators with which we extract sound:

chest (lungs, bronchi and trachea);
head (mouth and nasopharynx);
central (larynx).

The main problem for people who have just started working with sound is that they use only the head resonator.

Try to sing and speak using your sternum. The sound will turn out to be more voluminous and holistic.

Again, without preheating, it is absolutely impossible to perform these manipulations. Since nodules can form on the ligaments, dangerous for further activities. Not a frugal approach to the voice will provide you with a trip to the phoniatrist.

Friends, be healthy and explore new horizons and fields.

I sincerely wish you victories! Subscribe to update my blog and recommend it to your friends for reading. In the comments, tell us about your proven ways to train your vocal cords.

See you on the blog, bye bye!

Before training, you should always warm up the muscles, and the vocal cords are no exception. For the long-term health of your vocal cords, it's good to chant before singing or performing. There are several exercises that will help you with this. If you are scheduled to perform, then to avoid fatigue and possible damage to the vocal cords, do 10-minute chanting several times throughout the day. Most vocal warm-ups involve performing different sounds voice, but also exercises that warm up the lungs, lips, tongue, and body so you are relaxed and ready to sing.

Steps

Part 1

Warming up the body

Open your throat. One of the first and most simple ways warm up the body before singing - open the throat and diaphragm with the help of yawning. To force yourself to yawn, think about it, or just watch a video of someone yawning.

Repeat the yawning procedure 2-3 times to fully open the throat and diaphragm.

Engage your core muscles. The use of the abdominal muscles and the correct delivery of sound by the body are very important when you sing. To engage the muscles you are supposed to use, make a light cough. Pay attention to exactly which muscles are involved in this action, as these are the muscles that you should use when singing.
- The core muscles also include the psoas, pelvic floor muscles, and diaphragm, among others. Engage these muscles as you sing, so you can fully develop your voice.
Relax your neck and shoulders. The body must be relaxed while singing so that the muscles and body are not tense, especially when playing high notes. To relax upper part body, simply raise your shoulders to your ears, hold them in this position for five seconds, and then relax. Repeat the exercise 4-5 times.
- The voice should always come from the diaphragm, but sometimes in order to hit high notes, people use other parts of the body instead of the stomach. It is not right.
- To avoid this mistake, keep your neck and shoulders relaxed as you sing along, especially before hitting high notes.
Do breathing exercises. Since breathing is a kind of mechanism that creates the voice, before singing it is very important to also make a few breathing exercises. You can do the following two exercises:
- Relax your shoulders and chest, take a deep breath, while the stomach slightly rises. Then exhale slowly. Continue breathing in this rhythm for another two minutes.
- Inhale as before, but exhale more slowly, creating a hissing sound as you do so. Repeat for one minute.
Release tension in your jaw. Tension in your jaw and mouth can also affect your singing, so relax as much as possible before singing. this part. To relieve tension, do the following:

Part 2

Vocal warm-up exercises

Buzz. Begin by making a buzzing sound with the lower throat as you exhale. Repeat this exercise up to ten times, then repeat the same thing, but with your mouth open, creating the sound "aaaa."

Buzz do-re-mi. Once you've done the basic chanting, start warming up your voice by changing the pitch by chanting do-re-mi up and down. Start low and once you've completed the first set up and down the scale, move up to a higher pitch and repeat.

Warm up your lips. Perform special exercises for the lips (reminiscent of buzzing or grumbling), which warm up not only the lips, but also the voice. To perform this exercise, you need to loosely close your lips, puff them out slightly and just exhale the air (for this, just imagine the sound of a motor or snorting). Do this exercise on two more exhales, and then do three or four more lip exercises, starting to slowly shake your head from side to side.

Repeat this exercise with your lips and head, creating a "b" sound as you do this, doing a kind of vocal warm-up from the highest pitch to the lowest, and vice versa.

Practice the so-called siren song. Pronounce the nasal sound [ŋ] (similar to the English nasal consonant). Keep practicing this sound for three to five keys. Each time you reach the highest and lowest notes, try to take the note even higher or lower, expanding your range.
Practice your speech with tongue twisters in different keys. Tongue Twisters - good practice articulations, and if you pronounce them in different keys and volumes, they are a great way to warm up before singing. Among good tongue twisters worth trying are the following:
- Sasha walked along the highway and sucked dry.
- White sheep beat the drums.
- Peter baked cookies in the oven, and baked all the pastries.
- Beavers wander into the cheeses of the forests. Beavers are brave, but kind to beavers.
- The water carrier was carrying water from under the water supply.
- Have you watered the lily? Have you seen Lydia? They watered the lily, saw Lydia.
- A crab made a rake to a crab, gave a rake to a crab - rob gravel with a rake, crab.
- Eagle on the mountain, feather on the eagle. Mountain under an eagle, an eagle under a feather.

Part 3

advanced warm-up techniques

Hold a long note. Sometimes in a song it is necessary that the singer long time held the note, and if you are not ready for this or do not have the necessary technique, you most likely will not be able to fully sustain the note as required. To practice this technique:
- Practice maintaining a constant airflow while singing.
- All muscles should be relaxed.
- While singing, keep all resonating cavities (throat, mouth, nose, chest, etc.) open.
- Choose a song with high notes and practice playing it in parts until you can play every part of that song as well as you can.
- Try playing the song without words first, instead playing a single sound to go through all the keys. Once you've mastered this exercise, you can play the entire song, with the words and everything.
Practice hitting low notes. Playing a song at low notes can be just as difficult, because at low notes you can easily lose control of the sound, as your vocal cords relax when you lower the pitch.
- To control low notes, it is necessary to keep the throat relaxed and maintain the resonance of the voice in the facial area.
- If you can't feel the power of your voice in your face when playing low notes, move your head from side to side to open your throat and try again.
- Don't worry if the volume of your voice drops when you play low notes, as they can't be played at high volumes. Instead of raising the volume of your voice, focus on maintaining the tone and clarity of the note.

From how clean and confident the singer performs musical works depends on his success in front of the public. Professionals know that chants are important for vocalists both before performing on stage and during daily practice.

Careful attitude to the singing organ helps to build up skills, to perform complex parts professionally. Vocal chants not only make the vocal folds elastic, but also increase blood flow to the larynx, lungs, lips, and tongue. The desire to improve professional skills obliges the performer to carry out systematic work with a fragile voice instrument.

Athletes before the competition train their muscles for their mobility and elasticity, vocal chants perform the same role. Prepared vocal folds are obedient, easier to control, and protect muscles and ligaments from injury.

range extensions;
development of musical ear;
voice control in coordination with auditory capabilities;
formation of singing skills.

Many reach high altitudes in creativity, performing vocal chants daily.

General rules for voice exercises

It is difficult for inexperienced performers to master a wide range, so they start the lesson using vocal chants on one note. Gradually increase the interval to a fifth, and only at the end of the warm-up do they switch to performing an octave range or more.

A certain cycle, the duration of classes is determined by the tasks assigned to the performer, and at first the exercises take more time.

What inexperienced vocalists need to know

Not a single teacher will recommend beginners to intensively perform vocal chants, to achieve success in solving complex and sometimes impossible tasks. First, they are offered exercises for two or three notes located side by side. It is possible to achieve good performance technique only by consistent, well-organized lessons.

All vocal chants are combined one by one general principle. The tonality corresponding to the abilities of the student is chosen. Each time they raise a short musical phrase a semitone higher until the limit of possibilities comes, after which they perform vocal chants according to chromatism in reverse order.

Warm-ups for vocalists with high and low voices are practically the same. In all cases, the warm-up begins with the middle notes of the performer's range. For the coloratura soprano, vocal chants are selected, aimed at training mobility, lightness of sound. For low range - slow tempo with emphasis on cantilena.

How to work with children

Careful attitude to the singing apparatus in childhood - the main task teachers. Developing organs are easy to injure, they require special attention, and adolescents need to revise the cycle of classes during the breaking of the voice.

But vocal chants do not differ from the work of adults, and in order to keep the attention of children, they are offered comic texts and other entertaining techniques are used.

Learn to breathe properly

For beginners, vocal chants are not complete without breathing training. An important step in the pursuit of singing skills for some performers at first seems like a funny moment.

Not everyone understands at first that correct breathing depends on the success of the performer. Many people make the mistake of basing their voice training on chest breathing. Such a performance leads to the end of the singer's career, barely begun.

There are not only chants for beginners, but also special breathing exercises. One of them is performed with an even posture, with lowered shoulders.

Hands are laid on the stomach, slowly inhale air through the nose, slowly exhale.
There should be a sense of tension in the press.
Perform 8-10 repetitions, and during the day control yourself until the habit of breathing correctly is developed.

Standard exercises

The question is often asked whether chanting for a choir is different from individual voice training. Professionals use the same tasks for warming up with the only difference - when working with a team, template rules are followed, and private lessons are conducted taking into account specific goals.

Classes begin with training on medium notes, which do not provoke excessive tension of the ligaments and muscles. Such vocal chants are aimed at strengthening the respiratory support. During the lesson, the muscle tissues are “warmed up”, and the teacher monitors the correctness of sound formation.
After warming up the vocal apparatus, they work out tasks for developing good skills, expanding the range. It is proposed to perform vocal chants within one octave, when sounds pass smoothly between steps with intelligible speech turns. Gradually, a clear diction is formed. Each tutor is armed with his own tactics, but all teachers take into account the characteristics of the student.
The final stage is carried out with the aim of mastering the skills of performing leaps, jerky sound, and various decorations. Such vocal chants are within the power of singers who have mastered the initial exercises.

Sample exercise

Teachers often start with a warm-up, closing their lips. They extract a sound in semitones, similar to lowing, but the teeth must be unclenched. The exercise continues to be performed, pronouncing "ma, me, mi, mo, mu" until maximum height. Then they repeat, holding the breath on one key, then half a tone higher and so on to the limit, continue in the reverse order. It is useful to change the alternation of syllables (mi, me, ma, mo, mu).

Exercise "Metro"

With a smooth slide up the chromatic scale and back, they sing “do-o-o, de-e-e, di-i-i, do-o-o, doo-o-o-o-o” and “bra, bre, brie bro, bru. Methodical reception helps expand the performer's range.

Reception "staccato"

Intermittent singing on the syllable "le-o-o-o" is performed from the I degree of the scale to the V upwards and in the reverse order, each time increasing the key by half a tone. The exercise resembles a contagiously laughing person.

Often, teachers in the process of classes use vocal chants, combined with certain bodily movements. Such methods allow you to release the voice apparatus, to master the coordination necessary for the performance of vocal numbers.

There are many manuals where effective methods of past years are selected, new interesting developments to overcome professional difficulties. Conquering the heights of mastery using the centuries-old experience of predecessors is the main condition for creative success!

The first part of the article - theoretical - is unlikely to be of interest to professionals, they already know everything very well. Go straight to the notes of the chants, scroll down below!
Beginners the theoretical part is obligatory for studying!

Chanting before singing has three main functions.

1. Singing - like a warm-up before training. Before starting a workout, we prepare the body for it, tone it, warm up the muscles so that they are elastic and can stretch safely, so that the movements become more controllable: all this is done in order to avoid injuries. Chanting before singing has exactly the same purpose. In body vocal folds there are muscles that are called so - musculis vocalis. It is they who need to be warmed up before the main lesson, the main vocal work. Warmed vocal cords are much better and more pleasantly controlled, they are more obedient. And by singing, we largely protect the vocal apparatus from any injury.

2. is a set of vocal exercises. These vocal exercises not only warm up the muscles and vocal apparatus, but can also solve various vocal tasks. The first and main such task is to expand the range. High and low notes can and should be approached only sequentially. On vocal exercises, the tasks of developing musical ear, coordination between hearing and voice can be solved. Vocal exercises perfectly form the basic vocal skills, starting with the cantilena and ending with the evenness of the range, allow you to work out various strokes and techniques. Skills gained in vocal exercises are then used in singing works.

3. Singing allows the singer to tune in, focus, concentrate, get involved in the process, get "on the right wave", prepare psychologically for the lesson: forget about problems and deeds, put your head in order :)

Basic rules for chanting

You can not start singing high notes without first singing, without warming up the ligament.
Chanting starts from the primary zone - from the middle of your range.
First, they go up the chromatic scale, then, without waiting for extremely high notes, which the singer simply cannot take, they go down.
As a rule, the exercises at the beginning of the chant have a small range: you can start with chants on one note or in the range of thirds, then move on to vocal exercises in the range of fifths, and at the end of the chant, reach exercises in the range of an octave or more. All this depends on the level of professionalism of the singer. A beginner is unlikely to cope with octave exercises even at the end of chanting.
The duration and the set of exercises for chanting is determined, of course, based on specific tasks. At the initial stages of training, vocal exercises can be a fairly significant part of a vocal lesson.
If you start to sing, and you hear that your voice "doesn't sound somehow" today, sing more consistently, more accurately, in a more gentle mode and take more time than usual to chant.
It makes no sense to sing softly and not in full voice, since in this mode your ligaments will not warm up. If it is necessary to sing, but it is absolutely impossible to make loud sounds due to some circumstances, you can sing with your mouth closed (this is not so effective, but it can sometimes come in handy as a way out). When singing, you need to sing in a full voice, but you must also avoid forced sound (on purpose, extremely loud and already ugly), as well as a hard sound attack (a sharp accented beginning of a note) and a transition to a cry.
Is it necessary to change the exercises in each chant? Not at all. You can sing on the same favorite and comfortable exercises. And you can change, alternate chants in order to solve the necessary tasks.

Is the chant for a high voice different from the chant for a low voice?

Essentially no. You can use the same chants. In any case, chanting should start from the center, from the middle of the singer's vocal range. Chanting for different singing voices may differ only on the basis of specific tasks. For example, for a lyric-coloratura soprano, a significant place in singing should be occupied by exercises in fast pace aimed at developing the ease and mobility of the voice. For low voices more relevant is the work on ductility, cantilena - these tasks are being solved at a slow pace.

Chants for children

Vocal work with children implies an even more gentle attitude to the vocal apparatus. It is also necessary to correct it during the mutational period. As for the chants for children, you can use all the same vocal exercises as when working with adults, diluting them, if necessary, with exercises with comic, children's texts.

Chanting for beginners

In this case, exercises of a small range are used: chanting on one note, on two or three adjacent notes, at the end of chanting, exercises can capture a fifth, but do not imply solving complex technical problems. Avoid long duration and high intensity classes. It's not the quantity that matters, but the quality! Not a single adequate vocal teacher will recommend self-development of voice. You need professional supervision.

Singing for vocalists

Does it differ from chants for choir ? Hardly ever. You can safely use the same exercises. The only difference is that the work in the choir is more standardized, and in vocals, the chants are selected more individually in order to solve specific, individual tasks for a person.

I will comment on one stable but incorrect expression.

chant for voice . chants not for voice... can not be. Probably because it is the voice that we use to sing, and nothing else! Therefore, "chanting for the voice" is an absolutely illiterate expression, do not use it!

Chants - notes

First I post notes, and below - comments.
I made the numbering for convenience - if you discuss with someone, the numbering will come in handy. Or you can agree with the student that next time you work with exercises under such and such numbers.
In general, I tried to put the exercises in order from simpler to more complex, but everything is individual: one singer can easily do what is difficult for the majority, and vice versa, some simple things can not work out.

For beginners, I focus on the fact that the chants gradually, with a step of a small second, that is, with a shift of half a tone, move up and then down.

"Mi-me-ma-mo-mu". One of my favorite beginner chants. Vowels are arranged sequentially from close and light to deep and dark. It is convenient, if necessary, to work out individual vowels - their form. On the initial stage the exercise helps to explain the concepts of legato and cantilena, very convenient for beginners and the fact that it is built on just one note.
Main tasks: lead to the last note, sing not 5 notes separately, but a whole phrase. Sing through the consonants, pronouncing "m" very quickly and softly, fill each vowel with voice, sound.
Some teachers use a more complicated version: "bri-bre-bra-bro-bru".

The range of thirds, which is convenient to start singing. The vowel "and" is often used in chants, because it "gets out" the sound, makes it brighter. But if "and" is the main vowel in the exercise, still make sure that it does not sound too harsh and flat. Do not "load" the last note, substitute it carefully.

A slightly more complicated version of the previous chant. On the second note, increase the yawn! Do not separate notes from each other.

Comfortable chanting that produces cantilena. In this vocal exercise, I often explain the concept of a yawn, in which case "A" is sung. If the student sings timidly and not in a full voice, I ask you to make his crescendo on the first note: “Form the first note correctly: you must open your mouth, make a yawn, you can take the first note carefully, and if you feel that everything is in order, that you took the note convenient, make a crescendo in it, so that at the end of this long note you sing already in full voice, sing as loudly as possible!
Do not forget to make sure that the lower notes do not sound rough and heavy.

5)
This chant in vocal terms is only a complication of the exercise, which is published above. Here a higher second note is added, followed by a downward movement as well. The tasks, respectively, remain the same, plus the task is added to increase both the volume and the yawn on the second note. You don't need to reshape the second note, just enlarge the shape you made for the first.

Similarly here: even when singing with a closed mouth, the shape of the second note should be different from the shape of the first note.

Pretty comfortable fit. Well and softly say "l" at the beginning, then instantly open your mouth, freely and quickly lowering lower jaw. Short breath in the place marked with a comma. The last "le-o-o" is tenuto, not staccato.

Sing actively and you will feel the movement of the diaphragm. Before each sixteenth note, it is convenient to make a small pause.

This fast-tempo chant not only warms up the chords well, but is also great for expanding the range. On the top note, make sure that the jaw instantly "falls" down, on the top notes this is especially important.

10)

I use this exercise primarily for working with the larynx: on the first lower note, you need to lower the larynx, and then leave it in the same position. Complicated version: all the same without a pause.

11)

Convenient exercise. Take a fast pace, try to make a kind of wave first to the top note, then from it, that is, to sing with one movement up, one movement down. Don't forget to add volume before the top note. Do not tear the notes apart, especially the top. Syllables can easily be changed.

12)

A vocal lightness exercise that can be used to develop range. All notes except the last one are played staccato. The staccato should be quite active - in this case, you will feel the movement of the diaphragm.

13)

Sing hard enough and you will feel the movement of the diaphragm.

14)

The exercise that develops the cantilena is complicated by the presence of different vowels.

15)

Another exercise that develops lightness. Pay attention to the alternation of strokes.

16)

At different paces can be used to achieve different tasks. If you sing at a slow pace, cantilena will be produced. If in a very fast - mobility. At fast tempos, be especially careful to avoid gliding in sixteenths (gliding when specific notes are no longer clear, only the general direction of the melody is clear). The penultimate - lower - note - in any case, sing carefully, without changing the vocal position.

A complication of several previous chants. Also avoid glissando in sixteenths - every note should be clear in this fluent movement.

18)

Active elastic staccato, only the last note can be pulled. All attention to the top note, in front of it you need to make a yawn and try to lean it on your breath. The exercise sings well on the upper notes, helping to expand the range.

19)

In this vocal exercise, it is convenient to feel the "heaviness" of the top note and put it on your breath. If you use this chant in a choir, you need to pay attention to the exaggeration of the letter "r" - every time, in every "brravo". In solo singing, it is enough just to pronounce the “r” clearly, clearly.

Quite a difficult vocal exercise. Promotes the production of cantilena, leveling the range. Form and well, sing the first note to your heart's content, try not to tear off or accentuate the top note. Sing on "A" or "O". Descending eighths can be sung rubato (in this case slightly faster).

Basically the same exercise. In the middle, you can calmly take a breath.

Difficult vocal exercise. The first part is played legato, the second part is staccato, only the last note is drawn. Note the wide decimal range.

Enough difficult exercise. Pay Special attention on the intonation of the tonic sixth chord in a downward movement - students will most likely have a falseness there.

For a professional with a light bright voice it will be convenient, for a beginner - perhaps unrealistic.

A very difficult vocal exercise, and it is difficult, first of all, for intonation (that is, in the first measure, where we see a staccato stroke, it is quite difficult to hit all the notes clearly and cleanly). Perfectly develops both ear for music and coordination between voice and ear. The pace is fast.

I must say, these are not all the chants that I use. Some I make up as I go, especially on individual lessons vocals (when a decision is needed individual tasks). This section presents more generally accepted, "classic" vocal exercises that have stood the test of time. Basically they are arranged from simple to complex.

In fact, chants are easy to come up with on your own. Choose the range you need. Take a vowel that needs to be worked out if there is such a task, and if it is not worth it, use the vowels "a" or "o". You can use some text like "Roses in the Garden", "I sing, I sing well", if there is no text, you can use syllables, sonorant consonants are especially convenient and "vocal", syllables starting with "m" are very often used: " ma", "mi". And compose an elementary motive. Most chants are based on the movement from top to bottom, chants with movement from bottom to top and back are not uncommon, but chants with exclusively upward movement are rarely used.

There is one more interesting feature- in 99% of cases, the chants have a major key!;))) Well, why be sad? We must enjoy life and the opportunity to sing!!!