It sounded over the clear river fet. Analysis of the poem Evening Athanasius Feta

On January 5, 1820, one of the most lyrical poets of Russia, Afanasy Fet, was born. Among the greatest talents of the nineteenth century, his name has not been lost. His little masterpieces are 8-12 lines long, such as " Summer evening” or “Evening” are remembered due to the depth and originality of the images and their expression.

Evenings and nights

A. Fet included two "evening" poems in this cycle. Written in different years they are amazingly different. In the first, earlier one, the poet still needs an interlocutor. In the second, he quietly enjoys the twilight, the coming night, which will give peace to all living things.

Only he alone, only the fading beauty of the universe, which the Lord created for our enjoyment.

Little masterpiece

In 1847, being a twenty-seven-year-old officer, he serves in Ukraine and retires on the banks of a river with a friend or girlfriend. Simple words that the evening is clear and quiet, calls on the satellite to peer into the thrill of the mysterious slumber of willows over the river, into the pale red sunset, slightly muffled, into the brilliance of the whimsical meanders of the river - this is an analysis of the poem "Summer Evening". Fet sees how the wind sways the crown over the forest, and wants the interlocutor invisible to us to notice this.

This serenity is broken only by the clatter of the herd and the neighing of horses. But these are nice familiar sounds. From color, brilliance and sounds, a symphony is formed that will not fade away when the stars appear in the sky. So you see two officers after the exercises on the parade ground, dismounting and lying down on the shore and gnawing blades of grass. Close-up they consider what in the daytime they can only catch a glimpse, or even not notice at all. A calm landscape painted with sunset colors is filled with sounds. He is ready to embrace and contain all the harmony of the world. Such is Feta "Summer Evening". This miniature is able to replace the whole story.

Loneliness in the evening

Short, only 12 stanzas, Fet's poem "Evening". Analysis, or rather enjoyment of the fading evening, distant obscure sounds across the river. The hero listens intently. Something swept in silence over the grove - this is evidenced by Fet's poem "Evening". Analysis of simple everyday life is the theme of the poem. discreet beauty God's peace embraces the whole poet. But how a lyrical hero peers intently into the details! An analysis of Fet's poem "Evening" is a subtle fixation of a momentary whimsical mood. The rivulet runs in bends to the west, burned out in the sun, clouds dissolve in smoke.

From these visual and musical details, from this vigilance, Fet's poem "Evening" is formed. An analysis of the passing day, his sighs, glowing blue and green, a bright lightning, a hillock blowing with moisture - nothing was missed by an attentive love look. Today he does not even need a companion - he only needs to let the whole world enter his soul and fill it. The internal connections of carefully selected details convey Fet's poem "Evening" from these details. He gives the reader an analysis of his watercolor experiences. How close he is to what the eye sees and the ear hears. His sincere songs teach not only to look, but also to see, not only to listen, but also to hear.

Poet and epic novelist

L.N. Tolstoy was one of the first to fully appreciate the lyrical audacity of his contemporary, neighbor and friend.

Being a strong owner of the estate, Fet often ran into the hospitable and open house Lev Nikolaevich in Yasnaya Polyana. And he wondered where such an economic, good-natured and fat person had the ability to convey the most subtle movements of the soul, to fill the world with beauty.

The poet flees from rationality, and thoughts arise in him unexpectedly and dazzlingly. like the flutter of a changing life.

By the mid-1850s, the musician of Russian poetry Afanasy Fet published 3 books of poetry. At the age of 35, he creates the poem “Evening”, incomparable in artistic accuracy.

main theme poem is the mysterious charm of nature. In his landscape-lyrical poem, the author sings of the beauty of the transition from day to night. At the same time, he uses not only a rich palette of colors: "clear river", "in a faded meadow", "in the twilight", "lit up", "gold borders", "burning bright", "blue and green fire", but also sounds: "sounded", "Ranged", "mute grove". Music and painting merge harmoniously, and this is the unique feature of the poetry of A. A. Fet. Beauty is elusive, but the artist of the word stops time and reveals the mysteries of the smallest changes in the natural world.

It should be noted special role anaphora. It is no coincidence that in the first stanza each verse begins with a verb, since each of them describes the movement of the sun.

"It sounded over a clear river". Here - the hot sun at its zenith. Like the sounds of a chord, the light spreads throughout the vast expanse.

"Ringing in the faded meadow". In these lines, one can see the farewell rays of the sun, ringing from afar lightly and joyfully, like bells, but not as solemnly as it “sounded”.

"Rolled over the mute grove". In this verse, the sun is guessed, which, perhaps, is in a hurry to leave on a troika of horses with bells, and the dumb grove, as if seeing off a guest, does not dare to sadly shout after him to stop him. Present here artistic image the law of nature.

"Lighted up on the other side" Of course it's sunset!

Lyrical hero is the poet himself. His image conveys deep sensuality with the help of metaphors: “sighs of the day”, “in the breath of the night”, and categories of state: “damp”, “hot”. Thanks to personification nature appears as a living being: "river runs away". An unusually accurate comparison is used "the clouds scattered like smoke". The splendor of the evening landscape helps to portray epithets: “clear river”, “faded meadow”, “golden borders”, “night breath”, “glowing brightly”, “blue and green”.

The poem uses cross rhyme: consonance of verses, the first with the third and the second with the fourth. The form of poetic rhythm is consistently expressed throughout the entire work, forming the meter of the verse, or size. AT this case three-syllable size - anapaest in which the stress falls on the third syllable. The poem consists of three stanzas.

The plot is simple and complex at the same time. After the first quatrain, which showed the dynamics of the sun, the second also characterizes the movement, but already of the rivers and clouds. The storyline ends with a description of an approaching thunderstorm.

During the period of the creation of the poem, 2 currents had already formed in Russian literature: this is pure art, the direction of which A.A. Fet followed, and realistic, folk art, of which N.A. Nekrasov.

Few people know what else young poet learned to play the violin, this explains the musicality and imagery of his poems. The first love of the writer was a gifted pianist, whose death he recalls with light sadness in his works. The poetry of the Russian genius is spiritualized lofty ideals. A. A. Fet's contemporaries called his works unctuous-pure, youthful-reverent.

The lyrical poetry of Athanasius Fet embodies the very soul of the writer, who is looking for beauty and finds it everywhere, wherever his thoughtful gaze falls.

Analysis of the poem by A.A. Feta "Whisper, timid breathing ..."
"The First Lily of the Valley", analysis of Fet's poem

The poem "Evening" was first published in a magazine in 1855. The work of Athanasius Fet refers to landscape lyrics and its main theme was the depiction of the singularity of Russian nature.
Thanks to his talent, the author accurately notices conditions that would seem to be not particularly important, such as new sounds or shades. For Fet, nature was a source of inspiration, as it concealed all new discoveries and philosophy.

The landscape is described in colors understandable to the reader, for example, we see that the river is "clear", and the meadow is "faded". It would seem that Fet refers to nature as something real and existing, but characterized by instability and fluidity.

The title of the poem comes from the time of day-evening. As it was said earlier, the evening was the transition between the change of phenomena. Fet wanted to capture every passing moment and moment.

The poem "Evening" is distinguished by light motives, cheerfulness. The poet emphasized the harmony of nature, which I would like to see in human life.

Analysis of the poem by A.A. Feta "Evening"

The poem was written in 1855. "Nature's idle spy" - this is how the poet himself semi-ironically defined his attitude to one of the main themes of his work. Afanasy Afanasyevich Fet (1820-1892) is without a doubt one of the most remarkable Russian landscape poets. The landscape of the poem "Evening" is very specific, written out in detail: "clear river", "faded meadow", "mute grove". At the same time, the Fetovsky landscape creates a complete picture of life. The poet looks at nature and the world as real, objectively existing phenomenon, but one that is characterized by extreme instability, fluidity - this is the world of "participations", mirror reflections, contacts and transiences. Fet's evening is not static. Every second of this evening there are changes in the world, and the sequence of these changes is the evening. First verbs impersonal offer immediately set the dynamics: “it sounded”, “rang”, “rolled”, “lit up”. Further - “The river runs away to the west”, “Clouds scattered like smoke”. The lines speak of impermanence, transience and transience: “On the hillock it’s sometimes damp, sometimes it’s hot, / There are sighs of the day in the breath of the night, - / But the lightning is already glowing brightly / With blue and green fire.” Evening is special time days, when the day becomes night, the time of transition, the rapid change of phenomena. The poet seeks to perpetuate these transient moments, the “moments” of being, seeing the object as it appeared in this moment. Such an understanding of the purpose of art testifies to the points of contact between the lyrics of A. A. Fet and the aesthetics and style of impressionism.

Fet had a very difficult fate: he was an illegitimate child, in the future he tried to restore his surname for many years. Perhaps the hard life influenced the fact that A. Fet saw the real beauty of nature, even any, almost imperceptible detail was truly beautiful in the eyes of the poet.
In the poem "Evening" A.A. Fet describes one period of time - between day and night. The picture of nature in this period of the day is completely created, everything is harmoniously and unified by the skillful hand of the master.
The poet describes the image of the sun very vividly:

Burning with golden rims,
Clouds scattered like smoke.

In one sentence, there are two comparisons at once: “like smoke, clouds”, and the image of the sun is metaphorical, the sun hides behind the horizon, leaving its mark on the “heavenly feather bed”.
The poem is "alive", it is filled with the sounds of nature, the sun:

Sounded over a clear river,
Rang out in the faded meadow,
It swept over the mute grove,
It lit up on the other side.

As if nature says: “Look how beautiful I am! I inspire people only goodness and joy! I can’t harm anyone, because I am true happiness.”
At Fet, the river is " creature”, she “runs away to the west with her bows”, any obstacle is not a hindrance to her, because everything in nature is harmonious, and this radiant stream is directed forward.
Evening is a transitional state between day and night, an ally that unites them:

The sighs of the day are in the breath of the night.

Here this time of day is personified by Fet, the last breath of the day is followed by the sigh of the night, and evening is their link.
The poem "Evening" is a description of one moment, a description of a certain period of time, in which beauty is reflected, visible to any person.

26197 people have viewed this page. Register or login and find out how many people from your school have already copied this essay.

Analysis of the poem by Fet A.A. "Evening"

The poem “Evening”, written in 1855, replenished the collection of landscape lyrics by A.A. Feta. In a narrow sense, the author's work does not have a main character, only his feelings, which are transmitted with a subtle hint that nature is alive. It can “sound”, “ring”, “ride” and “light up”. And at the same time, everything in it is subject to its own laws, and every day turns into evening, after which night comes, the harbinger of which is lightning.

Such admiration of nature, with its every stroke, captivates. Together with the author, the reader observes the fading of the day. After all, quite recently the grove was noisy, the river was clear, and the meadow beckoned with freshness. And already on the clouds the evening low sun is reflected in a border. Yes, and this harbinger of the night was gone, the clouds scattered, as if smoke trembled in the wind. The remaining heat is given off by the earth on a hillock, warming the humid evening air. The last fires of the burning sky heralded the imminent arrival of night. Fet skillfully, stroke by stroke, completes the picture of the passing day, the night dictates its own rules.

Accurately written details are specific. Time goes by, it cannot stop and freeze. At first slowly, as if reluctantly, but the day gives way. This is evidenced by the verbs that are at the beginning of each line of the first stanza. Comparisons help revive the aesthetic picture of a falling asleep day. The author seems to want to make the imagination of each reader feel the contrasts and modulations of the evening for himself, and metaphors help in this. Epithets make all the signs of the evening more vivid. The day can still give its charming sounds and unique pictures.

The size of the poem is a three-foot anapaest, the rhyme is crossed. This determines the tempo, mood and melody of the piece. It is light, alive, "breathing". Each detail smoothly replaces the other.

Sounded over a clear river,
Rang out in the faded meadow,
It swept over the mute grove,
It lit up on the other side.

Far away, in the dark. bows
The river runs to the west.
Burning with golden rims,
Scattered. like smoke. clouds.

On the hillside it is either damp or hot,
The sighs of the day are in the breath of the night. -
But the lightning is already glowing brightly
Blue and green fire.
(1855)

1. The poem was written in 1855. The first publication was the Otechestvennye Zapiski magazine, No. 5, 1855. When published in the collection of 1856, the poem was placed in the cycle " Miscellaneous poems", as part of the same cycle, was published in the collection of 1863. In terms of the 1892 edition, the poem was placed by Fet as part of the Evenings and Nights cycle (it is preceded by the poem "Steppe in the Evening", separating from "Evening" by the poem "Whisper, timid breathing. ")

Thanks to this, the poem enters into a poetic dialogue with other texts of the cycle - both landscape ( "Away a light across the river.", 1842; "Summer evening is quiet and clear.", 1847; "What an evening! And a stream. ", 1847; "Steppe in the evening", 1854; "Fragrant night, fertile night.", 1853;) and landscape - philosophical ( "I love a lot, close heart.", 1842; "Every feeling is clearer to me at night, and every.", 1843; "Dawn says goodbye to the earth.", 1858; "The stars are praying, twinkling and thinning.", 1884;) and love ( " I am waiting. nightingale echo. ", 1842; "Hello! A thousand times my greetings to you, night", 1842;, "Whisper, timid breathing. ", 1850; "Today all the stars are so magnificent. ", 1888). In this neighborhood, it would seem that the purely landscape poem "Evening" also acquires a philosophical one (day and night as two faces of nature and being - a motif characteristic of the poetry of F.I. Tyutchev, lurking in the depths of nature, a chaotic, thunderous beginning, the manifestation of which are unnamed thunder and "lightning"), and love (a thunderstorm of feelings, the emerging "lightning" of passion) subtexts.

2. The poem refers to the landscape lyrics of Fet. it depicts the discreet beauty of Russian nature. The poet notices her elusive transitional states: as a landscape painter, he paints verbally, finding ever new shades and sounds. For the poet, nature is a source of unexpected discoveries and philosophical optimism. The poem can be compared with the paintings of the Impressionists: the same desire to show the subjectivity of the worldview and the form of expression.

The landscape of the poem is very specific, written out in detail: "clear river", "faded meadow", "mute grove", "hillock". At the same time, the Fetovsky landscape creates a complete picture of life. The poet looks at nature and the world as a real, objectively existing phenomenon, but one that is extremely unstable, fluid - this is the world of "participations", specular reflections, touches and transiences.

3. The poem "Evening" describes one period of time - between a clear day and night. Evening is not only a transitional state between day and night, but also an ally that unites them into one.

The sighs of the day are in the breath of the night.

Here, this time of day is personified by Fet: the last breath of the day is followed by the sigh of the night, and evening is their connecting link. This poem- this is a description of one moment, a description of a certain period of time, which reflected the beauty visible to man.

The picture of nature in this period of the day is completely created, everything is harmoniously merged into one by the skillful hand of the master.
A. A. Fet uses interesting descriptions and metaphors. In addition, the author also uses comparisons: for example, he compares clouds with smoke ( "The clouds scattered like smoke"). The image of the sun is metaphorical. The sun at Fet, like a living being, hid behind the horizon, leaving behind a trail in the sky ( "Burned with golden borders."). The river is also a "living being", it "runs away with bows to the west". there are no hindrances and obstacles for it, because everything in nature is harmonious, and this radiant stream is directed forward.

The poem is "alive", it is filled with life, beauty, sounds of nature. Nature as if alive rang out, resounded, lit up. Nature seems to be telling us about beauty, peace, happiness, goodness and joy that she brings to us. Everything in nature is filled with harmony and beauty. All living things, and certainly moving forward.

"Evening" is a poem about one moment, about its beauty, and this beauty will be revealed to anyone, one has only to want to see it.

5. The meaning of the title of the poem.

Evening is a special time of the day when the day becomes night, the time of transition, the rapid change of phenomena. The poet seeks to perpetuate these passing moments, the "moments" of being, the vision of the object as it appears at the present moment. Such an understanding of the purpose of art testifies to the points of contact between Fet's lyrics and the aesthetics and style of impressionism.

6. Composition.

The poem, like most of Fet's strophic lyrical works, consists of three stanzas, each of which is united by a cross rhyme: ABAB.

The first stanza shows a picture of an approaching thunderstorm evening, an incoming shadow from a cloud and bright light (it is not clear why this light is from distant lightning - lightning or from the setting sun). The first line contains a sound image ( "sounded") and visual ( "clear river"). The second line is symmetrical to the first, it is also divided into two images - sound ( "rang") and visual ( "faded meadow"). However, the semantic difference is no less distinct: if in the first verse the landscape is light ( "clear"), then in the second - shadow ( "faded"). In the third line, the visual image is completely replaced by the sound image - "rolled". and the color epithet is replaced by a sound "dumb". The fourth verse conveys only a visual impression: "lit up". At the same time, an observer appears - "on the other side" (on the other in relation to a person contemplating a picture of nature)

In the second stanza, there is also the look of the observer, as in the end of the first: the river runs away "far", "to the west" in relation to its position in space.

The contrast of light and darkness is replaced by a kind of synthesis "twilight". The motive of movement is introduced ( "the river runs away"), meanders, meanders ( "bows") rivers - a kind of correspondence to "windings", fluctuations, turns of light and darkness, sound and silence. The sentences in the second stanza are opposed in syntax to the first: the first stanza is 4 impersonal sentences, coinciding with the boundaries of four verses. The second stanza contains only two sentences, each occupying two lines. Due to this, the intonation slows down: the first stanza, in comparison with the second, is characterized by a rapid intonational movement, which corresponds to a change in the “frames” of the landscape (river, meadow, grove, that shore), similar to a film montage. In the second stanza, only two landscape shots are given, the image of the river is given not by means of montage, but by the sliding of the eye - like the movement of the camera, which is called traveling in cinematography.

In the third stanza contrasting poetics is translated into the plane of temperature sensations, reflecting the presence of the lyrical "I" ( "it's wet, it's hot"). The hillock, which is mentioned in the third stanza, is a clear indication of the location of the "I" in space: from this hillock he sees a river, a meadow, a grove, clouds. The contrasts of light (color) and darkness, sound and silence correspond to the combination of the opposites of day and night, united together through metaphor "sighs - breath". Completes the stanza of light - color flash - "blue and green fire"(motifs of fire and water are the main ones in Fet's work)

The last lines of all three quatrains are connected by the image of a bright light: "it lit up", "burning with golden rims", "lightning is already glowing brightly. with fire". So. in the composition, in the structure of the poem, as it were, the image of a thunderstorm echo is reflected, with which the text opens, and in the end of the text it repeats the mention of flashes, flashes of lightning contained in the first stanza. Adversarial alliance but, which introduces the line - "but the lightning is already glowing brightly", opposes the approaching thunderstorm to both the outgoing day and the coming night.

7. Figurative structure.

The poem is based on a combination of images of light (and bright color) and darkness. The name "Evening", traditional for the Russian poetic tradition ("Evening" - a poem by V. A. Zhukovsky, one of the first elegies with landscape elements), forms the expectation to meet in the text a mention of the usual signs of this time of day: the change of daylight, sunlight night darkness, about sunset, about the appearance of the moon in the sky. However, Fet replaces these expected signs of evening with a mention of a thunderstorm or a thunderstorm echo; the game, the play of light and darkness, is explained more likely not by the approach of night, but by an approaching thunderstorm. Contrary to the tradition of the evening landscape, the poem ends not with the onset of twilight or night darkness, but with a bright flash of light - the image of lightning - "lightning". Traditional, almost quotative at its core, is the image of clouds burning in the sunset rays, reminiscent of the lines from Zhukovsky's "Evening": "It's already evening. The edges of the clouds have faded." and partly from his own "Unspeakable": "this flame of clouds flying across the quiet sky."
The image of "lightning" - lightning appears only at the end, explaining the nature of the peals and ringing mentioned at the beginning of the poem. In the first lines, the appearance of a thunderstorm has not yet been named, only an impression of it is given in the form of impersonal sentences (something "sounded", "rang"). A similar technique is found in the poem "Spring Rain", in which the rain not directly mentioned is replaced by an indefinite personal pronoun something: "And something came up to the garden, drumming on fresh leaves"
8. The poem is written in three-foot anapaest - the most popular and "noticeable" three-syllable size in Russian poetry, starting with mid-nineteenth century.

9. Sound system.

Alliteration on -R- in the text of the poem - imitation of thunder: the accumulation of sounds -p- is distinctive for the first stanza depicting thunder: moreover, this sound occurs in all four lines of the quatrain. Another sonorous sound -l- associated with the semantics of space: l ugh yes l eco, l ukami. Acoustic and spatial associations characteristic of these sounds are combined in the verbs of sound and movement (n R voicing l oh p R link l oh p R okati l axis, R az l ee l sis), as well as in nouns and adjectives with color and sound semantics (according to l mind R ake, zo l take away, for R nitsa, go l dead, ze l other). The poem also highlights the sound -h-. associated simultaneously with "ringing", with sound, with light and with objects perceived by sight: about h learned about h venelo, h lit up, h flew, h apad, h golden, h arnitsa, h eleny.
So, thanks to the sound structure of the text, a kind of "reconciliation" and "fusion" of sound and space in light and color occurs, a holistic perception of sound, light and color is created.
10. In lyrical work light, life-affirming tones prevail. The poet sees in nature the harmony that he lacks in human relationships. The lyrical hero acquires the ability to see the beautiful soul of nature, so his characteristic state- aesthetic delight.

Analysis of Fet's poem "Evening"

Change of day and night - object close attention Fetov's contemplative hero, who was awarded the gift of seeing beauty in everyday life. If the morning is associated with the awakening of beautiful nature and the image of the dawn-bride, then interpretations of the end of the day are devoid of such integrity. The image of the evening is associated with knowledge hidden entities, cosmic beginning changing characteristics of the relationship between man and nature.

The poetic text of 1855 begins with a description of sound and visual sensations, the source of which is not clear, is mysterious. To convey obscure phenomena, the author chooses the form of an impersonal sentence, expressing the hero's reaction with the help of a series of homogeneous predicates. Sounds on the river, ringing in the meadow, rumble above the treetops are "diluted" visually - by a distant flash of light. natural objects, connected mainly by acoustic dominants, are characterized by calmness, absolute value which gives rise to connotations of fading and fading. The latter bring Fetov's picture closer to mythological ideas about the evening as the death of the day, going back to the ancient Slavic ideas about sunset.

Sight lyrical hero, attracted by a sudden flash, stops at the evening panorama. In perspective, the bends of the river going to the west are shown, and then - rare clouds. Both parts are dynamic, endowed with properties for rapid movement. In the description of the sky, the first coloristic dominant appears - a golden, as if burnt, border of light clouds.

In the final part, the location of the lyrical "I" is clarified. He watches the coming dusk from a hillock. Turn tactile sensations, dampness and heat, reveals a connection between two segments of the day, metaphorically indicated by the same-root lexemes "sighs" and "breath". Artistic trope, supplemented by personifications, animates natural space surrounding the hero.

The unhurried and smooth tempo, the musical sound of the verse are supported by a three-foot anapaest with a cross alternation of feminine and masculine rhymes.

The final couplet fixes attention on the play of light that heralds the coming of the night. The mysterious transformation is completed by a change in coloristic features: instead of gilded clouds, pure shades of blue and green appear.

An atmosphere of calm fills and poetic world, depicted in the work “Summer evening is quiet and clear ...”, which appeared 8 years earlier than the analyzed text. “Rivers meandering”, dormant trees, sunset sky, silence, broken only by horse neighing and light wind - close figurative systems of two poems convey feelings of peace, calm joy and involvement in the natural course of life that engulfed the observer.

AT late lyrics the "evening" theme is complicated by philosophical reflections on an insignificant essence human being. Emotions, even the strongest and most sincere, seem "timid and poor" in comparison with the splendor of the "imperishable sunset" reflected in still waters bay.

The sincerity, musicality and mystery of Fetov's lyricism can be felt in Blok's early creations. In the poem "Summer Evening", the reader encounters acoustic and visual images inspired by Fetov's traditions: the sunset rays of the sun, the "drowsiness" of nature, the distant sounds of a peasant song. The final call, in quite Fetov's way, invites the lyrical addressee to let go of worries and enjoy the beauty of the warm night, rushing off on a horse into the misty meadow distances.

Listen to Fet's poem Evening

Themes of neighboring essays

Picture for composition analysis of the poem Evening

EVENING.

sounded over clear river,
rang in faded meadow,
It swept over the mute grove,
It lit up on the other side.

Far away, in the twilight, with bows
The river runs to the west.
Burning with golden rims,
Clouds scattered like smoke.

On the hillside it is either damp or hot,
The sighs of the day are in the breath of the night, -
But the lightning is already glowing brightly
blue and green fire.
(1855)

1. The poem was written in 1855. The first publication was the Otechestvennye Zapiski magazine, No. 5, 1855. When published in the collection of 1856, the poem was placed in the cycle "Various Poems", as part of the same cycle it was published in the collection of 1863. In terms of the 1892 edition, the poem was placed by Fet as part of the cycle "Evenings and Nights" (it is preceded by the poem "Steppe in the Evening", separating from "Evening" by the poem "Whisper, timid breathing ...")

Thanks to this, the poem enters into a poetic dialogue with other texts of the cycle - both landscape ( "Away a light across the river ...", 1842; "Summer evening is quiet and clear...", 1847; "What an evening! And the stream ...", 1847; "Steppe in the evening", 1854; "Fragrant night, fertile night...", 1853;) and landscape - philosophical ( "I love a lot, close heart ...", 1842; "Each feeling is clearer to me at night, and each ...", 1843; "The Dawn Says Goodbye to the Earth...", 1858; "The stars are praying, twinkling and thinning...", 1884;) and love ( "I'm waiting... Nightingale echo...", 1842; "Hello! A thousand times my greetings to you, night", 1842;, "Whisper, timid breathing ...", 1850; "Today all the stars are so magnificent...", 1888). In this neighborhood, it would seem that the purely landscape poem "Evening" also acquires a philosophical one (day and night as two faces of nature and being - a motif characteristic of the poetry of F.I. Tyutchev, lurking in the depths of nature, a chaotic, thunderous beginning, the manifestation of which are unnamed thunder and "lightning"), and love (a thunderstorm of feelings, the emerging "lightning" of passion) subtexts.
2. The poem refers to the landscape lyrics of Fet: it depicts the discreet beauty of Russian nature. The poet notices her elusive transitional states: as a landscape painter, he paints verbally, finding ever new shades and sounds. For the poet, nature is a source of unexpected discoveries and philosophical optimism. The poem can be compared with the paintings of the Impressionists: the same desire to show the subjectivity of the worldview and the form of expression.
The landscape of the poem is very specific, written out in detail: "clear river", "faded meadow", "mute grove", "hillock". At the same time, the Fetovsky landscape creates a complete picture of life. The poet looks at nature and the world as a real, objectively existing phenomenon, but one that is extremely unstable, fluid - this is the world of "participations", mirror reflections, contacts and transiences.
3. The poem "Evening" describes one period of time - between a clear day and night. Evening is not only a transitional state between day and night, but also an ally that unites them into one.

The sighs of the day are in the breath of the night.

Here, this time of day is personified by Fet: the last breath of the day is followed by the sigh of the night, and evening is their connecting link. This poem is a description of one moment, a description of a certain period of time, which reflected the beauty visible to man.

4. Evening at the feta is not static. Every second of this evening, the world is changing. The verbs of the first impersonal sentence immediately give dynamics: "sounded", "rang", "rolled", "lit up" . Farther - "the river runs away to the west", "the clouds scattered". The lines speak of impermanence, transience and transitivity: "On a hillock it is either damp or hot..."
The picture of nature in this period of the day is completely created, everything is harmoniously merged into one by the skillful hand of the master.
A. A. Fet uses interesting descriptions and metaphors. In addition, the author also uses comparisons: for example, he compares clouds with smoke ( "The clouds scattered like smoke" ). The image of the sun is metaphorical. The sun at Fet, like a living being, hid behind the horizon, leaving behind a trail in the sky ( "Burning with golden rims ..." ). The river is also a "living being", it "runs away with bows to the west" , for it there are no obstacles and obstacles, because everything in nature is harmonious, and this radiant stream is directed forward.
The poem is "alive", it is filled with life, beauty, sounds of nature. Nature as if alive rang out, resounded, lit up. Nature seems to be telling us about beauty, peace, happiness, goodness and joy that she brings to us. Everything in nature is filled with harmony and beauty. All living things, and certainly moving forward.
"Evening" is a poem about one moment, about its beauty, and this beauty will be revealed to anyone, one has only to want to see it.
5. The meaning of the title of the poem.
Evening is a special time of the day when the day becomes night, the time of transition, the rapid change of phenomena. The poet seeks to perpetuate these passing moments, the "moments" of being, the vision of the object as it appears at the present moment. Such an understanding of the purpose of art testifies to the points of contact between Fet's lyrics and the aesthetics and style of impressionism.
6. Composition.
The poem, like most of Fet's strophic lyrical works, consists of three stanzas, each of which is united by a cross rhyme: ABAB.
First stanza shows a picture of an approaching thunderstorm evening, an incoming shadow from a cloud and a bright light (it is not clear why this light is from a distant lightning - lightning or from the setting sun). The first line contains a sound image ( "sounded") and visual ( "clear river"). The second line is symmetrical to the first, it is also divided into two images - sound ( "rang") and visual ( "faded meadow"). However, the semantic difference is no less distinct: if in the first verse the landscape is light ( "clear"), then in the second - shadow ( "faded"). In the third line, the visual image is completely replaced by the sound image - "rolled", and the color epithet is replaced by a sound "dumb". The fourth verse conveys only a visual impression: "lit up". At the same time, an observer appears - "on the other side" (on the other in relation to a person contemplating a picture of nature)
In the second stanza, there is also the look of the observer, as in the end of the first: the river runs away "far", "to the west" in relation to its position in space.
The contrast of light and darkness is replaced by a kind of synthesis "twilight". The motive of movement is introduced ( "the river runs away"), meanders, meanders ( "bows") rivers - a kind of correspondence to "windings", fluctuations, turns of light and darkness, sound and silence. The sentences in the second stanza are opposed in syntax to the first: the first stanza is 4 impersonal sentences, coinciding with the boundaries of four verses. The second stanza contains only two sentences, each occupying two lines. Due to this, the intonation slows down: the first stanza, in comparison with the second, is characterized by a rapid intonational movement, which corresponds to a change in the “frames” of the landscape (river, meadow, grove, that shore), similar to a film montage. In the second stanza, only two landscape shots are given, the image of the river is given not by means of montage, but by the sliding of the eye - like the movement of the camera, which is called traveling in cinematography.
In the third stanza contrasting poetics is translated into the plane of temperature sensations, reflecting the presence of the lyrical "I" ( "it's wet, it's hot" ). The hillock, which is mentioned in the third stanza, is a clear indication of the location of the "I" in space: from this hillock he sees a river, a meadow, a grove, clouds. The contrasts of light (color) and darkness, sound and silence correspond to the combination of the opposites of day and night, united together through metaphor "sighs - breath". Completes the stanza of light - color flash - "blue and green fire" (motifs of fire and water are the main ones in Fet's work)
The last lines of all three quatrains connect the image of a bright light: "lit up", "burned with golden rims", "lightning is already glowing brightly ... with fire". So, in the composition, in the structure of the poem, the image of a thunderstorm echo, with which the text opens, is reflected, and at the end of the text it repeats the mention of flashes, flashes of lightning contained in the first stanza. Adversarial alliance but, which introduces the line - "but the lightning is already glowing brightly", opposes the approaching thunderstorm to both the outgoing day and the coming night.
7. Figurative structure.
The poem is based on a combination of images of light (and bright color) and darkness. The name "Evening", traditional for the Russian poetic tradition ("Evening" - a poem by V. A. Zhukovsky, one of the first elegies with landscape elements), forms the expectation to meet in the text a mention of the usual signs of this time of day: the change of daylight, sunlight night darkness, about sunset, about the appearance of the moon in the sky. However, Fet replaces these expected signs of evening with a mention of a thunderstorm or a thunderstorm echo; the game, the play of light and darkness, is explained more likely not by the approach of night, but by an approaching thunderstorm. Contrary to the tradition of the evening landscape, the poem ends not with the onset of twilight or night darkness, but with a bright flash of light - the image of lightning - "lightning". Traditional, almost quotative at its core, is the image of clouds burning in the sunset rays, reminiscent of the lines from Zhukovsky's "Evening": "It's already evening... the edges of the clouds have faded..." and partly from his own "Unspeakable": "This flame of clouds, flying across the quiet sky..."
The image of "lightning" - lightning appears only at the end, explaining the nature of the peals and ringing mentioned at the beginning of the poem. In the first lines, the appearance of a thunderstorm has not yet been named, only an impression of it is given in the form of impersonal sentences (something "sounded", "rang"). A similar technique is found in the poem "Spring Rain", in which the rain not directly mentioned is replaced by an indefinite personal pronoun something: "And something came up to the garden, drumming on fresh leaves"
8. The poem is written in three-foot anapaest - the most popular and "noticeable" three-syllable size in Russian poetry, since the middle of the 19th century.
9. Sound system.
Alliteration on -R- in the text of the poem - imitation of thunder: the accumulation of sounds -p- is distinctive for the first stanza depicting thunder: moreover, this sound occurs in all four lines of the quatrain. Another sonorous sound -l- associated with the semantics of space: l ugh yes l eco, l ukami. Acoustic and spatial associations characteristic of these sounds are combined in the verbs of sound and movement (n R voicing l oh p R link l oh p R okati l axis, R az l ee l sis), as well as in nouns and adjectives with color and sound semantics (according to l mind R ake, zo l take away, for R nitsa, go l dead, ze l other). The poem also highlights the sound -h- associated simultaneously with "ringing", with sound, with light and with objects perceived by sight: about h learned about h venelo, h lit up, h flew, h apad, h golden, h arnitsa, h eleny.
So, thanks to the sound structure of the text, a kind of "reconciliation" and "fusion" of sound and space in light and color occurs, a holistic perception of sound, light and color is created.
10. Light, life-affirming tones predominate in a lyrical work. The poet sees in nature the harmony that he lacks in human relationships. The lyrical hero acquires the ability to see the beautiful soul of nature, therefore his characteristic state is aesthetic enthusiasm.

"Evening" Afanasy Fet

Sounded over a clear river,
Rang out in the faded meadow,
It swept over the mute grove,
It lit up on the other side.

Far, in the twilight, bows
The river runs to the west.
Burning with golden rims,
Clouds scattered like smoke.

On the hillside it is either damp or hot,
The sighs of the day are in the breath of the night, -
But the lightning is already glowing brightly
Blue and green fire.

Analysis of Fet's poem "Evening"

The change of day and night is the object of close attention of Fetov's contemplative hero, who was awarded the gift of seeing beauty in everyday life. If the morning is associated with the awakening of beautiful nature and the image of the dawn-bride, then the interpretations of the end of the day are devoid of such integrity. The image of the evening is associated with the knowledge of hidden entities, the cosmic principle, the changing characteristics of the relationship between man and nature.

The poetic text of 1855 begins with a description of sound and visual sensations, the source of which is not clear, mysterious. To convey obscure phenomena, the author chooses the form of an impersonal sentence, expressing the hero's reaction with the help of a series of homogeneous predicates. Sounds on the river, ringing in the meadow, rumble above the treetops are "diluted" visually - by a distant flash of light. Natural objects, connected mainly by acoustic dominants, are characterized by calmness, the absolute value of which gives rise to connotations of fading and fading. The latter bring Fetov's picture closer to mythological ideas about the evening as the death of the day, going back to the ancient Slavic ideas about sunset.

The gaze of the lyrical hero, attracted by a sudden flash, stops at the evening panorama. In perspective, the bends of the river going to the west are shown, and then - rare clouds. Both parts are dynamic, endowed with properties for rapid movement. In the description of the sky, the first coloristic dominant appears - a golden, as if burnt, border of light clouds.

In the final part, the location of the lyrical "I" is clarified. He watches the coming dusk from a hillock. The change in tactile sensations, dampness and heat, reveals a connection between the two segments of the day, metaphorically indicated by the same-root lexemes "sighs" and "breath". The artistic trope, supplemented by personifications, enlivens the natural space surrounding the hero.

The unhurried and smooth tempo, the musical sound of the verse are supported by a three-foot anapaest with a cross alternation of feminine and masculine rhymes.

The atmosphere of calm also fills the poetic world depicted in the work “...”, which appeared 8 years earlier than the analyzed text. “Rivers meandering”, dormant trees, sunset sky, silence, broken only by horse neighing and light wind - close figurative systems of two poems convey feelings of peace, calm joy and involvement in the natural course of life that engulfed the observer.

In late lyrics, the "evening" theme is complicated by philosophical reflections on the insignificant essence of human existence. Emotions, even the strongest and most sincere, seem "timid and poor" in comparison with the splendor of the "imperishable sunset" reflected in the still waters of the bay.