Whispering timid breath is the image of a lyrical hero. Analysis of the poem "Whisper, timid breathing" by Fet

The poem was written by A. Fet in 1850 and is one of the central ones in all his work. From the moment it was published, the work immediately received a number of mixed reviews. Critics noted the innovation and amazing lyricism of the poem. At the same time, Fet was accused of pointlessness and excessive intimacy.

The poem is written in the genre love lyrics. In this area, Fet most clearly revealed himself as a poet.

The main theme of the poem is love and unity with nature. In just a few lines, Fet masterfully conveys the atmosphere of love. Like an artist, the poet, with a few bright but confident strokes, paints a wonderful picture of sensual relationships inextricably linked with sound and visual sensations natural phenomena.

In terms of composition, the poem alternates descriptions of the human and the natural, which creates the impression organic connection. It becomes impossible to separate "whispers" from "trills", "shine of amber" from "kisses".

The size of the poem combines four- and three-foot trochaic, cross-rhyme.

The highlight of the work is that it does not contain a single verb. Nouns predominate, which makes the poem extremely unusual. Lack of movement does not make it static. Dynamics is achieved by a skillful combination means of expression. The epithets are not bright, but they are used appropriately, each "in its own place" ("timid", "sleepy", "nightly"). The metaphors are amazing in their beauty: "the silver of the stream" and "the purple of the rose."

The smoothness and lyricism of the poem is emphasized by the flow of words in the second stanza: “night-night-shadows-shadows”. Emotionality is enhanced in the ending due to the repeated repetition of the union "and". The exclamation and at the same time the ellipsis at the end create a feeling of solemnity and incompleteness. The reader understands that happiness has no boundaries.

In general, the poem is one of the examples of love lyrics with a minimum size.

Option 2

Afanasy Fet is rightfully considered one of the romantics of the Russian land, since he described feelings that only a few managed to repeat. And although the author himself did not consider himself a this direction in literature, but all his works are written in the spirit of typical romance. landscape lyrics is the basis in the work of Fet, while it is often intertwined with love lyrics. At the same time, the author believes that a person is a real son native nature, and his love for the world around him is much stronger than for a woman.

This poem was written in 1850, it became a prime example the fact that the author is able to accurately intertwine the attitude towards a woman with the veneration of nature, which he considers his mother. The poem begins with lines that describe an early morning. This is the period of time when the night turns to daylight hours days and does not last very long. A few minutes of transition become for him an opportunity to enjoy the moment.

The change of time of day is also an opportunity to enjoy the changes in the face, which seems sweet and sublime to the lyrical hero. And until the sun has fully risen, the man tries to enjoy the joys of love, which leaves tears of admiration on his face, and the tears themselves reflect the colors of dawn, which illuminate the whole face and make it even more beautiful and desirable.

There are no verbs in the poem itself, the author seems to leave all the actions behind the scenes, allowing the reader to understand what is happening for himself. The rhythm of the verse is measured and unhurried, showing that the young people enjoy the moment they can spend in each other's company.

Despite this, after the release of the work, the author was accused of lacking specifics in the poem. The phrases of the narrative are short, and the reader has to think out what is happening on his own. Later it was recognized as a classic of Russian literature. The manner of the author's narration becomes his individual feature, each reader can finish the existing picture himself, literally visit the scene of events, become a participant in what is happening himself. After that, authors will appear who will imitate his style of writing, try to adopt existing style but never reach his level.

Fet Whisper-timid breath analysis of the poem

In the poetry of A.A. Feta theme of nature is almost always interconnected with the theme of love, and this poem is no exception. A feature of the poet's love lyrics is the absence of a specific image lyrical heroine, which is inherent character traits. His lyrics convey the feeling of first falling in love, the state of joy and happiness, wonder at the world and rediscovering it for oneself, when a person feels harmony and unity with the outside world. And the center of the universe for lyrical hero She becomes.

The poem depicts a meeting of lovers: waiting, meeting. We hear the trills of the nightingale, the whisper and timid breathing of the beloved, excited by the meeting. The world around them seems to freeze, empathizing with their meeting and, as if afraid, frighten off the charm of the moment.

In the second stanza, we see that the night is coming, which changes the world around us:

Night light, night shadows,
Shadows without end...

The lyrical repetitions used by the poet help to create an accurate, vivid, three-dimensional picture of what is happening. However, for the lyrical hero, it is not important to change the outside world, he notices only Her. He sees how the night shadows change the lighting of the face of his beloved and it seems magical to him.
But the dawn comes, the lovers see in the sky "a reflection of amber", "purple rose", and realize that the moment of parting will soon come for them.

Heroes feel sadness from the upcoming parting, confusion of feelings and see the beauty of the world around them. Here the author uses polyunion, this helps to increase the pace of the poem in order to show more clearly and accurately state of mind heroes. A.A. Fet masterfully conveyed this with the following lines:

And kisses, and tears,
And dawn, dawn!..

Reading this poem, you do not immediately understand that it was written without a single verb. This style of writing was not chosen by chance, it helps the poet to depict the interweaving of 2 worlds: nature and emotional experiences heroes. In addition, it contributes to the creation of more vivid tangible images. To create which A.A. Fet uses such figurative and expressive means as metaphors: "purple of a rose", "silver of a sleepy stream", epithets "sweet face".

The poem is written in chorea, this two-foot size is different in that it gives rhythm and expressiveness to the work. This is facilitated by the cross-rhyming of the lines of the poem.

Analysis 4

A poem by A.A. Feta "Whisper, timid breathing…” was published in 1850. It is dedicated to the tragically deceased first beloved of the poet - Maria Lazich.

The poem is unusual in its structure, syntax, sound design. It contains only one nominal sentence. Except for two prepositions and four conjunctions, the dictionary this poem consists of 30 words: 23 nouns and 7 adjectives. Twelve short lines, and how much has been said about nature, the meeting of two people who sympathize with each other. Not a single verb, and nature is depicted in constant change depending on the time of day, and the relationship of the characters also changes.

“Shy breathing” says that those present are still embarrassed by each other, excited by the meeting. The following lines, sketches of nature, give an idea of ​​where and when the whisperers met. Their date takes place away from people, alone, in the evening. This is confirmed by the trills of the nightingale. But his singing can also be heard during the day, however, the expression “sleeping stream” clarifies: not asleep, but sleepy. So in the evening.

In the second stanza, we learn more about whispering. The night comes into its own. Reflection of moonlight (“night light”) falls on objects. "Shadows Without End" suggest that a small breeze reigns in the air, which sways the branches of trees, and they give rise to shadows. A meeting in private, a conversation about the innermost affects the expression of their faces. And the woman's face seems magically cute.

In the poem, Fet's "hints" are quite objective: whispers, timid breathing, kisses, tears. The final line is connected with the entire cheerful aspiration of the poem. The word "dawn" in figuratively means the birth of something joyful, significant. And something important came into the life of the heroes of the poem.

The novelty of the poem is that it contains a minimum of words and a maximum of poetic information. The word sometimes carries a large semantic load. For example, the word "silver" refers to the color of the water of the stream. The rays of the sun reflected in the water give it a silvery hue. Dynamism is achieved by a rapid change of pictures of nature. Summer evening gives way to night, then dawn with its dazzling bright colors. The relationship between the characters also changes: from timidity to hugs.

The poem is written in four-foot and two-foot trochaic. Used cross rhyming, male and female rhymes. The author uses such figurative and expressive means as metaphors and epithets: “silver of a sleepy stream”, “endless shadows”, “amber reflection”, “sweet face”, “smoky clouds”, “magical changes”.

This poem by A. Fet inspires, awakens the desire to create, live and love.

Analysis of the poem Whisper, timid breathing according to plan

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A.A. Fet

Whisper. Rough breathing...

A whisper, a timid breath.

trill nightingale,

Silver and flutter

Sleepy stream.

Night light, night shadows,

Shadows without end

A series of magical changes

sweet face,

In smoky clouds purple roses,

reflection of amber,

And kisses, and tears,

And dawn, dawn!..

ANALYSIS

This poem is especially interesting because for him A.A. Fet received the most reproaches from criticism and the most praise and admiration from readers. Literary critics reproached the poet for excessive descriptiveness, for the absence of action as such. Weird. Then what attracted the sophisticated reader to him? It was the layman who, if he did not see, then felt here what escaped the professional.

So, the first stanza ... Romantic landscape. Brevity, regularity, parallelism of action is achieved through the use of non-union. The metaphor "silver" and the epithet "sleepy" convey the immobility, calmness, static nature of the stream. Its metallic luster, smooth, as if polished, surface is described. The first quatrain is, as it were, an indication of the place of action. But there is already a hint of the presence of a person - a “whisper”.

The second stanza demonstrates the time of action - this is night. "Shadows without end" - apparently, shadows in motion. And this is not a lonely contemplative of nature. There are at least two people. Further, you can guess that this is a meeting of two lovers. The epithet "cute" indicates that a person loves someone. Perhaps he is loved. Since the changes in the face are “magical” (also an epithet), it means that they are favorable to him.

The last stanza is a hidden description of feelings. The purple rose metaphor candidly states that sunrise is near. The luminary itself is not yet visible, but it will be orange, bright, burning, as indicated by the metaphor “amber reflection”. The multi-union here helps to reveal the speed, the swiftness with which fresh morning. And hence the farewell kisses and, of course, tears, as the dawn promises parting.

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A. Fet's poem “Whisper. Timid breathing…” (1850) is dedicated to M. Lazich. At the time of its publication, the poem attracted much controversy and criticism. However, this poem is an example of a vivid love for nature, intertwined with love for a woman.

The main idea of ​​the poem is to show the beauty of nature, the fusion of man with it.

To do this, the poet introduces into the poem the image of the beloved lyrical hero, draws a landscape of early morning. The trills of the nightingale, the rustles and sounds, the swaying of the stream are the harbingers of the approaching morning.

In the second stanza, many shadows appear that give the poem a touch of mystery and mystery. Along with the changes in nature, when the morning comes, the face of the hero's beloved also changes.

In the third stanza, we see a bright early dawn spilling over a smoky sky. At the end of this stanza, the climax of the poem occurs - the strongest manifestation of love, along with the highest point of the morning dawn.

The entire poem consists of one compound sentence divided into three stanzas.

However, they are connected to each other by a system of images that dynamically change one after another. Although not a single verb is used in the poem, different pictures of nature quickly appear before us: whispers, trills, waves, shadows, kisses, dawn. Throughout the poem, the poet uses the technique of gradation - with every moment, the "purple of the rose" spreads brighter across the sky, the feelings and passion of the lyrical heroes intensify.

There are only images in the poem, which only slightly opens the veil of the mystery of the morning dawn. The poet does not fully understand what is really happening, he only hints at what is happening.

With the help of rhythm, the author conveys the movement of nature, feelings. The alternation of the four-foot trochaic with the three-foot one gives the poem dynamism. Feminine rhyme makes the work melodious, smooth. Hissing sounds convey the noise and rustles of the early morning.

Fet draws conflicting images: timid breathing - the trills of a nightingale, night shadows - a reflection of amber, kisses - tears. The antithesis technique is used to vividly show the morning landscape and growing feelings.

"Whisper. Timid breath ... "- a poem that conveys mood and feelings with the help of images. With the help of words, the poet draws in our imagination the extraordinary beauty of awakening nature. With this poem, Fet conveys to the reader delight, joy and happiness from what the lyrical hero saw and felt.

Updated: 2018-02-07

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Whisper, timid breath,

trill nightingale,

Silver and flutter

sleepy stream,

Night light, night shadows,

Shadows without end

A series of magical changes

sweet face,

In smoky clouds purple roses,

reflection of amber,

And kisses, and tears,

And dawn, dawn!..

Fet's poem "Whisper, timid breathing ..." appeared in print in 1850. By this time, Fet was already a well-established poet with his own special voice: with a sharply subjective coloring of lyrical experience, with the ability to fill the word with living concreteness and at the same time capture new overtones, “flickering” nuances in its meaning, with a heightened sense of the role of composition, “structure” development of feeling. Fet innovatively developed figurative system verse, its melody, surprised by the free use of vocabulary and caused indignation by the unwillingness to listen to elementary laws grammar.

The 50s can be called his “finest hour”, since it was they that brought him the greatest recognition among connoisseurs of poetry, if we correlate this time with the general background of many years of misunderstanding, hostility and indifference to him from the reading public.

The poem "Whisper, timid breathing ...", being published on the threshold of the 1850s, became stronger in the minds of contemporaries as the most "Fetov" from all points of view, as the quintessence of individual Fetov's style, giving rise to both delight and bewilderment:

In this poem, disapproval was caused primarily by "insignificance", the narrowness of the topic chosen by the author, the lack of eventfulness - a quality that seemed inherent in Fet's poetry. AT close connection with this feature of the poem, its expressive side was also perceived - a simple enumeration, separated by commas, of the poet's impressions, too personal, insignificant in character. Deliberately simple and at the same time to audacity custom shape could be seen as a challenge. And in response, sharp and well-aimed, in fact, parodies really rained down, since parody, as you know, beats the most characteristic qualities style, concentrating in itself both its objective properties and the individual artistic preferences of the author. In this case, it was even assumed that Fet's poem would not lose if it was printed in reverse order- from the end ... On the other hand, it was impossible not to admit that the poet brilliantly achieved his goal - a colorful image of the picture of the night nature, psychological richness, the intensity of human feelings, a sense of the organic unity of spiritual and natural life, full of lyrical dedication. In this sense, it is worth citing the statement of Fet’s principal opponent in terms of worldview - Saltykov-Shchedrin: “Undoubtedly, in any literature it is rare to find a poem that, with its fragrant freshness, would seduce the reader to such an extent as Mr. Fet’s poem “Whisper, timid breathing” (30; 331).

The opinion of L. N. Tolstoy, who highly appreciated Fet's poetry, is interesting: “This is a masterful poem; there is not a single verb (predicate) in it. Every expression is a picture.<…>But read these verses to any peasant, he will be perplexed, not only what is their beauty, but also what is their meaning. This is a thing for a small circle of gourmets in art ”(33; 181).

Let's try to determine how Fet achieves that "every expression" becomes a "picture", how he achieves striking effect the moment of what is happening, the feeling of lasting time and, despite the absence of verbs, the presence of internal movement in the poem, the development of the action.

Grammatically, the poem is one, passing through all three stanzas. exclamatory sentence. But our perception of it as an indivisible text unit is firmly fused with the feeling of its internally compact compositional integrity, which has a semantic beginning, development and culmination. The fractional enumeration, separated by commas, which may seem to be the main engine in the dynamics of experience, is in fact only an external structural mechanism. Main engine lyrical theme- in its semantic compositional development, which is based on constant comparison, correlation of two plans - private and general, intimate human and generalized natural. This transition from the image of the human world to the world around, from what is “here, nearby” to what is “there, around, far away”, and vice versa, is carried out from stanza to stanza. At the same time, the nature of the detail from the human world corresponds to the nature of the detail from the natural world.

The timid plot in the scene of a human date is accompanied by the first impressions that appear close to the scene of action, discreet details of the night world:

Whisper, timid breath,

trill nightingale,

Silver and flutter

Sleepy stream…

In the second stanza, the poet's gaze expands, capturing larger, more distant, and at the same time generalized, more indefinite details. These changes are immediately reflected in the details of the image of a person - foggy, blurry:

Night light, night shadows,

Shadows without end

A series of magical changes

Sweet face...

In the final four lines, the concreteness of the image of nature and its generalization merge, creating the impression of the vastness, voluminousness of the world (in the poet's field of vision is the sky engulfed by dawn). The state of a person in itself becomes one of the details of this world, organically enters into it, being filled with its general content:

In smoky clouds purple roses,

reflection of amber,

And kisses, and tears,

And dawn, dawn!..

Personal human experience is invariably accompanied by something more, the human world is in merger with the world of nature. And the final exclamation “And the dawn, the dawn! ..” serves as a closing link of both plans, being an expression highest point tension of human feeling and the most beautiful moment in the life of nature.

Both plans are manifested respectively in the coexistence and alternation of two visual rows, in a peculiar montage of visible pictures, frames: enlarged, close, detailed pictures are replaced by distant, “blurred”, general ones. Thus, the flow of feeling here has not only a temporal extension, but, being transmitted through a change of visual images, it also acquires a spatial characteristic, a spatial structure. The poem is a "series of magical changes" both in time and space.

Fet's work is unusually picturesque, it has several small canvases on its common canvas, equal to the local viewing sector, a fragment of reality, limited by the poet's gaze. Together, these canvases are framed by a single "frame" of a given poetic mood.

Interpenetration and internal development The color symphony in the poem fully corresponds to human and natural plans: from muted, “diluted” colors (“silver ... streams”, “night light, night shadows ...”) - to bright, sharply contrasting tones in the finale (“In smoky clouds, the purple of a rose , Reflection of amber…”). This evolution in Fet's pictorial means actually expresses the flow of time (from night to dawn), which is not grammatically embodied in the poem. In parallel, in the direction of expression, the poet’s feeling, mood, the very nature of his perception of man and nature develops (“And kisses, and tears, And dawn, dawn! ..”). It becomes obvious how wrong those contemporaries of Fet were who believed that the essence of the poem "Whisper, timid breathing ..." will not change if you rewrite it in the reverse order - from the end to the beginning. They did not see the internal patterns of development of the lyrical theme, which determine the structure of the poem and make its fundamental existence possible.

The poem is absolutely devoid of analytical moments, it captures the feelings of the poet. There is no specific portrait of the heroine, and the vague signs of her appearance, in fact, are conveyed through the impressions of the author himself and dissolve in the stream of his own feeling(this affects individual property Fet's poetic handwriting).

In almost every noun, designed to convey the state of man and nature in this moment, movement is potentially enclosed, dynamics is hidden. What we have before us is, as it were, motion itself frozen, a process molded into a mould. Thanks to this quality of the nouns listed in the poem, the impression of continuous development, change is created, and the enumeration in itself contributes to escalating tension.

The first and third stanzas contain not only visual, but also sound pictures, picturesque images here also have a sound characteristic (this even applies to the lines “Silver and the swaying of the Sleepy Stream ...”). The second stanza, in contrast to them, creates the impression of absolute silence. Such a sound, or rather, auditory image of the world further enhances " living life poems, forming a kind of psychological space in it. All means in the poem are mobilized to convey the very process of "lasting" lyrical experience.

A certain stability is characteristic of the creative manner of the mature Fet; he remained faithful to most of his artistic principles until the end of his life. One of the confirmations of this conclusion is a poem written in the eighties - "This morning, this joy ...". Just like "Whisper, timid breath ...", it is a verbless enumeration and is built in the form of one sentence, pronounced in one breath and expresses the subtlest shades of a single emotion.

Fet's confession made at the end of his life is interesting (December 30
1888. Letter to Y. Polonsky), but as if sending us back,
by 1850, by the time the poem "Whisper, timid breath ..." appeared:

“He who reads only a few of my poems will be convinced that my pleasure consists in striving against everyday logic and grammar only because of the fact that I hold on to them. public opinion, to whom it is so sweet for me to put a hussar in the nose ”(29, 450-451).

A. A. Fet is a poet who has admired the beauty of nature all his life. He wrote down his enthusiastic attitude in poems. But often in his works the theme of nature and love were woven together, because Afanasy Afanasyevich believed that a person should live in harmony with nature. The reader sees such a connection in the poem "Whisper, timid breath", an analysis of which is presented below.

Title fixes

The analysis of the poem "Whisper, timid breath" should begin with the fact that during the publication this work was somewhat modified. Meet various options title writing. This is due to a change in the rules in spelling. And some adjustments were made by I. S. Turgenev, who published the poem in a magazine in 1850.

The writer changed some lines, believing that the poem would sound more harmonious. Turgenev often corrected Fet's poems in such a way that they did not always benefit them. Because the poet had his own, special style.

Some believe that this work, like many others, Fet dedicated to his beloved Maria Lazich. This love ended tragically, but Afanasy Afanasyevich continued to remember her. This poem is one of the best creations of the poet, in which the beauty of nature is intertwined with human feelings, which gave the work a special charm.

Composition features

Analysis of the poem "Whisper, timid breath" should be continued compositional features. Despite the apparent simplicity and the absence of any plot, the reader does not perceive it as a list of words, because this work has a complete composition, with its inherent beginning, climax and ending.

The verse consists of three stanzas, and each refers to a specific element of the composition. At the very beginning, the poet describes the sleepy nature, which begins its awakening with nightingale trills. Also behind the first line you can guess the images of lovers who came on a date.

In the next stanza, there is a denouement - there is a change of night in the morning. But they replace each other in a matter of moments. And the poet depicts this play of light and shadow on the sweet hero's face. And in the last stanza, the intensity of passions reaches its peak, just like the beauty of nature - the dawn appears, a new day begins. With more detailed analysis poem "Whisper, timid breath" you can see that it has a story about two lovers, watching together the beauty of nature.

Motif of love

In the analysis of the poem "Whisper, timid breath" by Fet, it should be noted that, in parallel with the description of the change of night and morning, the development of a love line also occurs. Although the work does not mention any lovers, the reader understands by subtle hints that we are talking exactly about them.

These are two lovers who rarely meet, and for them every date is exciting. The very first line in the work speaks of this. The hero treats his dear with tenderness and warmth. These feelings are reflected in a line that mentions the play of light and shadow on a pretty face.

In the last stanza, the lovers are already bolder, their passion flares up more and more. Just like the dawn is getting brighter. And tears are caused by separation, because with the onset of morning they have to part. So in his poem, the poet very subtly and delicately touches on an intimate topic, which in the 19th century was a bold decision.

Comparison of two topics

In the analysis of Fet's poem "Whisper, Timid Breath", it is important to note that the lyrical motive in the work develops due to the constant comparison of two themes. These are the themes of landscape and love lyrics. Each of these lines develops in parallel, which makes the work richer, more expressive.

Throughout the poem, development occurs in the direction from smaller to larger. If at the very beginning there was timidity, embarrassment between the characters, and nature was still sleeping, then there is a gradual increase in the intensity of emotions. And at the same time, the hero's perception of nature is expanding. His gaze covers more and more, as if with intensification of feelings, he understands the natural beauty more subtle and deeper. This emphasizes the poet's opinion that a person should live in harmony with the outside world.

Poetic meter and method of rhyming

AT brief analysis poem "Whisper, timid breath" one of the points is the size of the poem and the way it rhymes. This work written in four-foot trochaic. It consists of three stanzas, each with four lines. The way of rhyming is cross.

Features in creating images

In a brief analysis of Fet's poem "Whisper, timid breath" it is worth noting how, with the help of colors the poet managed to give his creation even more expressiveness and lyricism. Here, as in the case of the plot, the reader sees a gradual gradation. At the very beginning, a calm, muted shade was chosen - silver.

In the second stanza, the poet continues to adhere to this scale, and the outline of the images themselves is still rather blurry and unclear. But there is already confusion. various shades(describes the play of light and shadow). In the final lines, the reader already notices the brightness of colors (purple, amber), which correspond to a beautiful phenomenon - dawn. Thus, the color scheme complements the lyricism of the picture described in the poem.

Literary tropes and means of expression

An important point in linguistic analysis Fet's poem "Whisper, timid breathing" is its speechlessness. So the poet focuses only on sensations, and actions remain behind the scenes. And this wordlessness gives the poem a special smooth rhythm, unhurriedness.

The epithets chosen by the poet very accurately reflect emotional condition heroes. And the use of personification in the description of the surrounding world emphasizes the idea of ​​the unity of man and nature. Metaphors give the poem more lightness, weightlessness, make thinner edge between two lovers.

Many poems by Afanasy Afanasyevich formed the basis of romances due to their special musicality. And in this poem, the poet resorted to the melody of words: alliteration and assonance gave the lines melodiousness, smoothness. And the conciseness of phrases gives the work a touch of personal spiritual conversation.

Criticism of the poem

Not all of Fet's contemporaries were able to appreciate his creation. Many criticized the narrowness of his thinking, the absence of any action in the poem. At that time, society was already talking about revolutionary ideas, about the need for reforms, so contemporaries did not like the theme chosen by the poet for his work. They said that his creation is absolutely unprincipled, and his main topic already commonplace and uninteresting.

Also, for some critics, the poem was not expressive enough. Not everyone was able to appreciate the purity and lyricism of the description of the poet's experiences. Indeed, for that time, Fet, who boldly wrote a poem in such a concise form, touching on quite intimate details, seemed to defy society. But there were those who were able to appreciate the beauty and purity of this creation.

An analysis of the poem "Whisper, timid breath" according to the plan shows the reader how original the style of A. A. Fet is. This work is one of his best creations, in which the poet touched on his personal intimate experiences, describing all this, using all the beauty and richness of the Russian language.