A short message about Valery Yakovlevich Bryusov. Bryusov Valery Yakovlevich, biography, life story, creativity, writers, life history

Valery Yakovlevich Bryusov- Russian poet, prose writer, playwright and historian. One of the founders of Russian symbolism.

Was born December 1 (13 n.s.) 1873 years in Moscow in a merchant family.
Studied at Moscow private gymnasium F. Kreiman, then moved to the gymnasium famous teacher L. Polivanova. Already at the age of thirteen, Bryusov decided to become a writer. The interests of the high school student Bryusov are literature, history, philosophy, and astronomy.

In 1892 he entered Moscow University at the history department of the historical and philological faculty, he studied in depth history, philosophy, literature, art, languages (ancient and modern).
At the end of 1892, young Bryusov became acquainted with the poetry of French symbolism - Verlaine, Rambaud, Malarme - which had a great influence on his further work.

In 1894 - 1895 he compiled small collections “Russian Symbolists”, most of which was written by Bryusov himself.

In 1895 Bryusov published the book “Masterpieces”, in 1897 - the book “This is Me” about the world of subjectively decadent experiences that proclaimed egocentrism.

In 1899, after graduating from university, he completely devoted himself to literary activity. For two years he worked as secretary of the editorial board of the Russian Archive magazine. After the organization of the Scorpion publishing house, which began to publish “ new literature"(works of modernists), Bryusov accepted Active participation in the organization of almanacs and the magazine “Scales” (1904 - 1909), the best magazine of Russian symbolism.

In 1897, Bryusov married Joanna Runt. She was the poet's companion and closest assistant until his death.

In 1900, the book “The Third Watch” was published, after which Bryusov received recognition as a great poet. In 1903 he published the book “To the City and the World”, in 1906 - “Wreath” - his best poetry books.

Then the books “All the Tunes” (1909), “Mirror of Shadows” (1912) appear.

During the First World War, Bryusov was at the front as a correspondent for one of the St. Petersburg newspapers, writing patriotic poems, but soon returned from the front, realizing the senselessness of this war for Russia.

He writes sonnets, publishes a collection of “Experiments,” and works on the grandiose work “Dreams of Humanity.” Then, in the biography of Valery Bryusov, the stage of work on Armenian culture begins. He publishes the collection “Poetry of Armenia” (1916), the work “Chronicle historical destinies Armenian people", articles.

His poetic creativity was also very intense and productive: in the early 20s, he published five books of new poems, among which the best is “On Such Days” (1921).
Known as an outstanding translator, special place occupied by translations of Armenian poetry and poems by Verhaeren. Bryusov did a lot in the study of the Russian language, made a significant contribution to the study of the works of Pushkin, Fet, Gogol, Blok and others. Soviet time at Moscow University he gave courses of lectures on ancient and modern Russian literature, on the theory of verse and Latin language, history of mathematics, led seminars on history Ancient East and others. M. Gorky called Bryusov “the most cultural writer in Rus'.”

Valery Bryusov is such a multifaceted personality that it is difficult to find an area of literary activity in which his bright and unique mark would not remain. Bryusov tried his hand at poetry, prose, drama, criticism, publishing, studied the history of literature, acted as a translator and war correspondent, was the director literary circle, professor and rector of the institute. And he managed all this in his not so long life at fifty years old.

In the Moscow merchant family, where Valery was born on December 1 (13), 1873, a peculiar atmosphere reigned. The Bryusovs sympathized with the ideas of populism, so religious literature and even fairy tales were strictly prohibited in the house. The future writer later recalled that instead of children's books, he learned Darwin's theory and was well versed in other natural sciences. As for poetry, the father allowed the boy to read only the poems of Nekrasov.

Valery received classical education. From 1885, he studied at the Kreiman gymnasium, and five years later, due to his atheistic views, he transferred to the Polivanov gymnasium. After this is over educational institution Bryusov entered the Faculty of History and Philology of Moscow University.

Valery with early childhood I enthusiastically read all the books in the house, and at the age of eight I began to write myself. The first literary experiments were poetry, later they appeared prose works. Bryusov wrote up piles of paper, trying himself in different poetic forms and prose genres. Already at the age of thirteen, he decided that he would devote himself to writing.

Young Bryusov became passionately interested in French symbolists. While still a student, he published three collections of poetry, “Russian Symbolists,” and then his own books, “Masterpieces” and “This Is Me.” Ruthless critics and representatives of the literary community took up arms against the young poet. They did not like Bryusov’s egocentrism and increased conceit against the background of his obvious imitation of Paul Verlaine and Arthur Rimbaud. But several scandalous poems, among which it is especially worth highlighting the shocking monostich without punctuation marks “O close your pale legs,” played a positive role - they started talking about Bryusov. Today such success would be called a successful PR campaign.

After graduating from university, Valery Bryusov began publishing. He took part in the organization of the Scorpio publishing house, created the Northern Flowers almanac, and edited the Libra magazine, which became the central printed organ of the Symbolists.

Literary creativity also continued to occupy important place in the life of Bryusov. In the first year of the new century, the poet published the collection “The Third Watch,” which brought him wide fame. And the collections “To the City and the World”, “Wreath” and “All Tunes” that appeared over the next ten years became the pinnacle poetic skill Valeria Bryusova. The most significant works in prose - historical novels"Fire Angel" and "Altar of Victory".

Valery Bryusov's lyrics are dominated by images of mythology, world history and culture, as well as urban motifs - a symbol of modern civilization. Critics consider him the founder of urban motifs in literature, as well as the founder of Russian symbolism.

Bryusov the intellectual clearly felt and boldly reflected in his works the trends of the difficult time in which he had to live. The poet had a contradictory attitude towards the revolutionary sentiments of 1905 and 1917. On the one hand, he welcomed the freedom of every person and his liberation from the shackles of autocracy, but he understood that revolutionary element- This destructive force, in the fire of which the “coming Huns” will destroy many spiritual values.

By 1913, a crisis had emerged in Bryusov’s life and work, but the outbreak of the First World War gave a new impetus to his imagination. On a wave of patriotism, the poet went to the front as a war correspondent. Valery Bryusov quickly and energetically joined the realities of the new post-revolutionary system, and in 1919 he joined the Bolshevik Party. The writer paid a lot of attention to organizational work in various positions in the People's Commissariat for Education, the Union of Poets, gave lectures at Moscow State University, organized and headed the literary and artistic institute.

Unfortunately, life path the poet was suddenly cut short by illness. This happened in the first year after Bryusov’s fiftieth birthday, which was solemnly celebrated at the Bolshoi Theater.

Bryusov was a true experimenter and achieved incredible technical sophistication. He looked for unusual images, rhymes, created poems of all shapes and sizes, stylized them to resemble antiquity and different poetic manners, selected lines in which each word began with the same letter. The poet was always seething with “an excess of new rhymes and new words,” daring, exotic, expressive.

In his work, Valery Yakovlevich Bryusov sang the great destiny of the human creator, always striving to “go towards perfection”, “illuminate ever new distances of our spirit, increase the area of the soul.”

Valery Bryusov - Russian poet, prose writer, playwright, translator, literary critic, literary critic and historian. He is also one of the founders of Russian symbolism.

Personal life

Having reached the age of 23, the young guy married Joanna Runt, with whom he lived until his death. There were no children in the family.

By nature, Bryusov was very collected, purposeful and strong-willed person. However, at the same time he showed weakness towards gambling, night restaurants, erotica, etc.

His first three collections were called “Russian Symbolists”. They contained translations of some French symbolists, as well as poems by novice poets.

The next collections were “This is Me”, “Romances Without Words” and “Masterpieces”.

Soon, collections of poems “The Third Watch”, “Wreath”, and “All Tunes” appeared from his pen.

Bryusov's poems are full of historical, mythological and abstract subjects. They contain love, politics, philosophy and private human problems.

An interesting fact is that his work influenced such poets as Sergei Solovyov and Andrei Bely.

The poet never settled on one thing and constantly experimented with style.

For example, in his later work the ideas of urbanism were traced when it came to large and highly developed cities.

Literary environment

At the end of the 90s, Bryusov met such famous writers as Gippius, Minsky, Sologub and others.

In 1899, he was the head of the Scorpio book publishing house, which published works by figures of the “new art”.

The next place of work in Bryusov’s biography was the magazine “Libra”, where he was editor-in-chief.

Reaching the top writing skills, Bryusov became one of the most prominent figures in Russian literature. He was called the "Emperor of Symbolism."

In 1909, the magazine “Scales” was closed, as a result of which Valery Bryusov began working in the criticism department of the publication “Russian Thought”.

There he published his own and other people's works written in the style of symbolism, the purpose of which was to destroy the isolation of the symbolic school in literature.

Historical novels and concepts

She has always occupied one of the central places in Bryusov’s biography. He tried to give objective assessment any events taking place both in Russia and abroad.

He perceived the revolution of 1905 as the inevitable destruction of the culture of the past. At the same time, he did not deny the possibility of his own death, since he was part of the old world (see the verse “The Coming Huns”).

Over time, Bryusov lost interest in political events. Instead, he began to actively study the patterns of historical processes.

In his works “Altar of Victory” and “Fire Angel” he described in detail different eras, trying to show the crisis state of the world through historical analogies.

At the beginning of the First World War, the poet was a promoter of patriotism. However, working as a war correspondent and seeing firsthand all the horrors of war, he reconsidered his views.

Translation activities

In 1898, Bryusov met Bartenev, who was the editor-in-chief of the Russian Archive magazine.

As a result, friendly relations began between them, and soon Valery Yakovlevich began working in his publication.

Almost everything work time he was engaged in translations, and every year his translations became more and more qualitative and detailed.

After the revolution

After the October Revolution, of which he was the main organizer, Bryusov accepted the power of the Bolsheviks.

At the same time, serious changes occurred in his biography.

He became the head of the Press Registration Committee. Soon he was entrusted with the position of chairman of the presidium of the Union of Poets.

In 1919, Valery Yakovlevich became a member of the Russian Communist Party, and a year later he founded a literary and artistic university.

He lectured to students and also continued to publish articles aimed at the development of literature.

In his collection “Dreams of Humanity,” Bryusov published works by Armenian and Latin poets, as well as Japanese tanka.

He seriously thought about the problems of poetry, after which he wrote a work in which he examined this topic in detail.

Last verses

IN last years Bryusov never stopped experimenting with different styles writing poetry.

An interesting fact is that his latest works contain scientific poetry, the founder of which was French poet Gilem.

Similar poems include “Reality”, “World of N Dimensions” and “World of Electron”.

Many of Valery Bryusov's contemporaries did not understand his works because of their excessive complexity. However, this once again spoke of his talent and the existence of unique methods of versification.

Bryusov's legacy

During his biography, Bryusov wrote not only many poems of symbolism. He also gained fame as an excellent translator of English, French, German, Italian and ancient poets.

In addition, he managed to write whole line critical articles that help to better understand the quality of certain works.

Bryusov left a deep mark on Russian literary criticism, and also became the author of new forms of poetry.

Death

Valery Yakovlevich Bryusov died on October 9, 1924 at the age of 50. The cause of his death was pneumonia. The grave of the great symbolist poet is located at the Novodevichy cemetery.

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I was born on December 1st (old style) 1873 in Moscow. His paternal grandfather was a serf peasant in the Kostroma province. My father was born (in 1848) also a serf. Later, my grandfather received “freedom” and took up trade; he was a merchant and quite successful. My father did not inherit these abilities; after the death of his grandfather, he was forced to give up trading and join the class of burghers. Maternal grandfather, A. Ya. Bakulin, was a Lebedyansky tradesman; Being self-taught, he became interested in literature, wrote and partly published poems (especially fables) and stories.

In the 60s, my father, who had previously only learned to read and write from a sexton, succumbed to general movement and actively engaged in self-education; At one time he was a volunteer student at the Petrovsky Academy. In those same years, my father became close to the circles of the then revolutionaries, to whose ideas he remained faithful until the end of his life. By the way, in the 70s my father was close to N.A. Morozov, the future Shlisselburger, whose image I remember from the days of my early childhood. Portraits of Chernyshevsky and Pisarev constantly hung above my father’s desk. I was raised, so to speak, “from the cradle” in the principles of materialism and atheism.

I studied first in private gymnasiums in Moscow (for those were the years, during the life of my grandfather, of the greatest wealth of our family), then at Moscow University, the course of which was Historical Department He graduated from the Faculty of History and Philology in 1899. Of the professors, I remember with gratitude F. E. Korsh, with whom I remained acquainted later. However, I gained more knowledge than at school from independent reading. Having learned to read when I was 3 years old, I have been devouring books continuously ever since. Even before entering the gymnasium, I read great amount both purely literary and scientific; especially interested natural sciences and astronomy. In the gymnasium I was most interested in mathematical sciences, is a passion that remains with me to this day. At the university I studied the history of philosophy a lot.

I also started writing very early, as a child, composing (still in block letters) poems, stories and scientific articles. My lines (some article on sports issues) were first published back in the 80s; poems - in the early 90s. I began to publish my works more regularly after 1894, when the first small “collection of my poems” appeared. After that, every year I published at least a book, sometimes two or three, so that by now all the books appeared with my name, there are (counting reissues) about 80 or even more (some were not included in printed lists, and I don’t remember them). These books include collections of poetry, collections of short stories, dramas, novels, Scientific research, collections of articles and a long series of translations in poetry and prose.

I have written much more than was collected in books. Since the late 90s, I began to collaborate in various magazines and newspapers. For 25 years, I was a contributor to most of the timely publications published during this period, including collections and almanacs. In these publications I published countless articles, notes, reviews (under my signature, under pseudonyms and without a signature at all), which I considered to be completely unnecessary to collect into books. There are also a considerable number of poems, stories and dramatic scenes, also not included in separate publications. Perhaps even more of what I wrote remains in manuscript. There are completed large works (poems, novels, dramas), which I somehow didn’t bother to finish, and various scientific studies that have been waiting for many years to be completed, and poems, according to various reasons not printed, and, of course, all kinds of beginnings and sketches, in poetry and prose.

I have repeatedly taken part in editing various magazines, either as a sole editor or as a department editor. I was especially closely involved in the editing of “New Way”, “Libra”, “Russian Thought”. My dramas and my translations dramatic works They were staged many times, in Moscow, Leningrad, and in the provinces. In the 900s and 910s I was a member of most Moscow literary organizations. In some of them he held elected positions as chairman; I stood especially close to the Moscow Literary and Artistic Circle and to the Society of Free Aesthetics. Many times I acted as a lecturer with public lectures. I've met most outstanding people of my time and with special love I remember the friendship that E. Verhaerne honored me with.

My works aroused interest abroad. Many have been translated into most European languages and some non-European ones. In separate publications, my works are available, as far as I know, in German (many), French, English, Italian, Latvian, Armenian, Polish, etc.; in magazines - in Swedish, Dutch, a number of Slavic, Modern Greek, Japanese, etc. languages. Both of my novels, two collections of stories and one drama are available in German as separate publications.

I made several trips around Western Europe and across Russia. He has been repeatedly to France, Belgium, Italy, Germany, Sweden, Holland, Spain; I was on the Volga, in the Crimea and in the Caucasus, where I reached Etchmiadzin. In the years imperialist war I was at the front as a correspondent for the newspaper "Russian Vedomosti"; I was one of the first who managed, with a friend, to travel to liberated Przemysl. After the Germans occupied Warsaw, I returned to Moscow, deeply disappointed by the war, which I then expressed in a poem published in M. Gorky’s Novaya Zhizn.

After the October Revolution, at the end of 1917, I began to work with the Soviet government, which then resulted in some persecution from my former comrades (exclusion from membership literary societies etc.). Since that time, he worked mainly in different departments of the People's Commissariat for Education. He was the head of the Moscow Book Chamber, the Department of Scientific Libraries, the Department of the Lito NCP, the Okhobra (Department of Art Education), the Main Professional Education Department, etc. He also worked in the State. Publishing, in the Photo-Cinema Department, at one time in the People's Commissariat of Agriculture, etc.; since 1912 I have been a professor at the 1st Moscow State University(previously, in 1915-1917, he lectured at the former “free” Shanyavsky University). Since 1921, I have also been the rector (and professor) of the Higher Literary and Art Institute.

Poet, novelist, playwright, translator, literary critic

Born on December 1 (13), 1873 in Moscow, into a middle-income merchant family. The father of the future poet raised his son in the spirit of advanced ideas of the time.

1893 - Bryusov graduates from high school and enters the Faculty of History and Philology of Moscow University.

1894-1895 - three collections of poems “Russian Symbolists” are published, which mainly feature poems by Bryusov himself (under different pseudonyms). Critics perceived the collections as a literary curiosity, an inept imitation of French decadents.

1895 - Bryusov publishes the book “Chefs d’Oeuvre” (“Masterpieces”). This collection was unanimously rejected by critics.

Bryusov spends the summer of 1896 in the Crimea and the Caucasus, in 1897. makes his first trip abroad (to Germany). September 28, 1897 marries Ioanna Matveevna Runt (governess in the Bryusov family), who later became his assistant in literary and organizational matters, and after Bryusov’s death, the custodian of his archive and the publisher of his works.

1897 - the book “Me eum esse” (“This is Me”) is published

1899 - after graduating from the university, Bryusov devoted himself entirely to literary activities. For two years he has been working as secretary of the editorial board of the Russian Archive magazine. After organizing the Scorpion publishing house, which began to publish “new literature” (works of modernists), Bryusov took an active part in organizing almanacs and the magazine “Libra” (1904 - 09), the best magazine of Russian symbolism.

1900 - the book “Tertia Vigilia” (“The Third Watch”) is published, after which Bryusov receives wide recognition.

1902 - Bryusov visits Italy (Venice, Milan, Florence), where he studies the culture of the Renaissance and writes poetry on Italian themes.

1903 - the book “Urbi et Orbi” (“To the City and the World”) is published. Along with the traditional “anti-decadent” reviews, it also evokes sympathetic reviews. The “younger” symbolists - A. Bely, A. Blok - perceive it enthusiastically.

Bryusov's trips in the spring of 1905 to Finland, in the summer of 1906 to Sweden, in the summer of 1908 to Italy, Spain, France, Belgium, later to Germany, Switzerland, etc. are reflected in his poetic cycles of the 1900s.

1906 - the book “??????????” is published. ("Wreath").

1908 - the novel “Fire Angel” is published (the biographical subtext of which is the relationship with N.I. Petrovskaya and the related circumstances of the peculiar ideological and psychological combat between Bryusov and A. Bely in 1904-05), later - “Altar of Victory” ( 1913). Both novels are a great success.

1909 - collection “All Tunes”.

In 1900-10s. Bryusov proves himself to be a versatile and exceptionally active translator from many languages, masterfully mastering poetic technique and a variety of stylistic devices. His translation activities include the poetry of the modernists and their predecessors, the classics of world poetry (Dante, Byron, Goethe, E. Verhaerne, P. Verlaine, E. Poe, O. Wilde, Moliere, Maeterlinck, etc.)

In the 1910s The range of Bryusov’s work as a historian and literary critic is expanding. He becomes a major Pushkin scholar (a total of 82 works by Bryusov dedicated to A.S. Pushkin appeared in print), studies Pushkin’s poetics (article “Pushkin’s Poetic Technique,” 1915), deals with his biography and textual criticism, and publishes “ Short course science and poetry", 1919, 2nd edition entitled "Fundamentals of Poetry", 1924.

1912 - book “Mirror of Shadows”.

1914 - during the First World War, having gone to the front from one of the most widespread newspapers, Russkie Vedomosti, Bryusov publishes big number correspondence and articles on military issues. Acutely critical poems date back to this time (“The double-headed eagle,” “A lot can be sold...”, etc.), which then remained unpublished. Soon Bryusov returns from the front.

1915 - on the advice of M. Gorky, representatives of the Moscow Armenian Committee turn to Bryusov with a request to take on the organization and editing of a collection of translations of Armenian poetry, covering more than one and a half thousand years of its history. In 1916, the collection “Poetry of Armenia” was published, most of the translations in which were carried out by Bryusov. His role in promoting Armenian culture was not limited to this. He also publishes an extensive work, “Chronicle of the Historical Fates of the Armenian People,” and is the author of a number of articles dedicated to figures of Armenian culture. In 1923 he was awarded honorary title national poet Armenia.

October Revolution Bryusov perceives it as a grandiose revolution in the history of mankind and in 1920 enters into Communist Party. At this time he was in charge of the Book Chamber, the department scientific libraries and the Literary Department at the People's Commissariat for Education, gives lectures at Moscow University on ancient and modern Russian literature, on the theory of verse and the Latin language, on the history of mathematics, conducts seminars on the history of the Ancient East, etc.

1921 - Bryusov creates and heads the Higher Literary and Art Institute, devotes a lot of time and effort pedagogical activity in him.

In 1920-1924. the poet publishes five collections (“Last Dreams”, “In Days Like These”, “Mig”, “Dali”, “Mea”).

Main works:

Poems in the collections “Russian Symbolists” (issue 1-3, 1894-95)

Books of poetry:

"Chefs d'Oeuvre" ("Masterpieces", 1895)

"Me eum esse" ("This is Me", 1896, on the cover 1897)

"Tertia Vigilia" ("Third Watch", 1900)

“Urbi et Orbi” (“To the City and the World”, 1903)

“??????????” (“Wreath”; 1906)

"All the Tunes" (1909)

"Mirror of Shadows" (1912)

"Poems of Nelly" (1913)

"Seven Colors of the Rainbow" (1916)

“Experiments on metrics and rhythm, on euphony and consonances, on stanza and forms” (1918)

"Last Dreams" (1920)

"On Days Like These" (1921)

“Dali”, “Krugozor”, “Mig” (all - 1922)

"Mea!" (“Hurry!”, 1924)

Historical novels:

"Fire Angel" (1907-08)

Russian poet, prose writer, playwright and translator Valery Yakovlevich Bryusov was born on December 13 (December 1, old style) 1873 in Moscow into a merchant family. , then studied at the gymnasiums of Franz Kreiman (1885-1889) and Lev Polivanov (1890-1893). In 1893, Bryusov entered the Faculty of History and Philology of Moscow University, from which he graduated in 1899.

Bryusov began writing early, as a child, composing poems and stories. Already at the age of 13 he tied his future life with poetry. Bryusov's earliest known poetic experiments date back to 1881; Somewhat later his first stories appeared. In his adolescence, Bryusov considered Nikolai Nekrasov his literary idol, then he was fascinated by the poetry of Semyon Nadson. By the early 1890s, the time had come for Bryusov to become interested in the works of French symbolists - Charles Baudelaire, Paul Verlaine, Stéphane Mallarmé. In the period from 1894 to 1895, he published (under the pseudonym Valery Maslov) three collections of “Russian Symbolists”, which included many of his own poems (including under various pseudonyms); most of them were written under the influence of French symbolists. In the third issue of "Russian Symbolists" Bryusov's one-line poem "Oh, close your pale legs" was published, which quickly gained fame, ensuring an ironic attitude towards the collections from the public.

In 1895, Bryusov’s first book of poems, Chefs d’œuvre (“Masterpieces”), was published, and in 1897, a collection of poems, Me eum esse (“This is Me”), about the world of subjectively decadent experiences that proclaimed egocentrism. In 1899, after graduating from university, Bryusov decided to devote himself entirely to literary activity. For two years he worked as secretary of the editorial board of the Russian Archive magazine. After organizing the Scorpion publishing house, which began to publish “new literature” (works of modernists), Bryusov took an active part in organizing almanacs and the magazine “Scales” (1904-1909), which became the mouthpiece of Russian symbolism.

In 1900, Bryusov’s book “The Third Watch” was published, after which the author received recognition as a great poet. In 1903 he published the book Urbi et Orbi ("To the City and the World"), in 1906 - poetry collection"Wreath".

The book Earth's axis"(1907) consisted of the fantastic-symbolic drama "Earth" and short stories. Bryusov is the author of the novels "Fire Angel" (separate publication 1908), "Altar of Victory. Tale of the 4th century" (1911-1912), stories and short stories (included in the book "Nights and Days", 1913), stories "Rhea Silvia" (separate edition 1916), "Betrothal of Dasha" (separate edition 1915), "Mozart" (1915).

At the turn of the first decade of the twentieth century, Bryusov’s poetry became more intimate, new features of his lyrics appeared: intimacy, sincerity, simplicity in the expression of thoughts and feelings (the collection “All Tunes”, 1909; the book “Mirror of Shadows”, 1912).

For the Vera Komissarzhevskaya Theater, Bryusov translated the plays “Pelleas and Mélisande” by Maurice Maeterlinck (1907; staged by Vsevolod Meyerhold) and “Francesca da Rimini” by Gabriele D’Annunzio (together with Vyacheslav Ivanov, 1908). He published the psychodrama "The Traveler" (1911), the tragedy "Dead Protesilaus" (1913). He translated the dramaturgy of Emile Verhaeren ("Helen of Sparta", 1909), Oscar Wilde ("The Duchess of Padua", 1911), Moliere ("Amphitryon", 1913), Romain Roland ("Lilyuli", 1922).

He worked on translations of Dante, Byron, Goethe, and Maeterlinck. Translations of Emile Verhaeren, Paul Verlaine, Edgar Allan Poe, Oscar Wilde, and a collection of French lyric poetry of the XIX century century, "The Great Rhetoric. The Life and Writings of Decimus Magna Ausonius" (1911), "Erotopaegnia. Poems of Ovid, Pentadia, Ausonius, Claudiana, Luxoria" (1917).

During the First World War, Bryusov was at the front as a correspondent for one of the St. Petersburg newspapers, writing patriotic poems.

Valery Bryusov welcomed the October Revolution of 1917 and actively collaborated with the new government. In 1920 he joined the Communist Party.
In 1917-1919, he headed the Committee for Press Registration (since 1918, a department of the Russian Book Chamber). He was the head of the Moscow library department at the People's Commissariat for Education (1918-1919), chairman of the presidium of the All-Russian Union of Poets (1919-1921), since 1919 he worked at the State Publishing House, and since 1921 - the head of the literary subsection of the Department of Art Education at the People's Commissariat for Education. In 1921 he organized the Higher Literary and Art Institute (later the VLHI named after V. Ya. Bryusov) and until the end of his life he was its rector and professor.

Bryusov took an active part in the preparation of the first edition of the Bolshoi Soviet encyclopedia(was editor of the department of literature, art and linguistics; the first volume was published after Bryusov’s death). In 1923, in connection with his fiftieth anniversary, Bryusov received a letter from the Soviet government, which noted the poet’s numerous services “to the entire country” and expressed “gratitude to the workers’ and peasants’ government.”

In the 1920s (in the collections "Dali" (1922), "Mea" ("Hurry!", 1924) Bryusov radically updated his poetics, using rhythm overloaded with stress, abundant alliteration, jagged syntax, neologisms, futuristic versification structures. Manner Mikhail Gasparov, who studied it in detail, called the late Bryusov “academic avant-garde.”

On October 9, 1924, Bryusov died in his Moscow apartment from lobar pneumonia. The poet was buried at the capital's Novodevichy cemetery.

Valery Bryusov was married to Joanna Runt (the marriage between them was concluded in 1897). She was the poet's companion and closest assistant until his death. After Bryusov's death, she became the custodian of his archive and the publisher of her husband's legacy.

The material was prepared based on information from open sources.