The protagonist of Turgenev's story, on behalf of whom the narration is being conducted, is a twenty-five-year-old rich man who travels, speaking his in my own words, "without any purpose, without a plan." The young man is unfamiliar with painful thoughts about the meaning of existence. The only thing that guides the hero in life is his own desire: "I was healthy, young, cheerful, my money was not transferred, worries did not have time to start - I lived without looking back, did what I wanted, prospered, in a word, - the narrator admits "... I lived without looking back."

"Without looking back" is an indicator of the degree of his social emancipation, which is determined not only and not so much by the unburdenedness of all kinds of worldly worries and the absence of thoughts about tomorrow, but by a certain freedom in terms of moral and ethical.

"Without looking back" means not thinking about the consequences of one's actions, "not taking responsibility for the fate of one's neighbor."

"Without looking back" implies, therefore, absolute freedom of will and action without any moral obligations on their part.

As you can see, the character of the hero of the story from the very beginning is set by the author as rather contradictory. On the one hand, the attunement to the wave of his own desires testifies to the well-known selfishness of his nature. At the same time, the deep inner need of the hero is an attraction to society, and this contradicts egoism. He is guided by curiosity, a genuine interest in the world, in people: "It amused me to observe people ... but I didn’t even observe them, I examined them with some kind of joyful and insatiable curiosity." However, the hero's aspiration to meet people is partly imaginary, because the role of an outside observer implies a certain elevation above the surrounding people, isolation from society. But at the same time, along with the desire to take the position of the leader, he does not feel the slightest discomfort from the position of the follower: “In the crowd it was always especially easy and gratifying for me; it was fun for me to go where others were going, to shout when others shouted, and at the same time I loved to watch these others scream." We note that in the end, it was precisely the statement, which turned out to be the freedom of expression of the hero’s will, it was precisely the dependence on the opinion of the “crowd”, on common social class prejudices that prevented the hero from finding happiness: having fallen in love, he did not dare to connect his fate with a girl of a lower origin, the illegitimate daughter of a landowner.

Turgenev masterfully shows the origin and evolution of love feelings in the hero. At the first meeting, the girl whom Mr. N. saw seemed to him very pretty.

Next - a conversation in the Gagins' house, Asya's somewhat strange behavior, Moonlight night, a boat, Asya on the shore, throwing an unexpected phrase: "You drove a pillar into the moon, you broke it ...", the sounds of a Lanner waltz - this is enough for the hero to feel unreasonably happy. Somewhere in the depths of his soul, the thought of love is born in him, but he does not give it a go. Soon, with pleasure, even with hidden complacency, the hero begins to guess that Asya loves him. He drowns in this blissful sweet feeling, not wanting to look into himself and speed things up. Asya is not like that. Having fallen in love, she is ready for the most extreme decisions. And these decisions are required from the hero. But when Gagin starts talking about marriage, N.N. again leaves the answer, as he once left him in a conversation with Asya about wings. After reassuring Gagin, he begins to interpret "as calmly as possible" about what should be done in connection with Asya's note. And then, left alone, thinking about what had happened, he remarks: "Her love made me both happy and embarrassed ... The inevitability of a quick, almost instantaneous decision tormented me ...". And he comes to the conclusion: "Marrying a seventeen-year-old girl, with her disposition, how can this be!"

The structure of the narrator's image in the story is very complex. According to the first sentence of the story, we understand that this story was written down from the words of N.N. The one who supposedly wrote it down reveals himself with just two words: "... began N.N." Then N.N. tells the story of his love, at that time he was probably about fifty years old. Several N.N. coexist in the story at the same time:

N. N. fifty years old;

N.N., twenty-five years old - as he was in reality (found in actions);

N. N. at twenty-five years old - the way N. N. sees him at fifty years old (discovered through attempts at introspection).

The story takes the form of memories shared by N.N. twenty-five years after meeting Asya. The temporary distance is necessary for Turgenev in order to give the aged hero the opportunity to look at himself from the outside, to pass judgment on himself.

Thus, the reader sees N. N. - a young man of about twenty-five, cheerful, carefree, living for his own pleasure. He subtly feels the beauty of nature, is observant, well-read, has acquired knowledge in the field of painting and music, is sociable, has an interest in the world around him, in people. But he is indifferent to work, and he does not need it. Nevertheless, with all his strengths and weaknesses, he managed to touch Asya's heart.

At the time of the creation of the story "Asya" (1859), I. S. Turgenev was already considered the author of a significant influence on public life in Russia. The social significance of Turgenev's work is explained by the fact that the author gave the gift of seeing actual social and moral problems in ordinary events. Such problems are also touched upon by the writer in the story "Asya".

The plot of Asya is extremely simple. A certain gentleman meets a girl, falls in love with a dog, dreams of happiness, but does not immediately dare to offer her a hand, but having decided to find out that the girl has left forever, disappearing from his life. There are few events in the story, the author focuses on the experiences of the characters. From the point of view of the author, the features of psychology and life position the heroes of "Asia" - Gagin and N. N. - characterize the moral state modern society in particular, the modern nobility paint a spiritual portrait of the Russian people.

The story of failed love described in "Ace" begins in Germany. N. N. - a young man of twenty-five, an attractive and rich nobleman, travels around Europe "without any purpose without a plan" and in one of the German cities he accidentally hears Russian speech at a holiday. He meets a pretty young couple - Gagin and his sister Asya, a sweet girl of about seventeen. Asya captivates the narrator with her childish immediacy and emotionality.

In the future, he becomes a frequent visitor to the Gagins. Asya’s brother makes him sympathetic: “It was a straight Russian soul, truthful, honest, simple, but unfortunately a little sluggish ...” He tries to paint, but none of his sketches are smoky (although they have “a lot of life and truth”) - Gagin explains this by the lack of discipline "damned Slavic licentiousness." But the author suggests that perhaps the reason lies elsewhere - in the inability to complete what has been started, in some laziness, in the tendency to replace deeds with conversations. These features are characteristic of both Gagin and the main character, as the episode in the valley convinces. Going "to sketches", Asin's brother announced that he would draw from nature, N. N. took a book with him. However, the whole idea ended with the fact that the young people lay down on the grass and began to "subtly" talk about "how exactly it should work" and what is "the meaning of the artist in our age."

Asya does not look like Gagin. Unlike her brother, who, according to the narrator, lacked "tenacity and inner heat," she did not have a single feeling "half." The character of the girl is largely due to her fate. Asya is the bastard daughter of Gagin Sr. from the maid. After the death of her mother, the girl lived with her father, and when he died, he passed into the care of his brother. Asya painfully perceives her false position. She is very nervous, vulnerable, especially in the fact that it can hurt her pride.

If Asya differs in character from her brother, then in the narrator, on the contrary, there are similarities with Gagin. In N. N.'s love for Asya, with his hesitation, doubts, fear of responsibility, as in Gagin's unfinished sketches, some recognizable signs of "Slavic" internal chaos are seen. At first, the hero of the enchanted Asya is tormented by the suspicion that she is not Gagin's sister. Then, when he learns Asya's story, her image is illuminated for him by a "captivating light". However, he is embarrassed and confused by the direct question of Asya's brother: “But ... you won’t marry her?” The hero is frightened by “the inevitability of ... a decision”, besides, he is not sure that he is ready to connect his life with this girl.

The climax in the story is the scene of N.N.'s meeting with Asya. Common sense does not allow Mr. N. N. to say the words that a girl in love expects from him. Learning in the morning that the brother and sister left the city 3. the hero feels deceived. He calls himself a "madman" suffers from the consciousness that he made a mistake listening to the voice of reason and forever deprived himself of the happiness of being with Asya.

At the decisive moment of his life, the hero turned out to be incapable of moral effort and discovered his human inadequacy. In the story, the author does not directly speak about the decline of the Russian nobility and its inability to take responsibility for the future of the country, but the writer's contemporaries felt the sound of this theme in the story.

However, the content of "Ashi" is not exhausted. psychological research certain social phenomenon. The story also touches upon problems that have a timeless, extra-social character, and above all, the problem of true and false values. Even in episodes not directly related to the movement of the plot, Turgenev sought to express his sense of the richness of the world of the beauty of a person who "is the highest moral value." The limitations of the mind of disharmony human relations in the story, the life of the soul is contrasted with its ability to reject the false and strive for the true.

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There is no doubt that Turgenev knew to the subtleties the psychology of an intellectual, brought up in an atmosphere of romantic and philosophical disposition. Even before "Rudin" he portrayed the funny side of this type in the story "Andrei Kolosov", in the stories "Tatyana Borisovna and her nephew" and "Hamlet of the Shchigrovsky district" ("Notes of a hunter").

For more than fifty years, the Russian writer Ivan Sergeevich Turgenev was at the center of the social and spiritual life of Russia and Western Europe. According to Turgenev himself, he "during all this time ... sought to translate into proper types both what Shakespeare calls the very image and pressure of time, and that rapidly changing physiognomy of the Russian people of the cultural layer, which mainly served as the subject of his observations."

Listing the names of nineteenth-century classic writers, one cannot fail to mention Alexei Feofilaktovich Pisemsky. Starting in 1850, critics began to mention his name next to the names of Turgenev, Goncharov, Grigorovich.

Composition The plot and problems of the story. The Enchanted Wanderer Composing The plot and problems of the story. The Enchanted Wanderer alignjustifyComposing The plot and problems of the story. The Enchanted WandererLeskov's story The Enchanted Wanderer appeared in the year as a result of the author's search for an answer to the question of whether there are righteous people on earth.

Belyaev is the hero of the comedy by I. S. Turgenev A month in the village, the original edition under the name. Student Two women. Aleksey Nikolaevich B. is a student taken for the summer months by a teacher to his son. Islayev. Turgenev nominates B.

Author: Turgenev I.S. “What can be said about all the works of Turgenev in general? Is it that reading them is easy to breathe, easy to believe, warmly felt? What do you clearly feel, how the moral level in you rises, that you mentally bless and love the author? It is this impression that these transparent images, as if woven from air, leave behind, this is the beginning of love and light, beating with a living spring in every line, ”the great Russian satirist M.E. Saltykov-Shchedrin spoke about Turgenev’s work.

Roman I.S. Turgenev's "Nest of Nobles" became for the author the approval of her system moral values. He is close to the position of his hero, Fyodor Ivanovich Lavretsky, a modest and honest man, kind, sincere. Deeply disappointed in family life and returning to Russia, so as not to meet with his wife again, Fedor Ivanovich believes that his home is "to plow the land and try to plow it as best as possible."

N. G. Chernyshevsky begins his article “Russian Man on Rendez Vous” with a description of the impression made on him by I. S. Turgenev’s story “Asya”. He says that against the backdrop of stories of a businesslike, revealing kind that prevailed at that time, leaving a heavy impression on the reader, this story is the only a good thing. “The action is abroad, away from all the bad atmosphere of our home life.

The hero of the story "Asya" I.S. Turgenev is a young man of twenty-five years old, on behalf of whom the story is being told. It should be noted that the narrator is much older, he simply recalls his youth and the love story that happened to him.

The story of L. A. Kassil "Konduit and Shvambrania" tells about the adventures of two underage "knights" from the provincial town of Pokrovsk - the brothers Leva and Ose. They came up with a just country Shvambrania. This fantastic country, located on the place "where the earth is rounded", had its own coat of arms and flag, under which the dreamers made their amazing journeys.

The story of I. S. Turgenev "Asya" is sometimes called the elegy of an unfulfilled, missed, but such a close happiness. The plot of the work is simple, because the author cares not external events, a peace of mind heroes, each of which has its own secret. In revealing the depths spiritual states loving person the author is also helped by the landscape, which in the story becomes the “landscape of the soul”.

The story "Shot" is distinguished by a multi-level composition, which is created by several narrators and a complex plot. A. S. Pushkin himself is on the top rung of the compositional ladder. But he, as it were, transfers the right to become an author to Ivan Petrovich Belkin, which is why he calls his works, which includes The Shot, Belkin's Tales.

The plot of this fabulous story by A. N. Tolstoy is based on the struggle of Pinocchio and his friends with Karabas Barabas, Duremar, the fox Alice and the cat Basilio - the struggle for mastery of the golden key, which for Karabas Barabas is a symbol of wealth, power over the poor. For Pinocchio, Papa Carlo, the poodle Artemon, Piero and Malvina, the golden key is a symbol of freedom.

A. Pogorelsky's story-tale has an unusual plot, in which the real is intertwined with the fantastic. The real is the life of a ten-year-old boy Alyosha in a boarding house in St. Petersburg, the fantastic is his dreams of the underground kingdom of the gnomes.

The fate of Gerasim (based on the story "Mumu" by I.S. Turgenev) Author: Turgenev I.S. Gerasim was "the most remarkable person." The author wrote about him: "A man 12 inches tall, built by a hero and deaf-mute from birth." He was gifted with extraordinary strength. He worked for four - everything was arguing in his hands. That's how Gerasim differed from the other servants of the lady, who was afraid of him.

My perception of I.S. Turgenev's story "Asya" Author: Turgenev I.S. Recently I read the story of Ivan Sergeevich Turgenev "Asya". I didn’t know what she was talking about, and when I saw the title, I thought that it would be on behalf of the main character, Asya. But apparently I was wrong.

The image of the Turgenev girl in the story "Asya" Author: Turgenev I.S. Ivan Sergeevich Turgenev had the ability to clearly see and deeply analyze the contradictions of that psychology and that system of views that was close to him, namely, liberal. These qualities of Turgenev, an artist and psychologist, appeared in the story "Asya", in which the author, in essence, reveals weak sides character developed on the basis of noble liberalism.

My reading of the story "Asya" Author: Turgenev I.S. The great Russian writer Turgenev Ivan Sergeevich was sailing in a boat along the Rhine River past a small ruin and saw a two-story house. An old woman was looking out of a lower-floor window, and a pretty girl's head was poking out of an upper-floor window. He began to invent who this girl is, what she is, what her relationship with the old woman is.

The plot, characters, problems of "Belkin's Tales" by A.S. Pushkin. Author: Pushkin A.S. In the development of Russian artistic prose, the fundamental importance of Alexander Sergeevich Pushkin, perhaps, is especially great. Here he had almost no predecessors. Prosaic literary language was also at a much lower level compared to poetry.

Characteristics of Liza and Erast (based on the story by N.M. Karamzin " Poor Lisa") Author: Karamzin N.M. In the story "Poor Liza" Karamzin touches on the topic of confrontation between the city and the countryside. In it, the main characters (Lisa and Erast) are examples of this confrontation.

The meaning of the title of the novel by I. S. Turgenev "Fathers and Sons" Author: Turgenev I.S. Turgenev's opinions and judgments ... only provide materials for characterizing the past generation in the person of one of its best representatives.

APPROVED Head of Department educational programs and standards general education A.V. Barannikov Sets of essay topics for a written exam in literature

"When I turned last page I. S. Turgenev's story "Asya", I got the feeling that I had just read a poem or heard a gentle melody ”- this is how many speak about this story.

In the story of I.S. Turgenev "Asya" tells the story of the main character, whom the author conventionally calls N.N. The narration is conducted on behalf of N.N., and it is clear to the reader that we are talking about past events. The hero of the present, who has matured and experienced a lot, is critical of himself then, twenty-five years old.

The most important thing in the work is the poetization of love as the most beautiful, sublime feeling, love as an eternal human value. The talent and skill of Turgenev allow us to make sure that the feelings experienced by his heroes in the last century are quite an act.

"Asia" Heroes
A Russian boy and girl meet abroad, in a small German town. Southern Germany, the banks of the Rhine were famous for the beauty of the landscape, interesting tourist routes, caring service of fashionable hotels.

Mr N.

The protagonist of the work, it is he who tells us the story of his acquaintance with the strange girl Asya.
The hero is 25 years old, he travels around Europe, enjoying freedom, wealth and youth. In almost every town he has a lady of the heart
Before meeting Asya, he feels love in his heart for a beautiful widow who rejected him.
In one German town, the hero meets Asya and Gagin. Good relations are established between them, N. becomes a welcome guest in the house of Asya and Gagin. Between Asya and N. gradually arises strong feeling. The heroine is ready to do anything for love, but N. was afraid of responsibility.
Later, the hero regrets his betrayal and wants to fix everything, but he missed his chance. Asya will tell him about this in a farewell note. Knowing N well enough, Gagin and his sister decided to leave without waiting for an answer. They understood that Mr. N was not yet ripe for such important decision, and in time he will regret it.
In a fit of feeling, the hero rushed to catch up with Asya, but fate decreed that he would not find them.
He consoled himself with the thought that he probably would not be happy with such a wife. last chapter In the story, we learn that the hero never met his love, he lives as a lonely bean and still keeps the memory of Asa.
Among the numerous series of women that he had, only this girl left a deep mark on his soul.

A young girl living in the same German town with her brother Gagin.
environment with a wild, original disposition, intelligence, emotionality, impetuosity. "Asya was extremely quick-witted, she studied excellently, best of all; but she did not want to come under general level, stubborn, looked beech ... ".
for the sake of love is ready for anything.
She has a deep strong feeling for Mr. N. A. confesses her love to him and says that she is ready to follow him to the ends of the world.

Gagin
Asya's older brother, a traveling Russian nobleman, an amateur artist.
Owning a significant fortune and not depending on anyone, he decides to devote himself to painting and for this he wanders around Europe.
He is soft, kind and sweet.
This is "the Russian soul, truthful, honest, simple, but, unfortunately, a little sluggish, without tenacity and inner heat"

Asya and Gagin's father
was a man "very kind, intelligent, educated - and unhappy." Having lost his wife early, he transferred all his love to his son. Gagin Sr. "was raising himself and would never have parted" with his only child. But the capital's relatives convinced the father to give a "decent son" noble education.

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The story of I. S. Turgenev "Asya" tells how the acquaintance of the protagonist, Mr. N. N. with the Gagins, develops into a love story, which turned out to be a source for the hero of both sweet romantic languor and bitter torment, then, over the years, lost their sharpness, but doomed the hero to the fate of a bean.

Interesting is the fact that the author refused the name of the hero, and there is no portrait of him. There are different explanations for this, but one thing is certain: I. S. Turgenev transfers the emphasis from the external to the internal, plunging us into soul feelings hero. From the very beginning of the story, the writer evokes sympathy among readers and trust in the hero-narrator. We learn that this is a cheerful, healthy, rich young man who loves to travel, observe life, people. He recently experienced a love failure, but with the help of subtle irony, we understand that love was not real love but just entertainment.

And here is the meeting with Gagin, in which he felt your soul mate, the proximity of interests to music, painting, literature. Communication with him and his sister Asya immediately set the hero in a sublime romantic mood.

On the second day of their acquaintance, he carefully observes Asya, who both attracts and causes him a feeling of annoyance and even hostility with inexplicable, free actions. The hero is not aware of what is happening to him. He feels some kind of vague unease, which grows into an incomprehensible anxiety; then a jealous suspicion that the Gagins are not relatives.

Two weeks of daily meetings have passed. N. N. is more and more upset by jealous suspicions, and although he was not fully aware of his love for Asa, she gradually took possession of his heart. He is overwhelmed during this period with persistent curiosity, some annoyance at the mysterious, inexplicable behavior of the girl, the desire to understand her inner world.

But the conversation of Asya and Ganin, overheard in the gazebo, makes N. N. finally realize that he was already captured by a deep and anxious feeling love. It is from him that he leaves for the mountains, and when he returns, he goes to the Ganins, after reading a note from brother Asya. Having learned the truth about these people, he instantly regains his lost balance and thus defines his emotional condition: “I felt some kind of sweetness - it was sweetness in my heart: it was as if honey was secretly poured into me ...” The landscape sketch in chapter 10 helps to understand psychological condition hero on this significant day, becoming the "landscape" of the soul. It is at this moment of merging with nature in the inner world of the hero that new turn: what was vague, disturbing, suddenly turns into an undoubted and passionate thirst for happiness, which is associated with the personality of Asya. But the hero prefers to give himself thoughtlessly to incoming impressions: "I'm not only about the future, I didn't think about tomorrow, I felt very good." This indicates that at that moment N.N. was ready only to enjoy romantic contemplation, he did not feel in himself that it removes prudence and caution, while Asya had already “grown wings”, a deep feeling came to her and irresistible. Therefore, in the meeting scene, N.N. seems to be trying to hide behind reproaches and loud exclamations his unpreparedness for a reciprocal feeling, his inability to surrender to love, which so slowly matures in his contemplative nature.

Having parted with Asya after an unsuccessful explanation, N.N. still does not know what awaits him in the future "loneliness of a familyless bean", he hopes for "tomorrow's happiness", not knowing that "happiness does not tomorrow... he has a present - and that is not a day, but an instant. N.N.'s love for Asya, obeying a whimsical game of chance or a fatal predetermination of fate, will flare up later, when nothing can be corrected. The hero will be punished for not knowing love, for doubting it. “And happiness was so close, so possible…”

• The story of I. S. Turgenev "Asya" is sometimes called the elegy of an unfulfilled, missed, but such a close happiness. The plot of the work is simple, because the author is not interested in external events, but in the spiritual world of the characters, each of which has its own secret. In revealing the depths of the spiritual states of a loving person, the landscape also helps the author, which in the story becomes the “landscape of the soul”. Here we have the first picture of nature, introducing us to the scene, a German town on the banks of the Rhine, given through the perception of the protagonist. […]
• Turgenev's girls are heroines whose minds, richly gifted natures are not spoiled by the light, they retained the purity of feelings, simplicity and sincerity of the heart; they are dreamy, spontaneous natures without any falsehood, hypocrisy, strong-willed and capable of difficult accomplishments. T. Vinynikova I. S. Turgenev calls his story by the name of the heroine. However, the real name of the girl is Anna. Let's think about the meanings of the names: Anna - "grace, good looks", and Anastasia (Asya) - "born again". Why is the author […]
• N. G. Chernyshevsky begins his article “Russian Man on Rendez Vous” with a description of the impression made on him by I. S. Turgenev’s story “Asya”. He says that against the backdrop of stories of a businesslike, revealing kind prevailing at that time, leaving a heavy impression on the reader, this story is the only good thing. “The action is abroad, away from all the bad atmosphere of our home life. All the characters in the story are among the best among us, very educated, extremely humane, […]
• Dueling test. Bazarov and his friend again pass through the same circle: Maryino - Nikolskoye - parental home. Outwardly, the situation almost literally reproduces the one on the first visit. Arkady enjoys summer vacation and, having barely found an excuse, returns to Nikolskoye, to Katya. Bazarov continues natural science experiments. True, this time the author expresses himself in a different way: "The fever of work came upon him." The new Bazarov abandoned intense ideological disputes with Pavel Petrovich. Only occasionally throws enough […]
• The disputes between Bazarov and Pavel Petrovich represent the social side of the conflict in Turgenev's novel Fathers and Sons. Here they collide not only different views representatives of two generations, but also two fundamentally different political points vision. Bazarov and Pavel Petrovich find themselves different sides barricades in accordance with all parameters. Bazarov is a raznochinets, a native of a poor family, forced to make his own way in life on his own. Pavel Petrovich is a hereditary nobleman, keeper of family ties and […]
• In 1852, I.S. Turgenev wrote the story "Mumu". Main character story - Gerasim. He appears before us as a man with a kind, sympathetic soul - simple and understandable. Such characters are found in Russian folk tales and are distinguished by their strength, prudence and sincerity. For me, Gerasim is a vivid and accurate image of the Russian people. From the first lines of the story, I treat this character with respect and compassion, which means that I treat all the Russian people of that era with respect and compassion. Peering […]
• Tolstoy in his novel "War and Peace" presents us with many different heroes. He tells us about their life, about the relationship between them. Already almost from the first pages of the novel, one can understand that of all the heroes and heroines, Natasha Rostova is the writer's favorite heroine. Who is Natasha Rostova, when Marya Bolkonskaya asked Pierre Bezukhov to talk about Natasha, he replied: “I don’t know how to answer your question. I absolutely do not know what kind of girl this is; I can't analyze it at all. She is charming. And why, […]
• The image of Bazarov is contradictory and complex, he is torn apart by doubts, he is experiencing mental trauma, primarily due to the fact that he rejects the natural principle. The theory of life of Bazarov, this extremely practical person, physician and nihilist, was very simple. There is no love in life physiological need, there is no beauty - it's just a combination of the properties of the body, there is no poetry - it is not needed. For Bazarov, there were no authorities, and he weightily proved his point of view until life convinced him. […]
• Inner world Bazarov and his external manifestations. Turgenev draws a detailed portrait of the hero at the first appearance. But strange thing! The reader almost immediately forgets individual facial features and is hardly ready to describe them in two pages. The general outline remains in memory - the author presents the hero's face as repulsively ugly, colorless in colors and defiantly wrong in sculptural modeling. But he immediately separates facial features from their captivating expression (“Livened up with a calm smile and expressed self-confidence and […]
• Arkady and Bazarov are very different people, and the friendship that has arisen between them is all the more surprising. Despite belonging to the same era, young people are very different. It must be taken into account that they initially belong to different circles of society. Arkady is the son of a nobleman, he early childhood absorbed what Bazarov despises and denies in his nihilism. Kirsanov's father and uncle are intelligent people who value aesthetics, beauty and poetry. From the point of view of Bazarov, Arkady is a soft-hearted "barich", a weakling. Bazarov does not want […]
• The most prominent female figures in Turgenev's novel "Fathers and Sons" are Anna Sergeevna Odintsova, Fenechka and Kukshina. These three images are extremely unlike each other, but nevertheless we will try to compare them. Turgenev was very respectful of women, perhaps that is why their images are described in detail and vividly in the novel. These ladies are united by their acquaintance with Bazarov. Each of them contributed to changing his worldview. The most significant role was played by Anna Sergeevna Odintsova. She was destined to […]
• Turgenev's novel "Fathers and Sons" appears in the February book of the Russkiy Vestnik. This novel, obviously, constitutes a question ... refers to young generation and loudly asks him the question: “What kind of people are you?” This is the true meaning of the novel. D. I. Pisarev, Realists Yevgeny Bazarov, according to I. S. Turgenev’s letters to friends, “the cutest of my figures”, “this is my favorite brainchild ... on which I spent all the paints at my disposal.” "This smart girl, this hero" appears before the reader in kind […]
• In the novel by I.S. Turgenev “Fathers and Sons”, the main character is Yevgeny Bazarov. He proudly says that he is a nihilist. The concept of nihilism means this kind of belief, which is based on the denial of everything accumulated over time. long centuries cultural and scientific experience, all traditions and ideas about social norms. History of this social movement in Russia is associated with the 60-70s. 19th century, when there was a turning point in society in traditional social views and […]
• Two mutually exclusive statements are possible: “Despite the outward callousness and even rudeness of Bazarov in his treatment of his parents, he dearly loves them” (G. Byaly) and “Is not that spiritual callousness that cannot be justified manifested in Bazarov’s attitude towards his parents.” However, in the dialogue between Bazarov and Arkady, the dots over the i are dotted: “- So you see what kind of parents I have. The people are not strict. - Do you love them, Eugene? - I love you, Arkady! Here it is worth recalling the scene of Bazarov's death, and his last conversation with […]
• Kirsanov N.P. Kirsanov P.P. Appearance A short man in his early forties. After an old fracture of the leg, he limps. Facial features are pleasant, the expression is sad. Handsome well-groomed middle-aged man. He dresses smartly, in the English manner. Ease in movements betrays a sporty person. Marital status Widower for over 10 years, very happily married. There is a young mistress Fenechka. Two sons: Arkady and six-month-old Mitya. Bachelor. Has been popular with women in the past. After […]
• The novel "Fathers and Sons" was created in an extremely difficult and conflict period. The sixties of the nineteenth century had several revolutions at once: the spread of materialistic views, the democratization of society. The impossibility of returning to the past and the uncertainty of the future have become the cause of an ideological and value crisis. The positioning of this novel as "acutely social", characteristic of Soviet literary criticism, also affects today's readers. Of course, this aspect is necessary […]
• In portraiture, Turgenev partly echoes Gogol. Portraits in Turgenev's novels are different. First, this is a detailed portrait with accurate description individual external signs, calculated mainly on the visual impression and accompanied by small comments. The hero or heroine that Turgenev portrays satirically usually appears, as in Gogol, when the appropriate background has already been drawn and the reader from the previous description of the situation has […]
• Ivan Sergeevich Turgeny is a famous Russian writer who gave Russian literature works that have become classics. The story "Spring Waters" refers to late period the author's creativity. The skill of the writer is manifested mainly in the disclosure psychological experiences heroes, their doubts and searches. The plot is based on the relationship between a Russian intellectual, Dmitry Sanin, and a young Italian beauty, Gemma Roselli. Revealing the characters of his heroes throughout the story, Turgenev brings […]
• I. S. Turgenev is a perceptive and perspicacious artist, sensitive to everything, able to notice and describe the most insignificant, small details. Turgenev perfectly mastered the skill of description. All his paintings are alive, clearly rendered, filled with sounds. Turgenev's landscape is psychological, connected with the experiences and appearance of the characters in the story, with their way of life. Undoubtedly, the landscape in the story "Bezhin Meadow" plays important role. We can say that the whole story is permeated with artistic sketches that determine the […]
• The novel by I. S. Turgenev "Fathers and Sons" contains a large number of conflicts in general. These include a love conflict, a clash of worldviews of two generations, social conflict and internal conflict Main character. Bazarov - the protagonist novel "Fathers and Sons" - a surprisingly bright figure, a character in which the author intended to show the entire young generation of that time. It should not be forgotten that this work is not just a description of the events of that time, but also deeply felt quite real […]